#: locale=en

## Action

### URL
LinkBehaviour_E4E15903_DF87_3B25_41E5_5653706912ED.source = https://mocajacksonville.unf.edu/
LinkBehaviour_D0232236_DEB4_3888_41BA_7450152DE72B.source = https://mocajacksonville.unf.edu/
LinkBehaviour_E4E1C903_DF87_3B25_4168_266B0D6A65AE.source = https://mocajacksonville.unf.edu/contact/
LinkBehaviour_D0228236_DEB4_3888_41EB_9B15549F35A1.source = https://mocajacksonville.unf.edu/contact/
LinkBehaviour_D12F0FB2_DEBC_4789_41E4_755015854B13.source = https://mocajacksonville.unf.edu/exhibitions/permanent-collection/armory-south.html
LinkBehaviour_CBFD791A_DF87_1B27_41D6_6E61E67AFE73.source = https://mocajacksonville.unf.edu/exhibitions/permanent-collection/armory-south.html
LinkBehaviour_F3045619_DF83_E925_418E_7462742B929A.source = https://mocajacksonville.unf.edu/exhibitions/permanent-collection/armory-south.html
LinkBehaviour_E4E19903_DF87_3B25_41E1_24EC8D8FED20.source = https://mocajacksonville.unf.edu/visit/
LinkBehaviour_D0235236_DEB4_3888_41C7_8E752815A814.source = https://mocajacksonville.unf.edu/visit/
LinkBehaviour_E4E10903_DF87_3B25_41E8_86745C543D73.source = https://www.360viewvirtualtours.com/moca
LinkBehaviour_D0244236_DEB4_3888_41DA_F1222B4133BB.source = https://www.360viewvirtualtours.com/moca

## Media

### Image
imlevel_0273EC40_302A_5997_41C0_27B67FBF61C6.url = media/ToggleZoomImage_60325600_1875_7C64_419E_ABBB61F42370_en_0_0.jpg
imlevel_02739C40_302A_5997_4199_A5F1E6AE46FA.url = media/ToggleZoomImage_60325600_1875_7C64_419E_ABBB61F42370_en_0_1.jpg
imlevel_0273BC40_302A_5997_41BD_DA2E64D584F6.url = media/ToggleZoomImage_60325600_1875_7C64_419E_ABBB61F42370_en_0_2.jpg
imlevel_0273AC40_302A_5997_41B8_F60D4183A256.url = media/ToggleZoomImage_60325600_1875_7C64_419E_ABBB61F42370_en_0_3.jpg
imlevel_02706C61_302A_5998_41C4_B11FF89B310A.url = media/ToggleZoomImage_610FC451_180A_9CE7_41AD_EDAFCB4AEB63_en_0_0.jpg
imlevel_02700C61_302A_5998_41BD_A9CCEB18E168.url = media/ToggleZoomImage_610FC451_180A_9CE7_41AD_EDAFCB4AEB63_en_0_1.jpg
imlevel_0271DC61_302A_5998_41BF_4DFE1996C11D.url = media/ToggleZoomImage_610FC451_180A_9CE7_41AD_EDAFCB4AEB63_en_0_2.jpg
imlevel_0271CC62_302A_5998_41BD_FDB6061BA363.url = media/ToggleZoomImage_610FC451_180A_9CE7_41AD_EDAFCB4AEB63_en_0_3.jpg
imlevel_028AD1B7_302A_6AF9_41C1_A4D14D76448F.url = media/ToggleZoomImage_6834B549_1875_7CE7_41B2_E70EAA94E927_en_0_0.jpg
imlevel_028AA1B7_302A_6AF9_41BF_9D5DD5DB3158.url = media/ToggleZoomImage_6834B549_1875_7CE7_41B2_E70EAA94E927_en_0_1.jpg
imlevel_028AB1B8_302A_6AF7_41C0_C62C915041E3.url = media/ToggleZoomImage_6834B549_1875_7CE7_41B2_E70EAA94E927_en_0_2.jpg
imlevel_028A61B8_302A_6AF7_41AE_254389A7AB65.url = media/ToggleZoomImage_6834B549_1875_7CE7_41B2_E70EAA94E927_en_0_3.jpg
imlevel_028A41C9_302A_6AA9_41C4_30DB9AAEF1D6.url = media/ToggleZoomImage_68DB0270_187A_94A4_41AE_D08619B29E9D_en_0_0.jpg
imlevel_028A11CA_302A_6AAB_41BE_143088C7D31B.url = media/ToggleZoomImage_68DB0270_187A_94A4_41AE_D08619B29E9D_en_0_1.jpg
imlevel_028BC1CA_302A_6AAB_41B6_CBE4A0DEA84D.url = media/ToggleZoomImage_68DB0270_187A_94A4_41AE_D08619B29E9D_en_0_2.jpg
imlevel_028BA1CA_302A_6AAB_41C0_645306041435.url = media/ToggleZoomImage_68DB0270_187A_94A4_41AE_D08619B29E9D_en_0_3.jpg
imlevel_028B51DA_302A_6AAB_41A5_1989340968DA.url = media/ToggleZoomImage_69845E32_187A_ACA5_4196_B8ECA85A88CB_en_0_0.jpg
imlevel_028B21DA_302A_6AAB_41A4_CE01056A00CB.url = media/ToggleZoomImage_69845E32_187A_ACA5_4196_B8ECA85A88CB_en_0_1.jpg
imlevel_028B11DA_302A_6AAB_4184_DCB3AFFDE6E6.url = media/ToggleZoomImage_69845E32_187A_ACA5_4196_B8ECA85A88CB_en_0_2.jpg
imlevel_0288E1DA_302A_6AAB_41B2_DD3EF957DE9E.url = media/ToggleZoomImage_69845E32_187A_ACA5_4196_B8ECA85A88CB_en_0_3.jpg
imlevel_028D61A7_302A_6A99_41BB_372AB4B0601F.url = media/ToggleZoomImage_6B7C5717_1875_9C6C_4192_B14E69F13B70_en_0_0.jpg
imlevel_028D71A8_302A_6A97_41C5_0EA4917C9C02.url = media/ToggleZoomImage_6B7C5717_1875_9C6C_4192_B14E69F13B70_en_0_1.jpg
imlevel_028D21A8_302A_6A97_4176_77754F56182B.url = media/ToggleZoomImage_6B7C5717_1875_9C6C_4192_B14E69F13B70_en_0_2.jpg
imlevel_028D31A8_302A_6A97_41C4_49491F7CFE6D.url = media/ToggleZoomImage_6B7C5717_1875_9C6C_4192_B14E69F13B70_en_0_3.jpg
imlevel_02730C50_302A_59B8_41B3_AE04AEFA9D94.url = media/ToggleZoomImage_6EBBA6B7_180A_9DAB_41AF_567B46A958B1_en_0_0.jpg
imlevel_02732C50_302A_59B8_41B9_B3FE6AF8723E.url = media/ToggleZoomImage_6EBBA6B7_180A_9DAB_41AF_567B46A958B1_en_0_1.jpg
imlevel_0270EC50_302A_59B8_41A1_FBA998ED87A6.url = media/ToggleZoomImage_6EBBA6B7_180A_9DAB_41AF_567B46A958B1_en_0_2.jpg
imlevel_0270BC50_302A_59B8_41B6_B872AB7E20C8.url = media/ToggleZoomImage_6EBBA6B7_180A_9DAB_41AF_567B46A958B1_en_0_3.jpg
imlevel_02724C31_302A_59F9_41AD_4D28335CDBBF.url = media/ToggleZoomImage_6EE8CA1E_180D_B49D_41B4_BFAE3AB2BD7F_en_0_0.jpg
imlevel_02726C31_302A_59F9_419B_BF4322C4B5CC.url = media/ToggleZoomImage_6EE8CA1E_180D_B49D_41B4_BFAE3AB2BD7F_en_0_1.jpg
imlevel_02721C31_302A_59F9_41A0_EE1FB0063013.url = media/ToggleZoomImage_6EE8CA1E_180D_B49D_41B4_BFAE3AB2BD7F_en_0_2.jpg
imlevel_02720C31_302A_59F9_41BB_6EC76479E2E6.url = media/ToggleZoomImage_6EE8CA1E_180D_B49D_41B4_BFAE3AB2BD7F_en_0_3.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286F20C_302A_69AF_41A9_7012F24B6646.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_0.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286D20D_302A_69A9_41BE_4D759BABC94F.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_1.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286920D_302A_69A9_4164_05654CDCB999.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_2.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_0286720D_302A_69A9_419A_C1A3F2076AB9.url = media/ToggleZoomImage_7110BB30_273B_BB92_41A0_FAB8FA1B6E6F_en_0_3.jpg
imlevel_024EAC83_302A_5A98_41AD_73C1636ED45B.url = media/ToggleZoomImage_90400415_187A_9C6C_41B2_30E7064F2738_en_0_0.jpg
imlevel_024E4C83_302A_5A98_41C2_E6385A8AD246.url = media/ToggleZoomImage_90400415_187A_9C6C_41B2_30E7064F2738_en_0_1.jpg
imlevel_024E1C83_302A_5A98_41A1_A0475455CB75.url = media/ToggleZoomImage_90400415_187A_9C6C_41B2_30E7064F2738_en_0_2.jpg
imlevel_024E3C83_302A_5A98_41BE_11A9964805F9.url = media/ToggleZoomImage_90400415_187A_9C6C_41B2_30E7064F2738_en_0_3.jpg
imlevel_02714C70_302A_5A78_41C6_1E8C7F1B2709.url = media/ToggleZoomImage_9CB7763D_187D_7C9F_4191_49F60392844A_en_0_0.jpg
imlevel_02717C71_302A_5A78_41AD_CC8E40A2F32C.url = media/ToggleZoomImage_9CB7763D_187D_7C9F_4191_49F60392844A_en_0_1.jpg
imlevel_02711C71_302A_5A78_41B8_50A7BA14F0DC.url = media/ToggleZoomImage_9CB7763D_187D_7C9F_4191_49F60392844A_en_0_2.jpg
imlevel_02712C71_302A_5A78_4193_1397151347C6.url = media/ToggleZoomImage_9CB7763D_187D_7C9F_4191_49F60392844A_en_0_3.jpg
imlevel_028981FB_302A_6A69_418C_71D71A1D5D66.url = media/ToggleZoomImage_9EA2A4F7_187B_9DAC_41B4_6815639C3DB7_en_0_0.jpg
imlevel_028961FB_302A_6A69_41C4_605327B707C7.url = media/ToggleZoomImage_9EA2A4F7_187B_9DAC_41B4_6815639C3DB7_en_0_1.jpg
imlevel_028971FC_302A_6A6F_41C1_165CD5A39459.url = media/ToggleZoomImage_9EA2A4F7_187B_9DAC_41B4_6815639C3DB7_en_0_2.jpg
imlevel_028951FC_302A_6A6F_4196_73265CAC6934.url = media/ToggleZoomImage_9EA2A4F7_187B_9DAC_41B4_6815639C3DB7_en_0_3.jpg
imlevel_028B41E9_302A_6A69_41C4_15DB11BB38A6.url = media/ToggleZoomImage_9EA9A4F1_187B_9DA4_41A2_8EA03D88BDDF_en_0_0.jpg
imlevel_028B51E9_302A_6A69_41A1_7528294C1BA6.url = media/ToggleZoomImage_9EA9A4F1_187B_9DA4_41A2_8EA03D88BDDF_en_0_1.jpg
imlevel_028B21EA_302A_6A6B_41C0_98E4B6A5FCA2.url = media/ToggleZoomImage_9EA9A4F1_187B_9DA4_41A2_8EA03D88BDDF_en_0_2.jpg
imlevel_028B01EA_302A_6A6B_41B5_4742788FCF5A.url = media/ToggleZoomImage_9EA9A4F1_187B_9DA4_41A2_8EA03D88BDDF_en_0_3.jpg
imlevel_0232A700_302A_5797_41A4_38FC39D84604.url = media/ToggleZoomImage_D12ECFB2_DEBC_4789_41E2_5BECCF5D8096_en_0_0.jpg
imlevel_02327700_302A_5797_41C3_B3BDD79E1F25.url = media/ToggleZoomImage_D12ECFB2_DEBC_4789_41E2_5BECCF5D8096_en_0_1.jpg
imlevel_02323700_302A_5797_4190_DB3B62D641B8.url = media/ToggleZoomImage_D12ECFB2_DEBC_4789_41E2_5BECCF5D8096_en_0_2.jpg
imlevel_0233C700_302A_5797_41C3_DE3D0578C1E8.url = media/ToggleZoomImage_D12ECFB2_DEBC_4789_41E2_5BECCF5D8096_en_0_3.jpg
imlevel_028F9196_302A_6ABB_41C3_0D2D844EC48A.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_0.jpg
imlevel_028F9196_302A_6ABB_41C3_0D2D844EC48A.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_0.jpg
imlevel_028F4196_302A_6ABB_41B4_8DCAED7CB92D.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_1.jpg
imlevel_028F4196_302A_6ABB_41B4_8DCAED7CB92D.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_1.jpg
imlevel_028F5197_302A_6AB9_41BF_4769D43C98F8.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_2.jpg
imlevel_028F5197_302A_6AB9_41BF_4769D43C98F8.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_2.jpg
imlevel_028F2197_302A_6AB9_41A8_B0CB8B37E5CB.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_3.jpg
imlevel_028F2197_302A_6AB9_41A8_B0CB8B37E5CB.url = media/ToggleZoomImage_F305E617_DF83_E92D_41D1_FFAEC91F5F65_en_0_3.jpg
imlevel_02B960CE_302A_6AAB_41AA_EDDBE2EA462B.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_0.jpg
imlevel_02B960CE_302A_6AAB_41AA_EDDBE2EA462B.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_0.jpg
imlevel_02B970CF_302A_6AA9_41C6_BAEBD1BE33E1.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_1.jpg
imlevel_02B970CF_302A_6AA9_41C6_BAEBD1BE33E1.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_1.jpg
imlevel_02B950CF_302A_6AA9_418B_F13F48718602.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_2.jpg
imlevel_02B950CF_302A_6AA9_418B_F13F48718602.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_2.jpg
imlevel_02B930CF_302A_6AA9_41BE_0E7F24A42C7B.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_3.jpg
imlevel_02B930CF_302A_6AA9_41BE_0E7F24A42C7B.url = media/ToggleZoomImage_F30B05EF_DF83_EAFD_41DB_994D2C85D84E_en_0_3.jpg
imlevel_024ABCCA_302A_5AA8_41C7_E5053241C565.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_0.jpg
imlevel_024ABCCA_302A_5AA8_41C7_E5053241C565.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_0.jpg
imlevel_024AACCB_302A_5AA8_41C6_78C23139808C.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_1.jpg
imlevel_024AACCB_302A_5AA8_41C6_78C23139808C.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_1.jpg
imlevel_024A4CCB_302A_5AA8_41B3_AC4930D02B57.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_2.jpg
imlevel_024A4CCB_302A_5AA8_41B3_AC4930D02B57.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_2.jpg
imlevel_024A6CCB_302A_5AA8_417E_E9554C882505.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_3.jpg
imlevel_024A6CCB_302A_5AA8_417E_E9554C882505.url = media/ToggleZoomImage_F3B37535_DF83_EB6D_41E2_7F8C190C6181_en_0_3.jpg
imlevel_0245FD2B_302A_5BE9_41C2_5ACCFB337EE3.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_0.jpg
imlevel_0245FD2B_302A_5BE9_41C2_5ACCFB337EE3.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_0.jpg
imlevel_0245BD2C_302A_5BEF_41C2_009C0CF1ADBE.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_1.jpg
imlevel_0245BD2C_302A_5BEF_41C2_009C0CF1ADBE.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_1.jpg
imlevel_0245AD2C_302A_5BEF_4142_D2B8ECCCFF48.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_2.jpg
imlevel_0245AD2C_302A_5BEF_4142_D2B8ECCCFF48.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_2.jpg
imlevel_02454D2C_302A_5BEF_41C4_551D5C123501.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_3.jpg
imlevel_02454D2C_302A_5BEF_41C4_551D5C123501.url = media/ToggleZoomImage_F3B4D547_DF83_EB2D_41E6_82DBEC282E1D_en_0_3.jpg
imlevel_02476D07_302A_5B99_41A1_9C8ABACA1E2D.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_0.jpg
imlevel_02476D07_302A_5B99_41A1_9C8ABACA1E2D.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_0.jpg
imlevel_02470D08_302A_5B97_41A2_9B523C0A8BED.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_1.jpg
imlevel_02470D08_302A_5B97_41A2_9B523C0A8BED.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_1.jpg
imlevel_0244CD08_302A_5B97_41AE_1E8B810EDE23.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_2.jpg
imlevel_0244CD08_302A_5B97_41AE_1E8B810EDE23.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_2.jpg
imlevel_0244ED08_302A_5B97_41C1_CB71BE306663.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_3.jpg
imlevel_0244ED08_302A_5B97_41C1_CB71BE306663.url = media/ToggleZoomImage_F3B62541_DF83_EB25_41DA_3441716B7F62_en_0_3.jpg
imlevel_02482CE5_302A_5A98_41B3_5959DC48F0B7.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_0.jpg
imlevel_02482CE5_302A_5A98_41B3_5959DC48F0B7.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_0.jpg
imlevel_0249ECE6_302A_5A98_41C1_3593BE5017E6.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_1.jpg
imlevel_0249ECE6_302A_5A98_41C1_3593BE5017E6.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_1.jpg
imlevel_02499CE6_302A_5A98_41BF_DFD7AE7C51D1.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_2.jpg
imlevel_02499CE6_302A_5A98_41BF_DFD7AE7C51D1.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_2.jpg
imlevel_02498CE6_302A_5A98_41AA_142AA7D92ED7.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_3.jpg
imlevel_02498CE6_302A_5A98_41AA_142AA7D92ED7.url = media/ToggleZoomImage_F3B7D53B_DF83_EB65_41CA_8281DA0FAC61_en_0_3.jpg
imlevel_024C3CB5_302A_5AF9_419F_C33AD7492966.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_0.jpg
imlevel_024C3CB5_302A_5AF9_419F_C33AD7492966.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_0.jpg
imlevel_024C2CB5_302A_5AF9_41C7_474681E49A09.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_1.jpg
imlevel_024C2CB5_302A_5AF9_41C7_474681E49A09.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_1.jpg
imlevel_024DCCB5_302A_5AF9_41A6_565972CF575E.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_2.jpg
imlevel_024DCCB5_302A_5AF9_41A6_565972CF575E.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_2.jpg
imlevel_024D8CB5_302A_5AF9_41B2_91095DABE3C7.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_3.jpg
imlevel_024D8CB5_302A_5AF9_41B2_91095DABE3C7.url = media/ToggleZoomImage_F3BCF52F_DF83_EB7D_41BA_1D4F8230FFC2_en_0_3.jpg
imlevel_024F8C93_302A_5AB9_41AD_D7CAC7F91B62.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_0.jpg
imlevel_024F8C93_302A_5AB9_41AD_D7CAC7F91B62.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_0.jpg
imlevel_024F5C94_302A_5ABF_41B2_F6A8AED9D6C6.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_1.jpg
imlevel_024F5C94_302A_5ABF_41B2_F6A8AED9D6C6.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_1.jpg
imlevel_024F4C94_302A_5ABF_4166_7FF400881F37.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_2.jpg
imlevel_024F4C94_302A_5ABF_4166_7FF400881F37.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_2.jpg
imlevel_024F7C94_302A_5ABF_41BE_BF7A9AC983BB.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_3.jpg
imlevel_024F7C94_302A_5ABF_41BE_BF7A9AC983BB.url = media/ToggleZoomImage_F3BDB52A_DF83_EB67_41E3_6633FDAADD97_en_0_3.jpg
imlevel_0241DD9D_302A_5AA9_41A4_B9C87EF77A4C.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_0.jpg
imlevel_0241DD9D_302A_5AA9_41A4_B9C87EF77A4C.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_0.jpg
imlevel_02418D9D_302A_5AA9_41C5_73B8D437219C.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_1.jpg
imlevel_02418D9D_302A_5AA9_41C5_73B8D437219C.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_1.jpg
imlevel_0241BD9D_302A_5AA9_4191_8EBBB3C88199.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_2.jpg
imlevel_0241BD9D_302A_5AA9_4191_8EBBB3C88199.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_2.jpg
imlevel_02414D9E_302A_5AAB_41C6_4208AE882BE4.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_3.jpg
imlevel_02414D9E_302A_5AAB_41C6_4208AE882BE4.url = media/ToggleZoomImage_F3C3755E_DF83_EBDF_41DD_1AF91A822DBE_en_0_3.jpg
imlevel_025C4E00_302A_5998_41B4_1D4BF7AB91D0.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_0.jpg
imlevel_025C4E00_302A_5998_41B4_1D4BF7AB91D0.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_0.jpg
imlevel_025C4E00_302A_5998_41B4_1D4BF7AB91D0.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_0.jpg
imlevel_025C4E00_302A_5998_41B4_1D4BF7AB91D0.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_0.jpg
imlevel_025C4E00_302A_5998_41B4_1D4BF7AB91D0.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_0.jpg
imlevel_025C4E00_302A_5998_41B4_1D4BF7AB91D0.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_0.jpg
imlevel_025C1E01_302A_5998_41C2_958C75AA1667.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_1.jpg
imlevel_025C1E01_302A_5998_41C2_958C75AA1667.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_1.jpg
imlevel_025C1E01_302A_5998_41C2_958C75AA1667.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_1.jpg
imlevel_025C1E01_302A_5998_41C2_958C75AA1667.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_1.jpg
imlevel_025C1E01_302A_5998_41C2_958C75AA1667.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_1.jpg
imlevel_025C1E01_302A_5998_41C2_958C75AA1667.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_1.jpg
imlevel_025C0E01_302A_5998_41B0_F904CAC02C7E.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_2.jpg
imlevel_025C0E01_302A_5998_41B0_F904CAC02C7E.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_2.jpg
imlevel_025C0E01_302A_5998_41B0_F904CAC02C7E.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_2.jpg
imlevel_025C0E01_302A_5998_41B0_F904CAC02C7E.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_2.jpg
imlevel_025C0E01_302A_5998_41B0_F904CAC02C7E.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_2.jpg
imlevel_025C0E01_302A_5998_41B0_F904CAC02C7E.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_2.jpg
imlevel_025C2E01_302A_5998_41C5_17A5739BE0F3.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_3.jpg
imlevel_025C2E01_302A_5998_41C5_17A5739BE0F3.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_3.jpg
imlevel_025C2E01_302A_5998_41C5_17A5739BE0F3.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_3.jpg
imlevel_025C2E01_302A_5998_41C5_17A5739BE0F3.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_3.jpg
imlevel_025C2E01_302A_5998_41C5_17A5739BE0F3.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_3.jpg
imlevel_025C2E01_302A_5998_41C5_17A5739BE0F3.url = media/ToggleZoomImage_F3C4756F_DF83_EBFD_41D7_2943FD0551FA_en_0_3.jpg
imlevel_0244CD40_302A_5B97_41B5_62E6F997B745.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_0.jpg
imlevel_0244CD40_302A_5B97_41B5_62E6F997B745.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_0.jpg
imlevel_02449D40_302A_5B97_41A0_19BFCE979E32.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_1.jpg
imlevel_02449D40_302A_5B97_41A0_19BFCE979E32.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_1.jpg
imlevel_0244BD40_302A_5B97_41C7_7D2FFB5291F9.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_2.jpg
imlevel_0244BD40_302A_5B97_41C7_7D2FFB5291F9.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_2.jpg
imlevel_0244AD40_302A_5B97_41AF_974F998FE48C.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_3.jpg
imlevel_0244AD40_302A_5B97_41AF_974F998FE48C.url = media/ToggleZoomImage_F3C9554D_DF83_EB3D_41E7_71DBE4E4B753_en_0_3.jpg
imlevel_02421D7C_302A_5A68_41A9_F69FFA66DC66.url = media/ToggleZoomImage_F3CE3558_DF83_EB23_41E8_262C9FA200ED_en_0_0.jpg
imlevel_02420D7D_302A_5A68_41B4_560E5CE88EBF.url = media/ToggleZoomImage_F3CE3558_DF83_EB23_41E8_262C9FA200ED_en_0_1.jpg
imlevel_02422D7D_302A_5A68_41C6_6CFAC58B171B.url = media/ToggleZoomImage_F3CE3558_DF83_EB23_41E8_262C9FA200ED_en_0_2.jpg
imlevel_0243CD7D_302A_5A68_41AD_88751729E27B.url = media/ToggleZoomImage_F3CE3558_DF83_EB23_41E8_262C9FA200ED_en_0_3.jpg
imlevel_02459D5A_302A_5BA8_41A0_2791AF51DFBC.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_0.jpg
imlevel_02459D5A_302A_5BA8_41A0_2791AF51DFBC.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_0.jpg
imlevel_0245AD5B_302A_5BA8_419C_F13CE0B12CC8.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_1.jpg
imlevel_0245AD5B_302A_5BA8_419C_F13CE0B12CC8.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_1.jpg
imlevel_02455D5B_302A_5BA8_41C5_B49565AC47B4.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_2.jpg
imlevel_02455D5B_302A_5BA8_41C5_B49565AC47B4.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_2.jpg
imlevel_02456D5B_302A_5BA8_41B5_07FD8664F2FA.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_3.jpg
imlevel_02456D5B_302A_5BA8_41B5_07FD8664F2FA.url = media/ToggleZoomImage_F3CFA553_DF83_EB25_41E4_DAB80547C3E5_en_0_3.jpg
imlevel_02555EA9_302A_56E9_41B3_1822C47198B4.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_0.jpg
imlevel_02555EA9_302A_56E9_41B3_1822C47198B4.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_0.jpg
imlevel_02556EA9_302A_56E9_4166_FEDE10F75520.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_1.jpg
imlevel_02556EA9_302A_56E9_4166_FEDE10F75520.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_1.jpg
imlevel_02551EA9_302A_56E9_41AF_D95D4A6315B9.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_2.jpg
imlevel_02551EA9_302A_56E9_41AF_D95D4A6315B9.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_2.jpg
imlevel_02553EAA_302A_56EB_41C1_2FB738436739.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_3.jpg
imlevel_02553EAA_302A_56EB_41C1_2FB738436739.url = media/ToggleZoomImage_F3D2F58C_DF83_EB23_41CA_C7464F4C9BC9_en_0_3.jpg
imlevel_02500EEB_302A_5669_41AF_F71A6216EFBB.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_0.jpg
imlevel_02500EEB_302A_5669_41AF_F71A6216EFBB.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_0.jpg
imlevel_02503EEB_302A_5669_41B5_E6F315313D4B.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_1.jpg
imlevel_02503EEB_302A_5669_41B5_E6F315313D4B.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_1.jpg
imlevel_0251DEEC_302A_566F_41BB_EB816BB3A3E7.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_2.jpg
imlevel_0251DEEC_302A_566F_41BB_EB816BB3A3E7.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_2.jpg
imlevel_0251EEEC_302A_566F_41C4_828729913DD7.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_3.jpg
imlevel_0251EEEC_302A_566F_41C4_828729913DD7.url = media/ToggleZoomImage_F3D52598_DF83_EB23_41E5_88F25B747C09_en_0_3.jpg
imlevel_02523EC9_302A_56A8_41C0_6C16942C18FB.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_0.jpg
imlevel_02523EC9_302A_56A8_41C0_6C16942C18FB.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_0.jpg
imlevel_0253DEC9_302A_56A8_41C7_A4FC79217FC1.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_1.jpg
imlevel_0253DEC9_302A_56A8_41C7_A4FC79217FC1.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_1.jpg
imlevel_0253FEC9_302A_56A8_41B1_E8B51CC299C3.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_2.jpg
imlevel_0253FEC9_302A_56A8_41B1_E8B51CC299C3.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_2.jpg
imlevel_0253EEC9_302A_56A8_41B5_D29DA994D7DB.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_3.jpg
imlevel_0253EEC9_302A_56A8_41B5_D29DA994D7DB.url = media/ToggleZoomImage_F3D72592_DF83_EB27_41CC_D10341DA856F_en_0_3.jpg
imlevel_02584E44_302A_5998_41B0_DBB9D994D9FA.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_0.jpg
imlevel_02584E44_302A_5998_41B0_DBB9D994D9FA.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_0.jpg
imlevel_02581E46_302A_599B_4112_F81F1B781F70.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_1.jpg
imlevel_02581E46_302A_599B_4112_F81F1B781F70.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_1.jpg
imlevel_02583E46_302A_599B_41B4_98F98459185C.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_2.jpg
imlevel_02583E46_302A_599B_41B4_98F98459185C.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_2.jpg
imlevel_0259CE46_302A_599B_41BB_A222159A37CB.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_3.jpg
imlevel_0259CE46_302A_599B_41BB_A222159A37CB.url = media/ToggleZoomImage_F3D8B57B_DF83_EBE5_41CF_5CDCC3383BD5_en_0_3.jpg
imlevel_025AEE23_302A_5998_419A_DBA10AB2E1F5.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_0.jpg
imlevel_025AEE23_302A_5998_419A_DBA10AB2E1F5.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_0.jpg
imlevel_025AAE23_302A_5998_4178_167FDED4FBFF.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_1.jpg
imlevel_025AAE23_302A_5998_4178_167FDED4FBFF.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_1.jpg
imlevel_025A5E23_302A_5998_41A0_594ABE857329.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_2.jpg
imlevel_025A5E23_302A_5998_41A0_594ABE857329.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_2.jpg
imlevel_025A4E23_302A_5998_41B1_D7A12A72C71B.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_3.jpg
imlevel_025A4E23_302A_5998_41B1_D7A12A72C71B.url = media/ToggleZoomImage_F3DAE575_DF83_EBED_41EA_F27F2089A1AB_en_0_3.jpg
imlevel_02571E87_302A_5698_41BB_DC72B7ADE63F.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_0.jpg
imlevel_02571E87_302A_5698_41BB_DC72B7ADE63F.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_0.jpg
imlevel_02570E87_302A_5698_41AC_16CC7CE207CF.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_1.jpg
imlevel_02570E87_302A_5698_41AC_16CC7CE207CF.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_1.jpg
imlevel_02572E87_302A_5698_41BF_E857E3C99488.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_2.jpg
imlevel_02572E87_302A_5698_41BF_E857E3C99488.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_2.jpg
imlevel_0254CE88_302A_56A8_41B2_1EBD3C0684E6.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_3.jpg
imlevel_0254CE88_302A_56A8_41B2_1EBD3C0684E6.url = media/ToggleZoomImage_F3DC6587_DF83_EB2D_41D0_5EA9AFC4A070_en_0_3.jpg
imlevel_02549E65_302A_5999_41A8_A64FBD8C21DD.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_0.jpg
imlevel_02549E65_302A_5999_41A8_A64FBD8C21DD.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_0.jpg
imlevel_02548E65_302A_5999_41AB_FDFA601AB816.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_1.jpg
imlevel_02548E65_302A_5999_41AB_FDFA601AB816.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_1.jpg
imlevel_02547E66_302A_599B_41B6_C7AEE76F5176.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_2.jpg
imlevel_02547E66_302A_599B_41B6_C7AEE76F5176.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_2.jpg
imlevel_02546E66_302A_599B_4182_5562489E7398.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_3.jpg
imlevel_02546E66_302A_599B_4182_5562489E7398.url = media/ToggleZoomImage_F3DDE581_DF83_EB25_41DB_B9D625DC1394_en_0_3.jpg
imlevel_02A82F82_302A_569B_41AE_2BFE7DBE9030.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_0.jpg
imlevel_02A82F82_302A_569B_41AE_2BFE7DBE9030.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_0.jpg
imlevel_02A9DF82_302A_569B_419C_AABB682BD078.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_1.jpg
imlevel_02A9DF82_302A_569B_419C_AABB682BD078.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_1.jpg
imlevel_02A9CF82_302A_569B_41B7_AD1EA4E11F6B.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_2.jpg
imlevel_02A9CF82_302A_569B_41B7_AD1EA4E11F6B.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_2.jpg
imlevel_02A9EF82_302A_569B_41C1_1A50B170E7E8.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_3.jpg
imlevel_02A9EF82_302A_569B_41C1_1A50B170E7E8.url = media/ToggleZoomImage_F3E2C5B5_DF83_EB6D_41E8_4FF512CCD707_en_0_3.jpg
imlevel_02A3FFFC_302A_566F_41C6_A00312FDD744.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_0.jpg
imlevel_02A3FFFC_302A_566F_41C6_A00312FDD744.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_0.jpg
imlevel_02A39FFC_302A_566F_419B_A2945AE3182E.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_1.jpg
imlevel_02A39FFC_302A_566F_419B_A2945AE3182E.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_1.jpg
imlevel_02A38FFC_302A_566F_41B4_5B73E439A997.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_2.jpg
imlevel_02A38FFC_302A_566F_41B4_5B73E439A997.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_2.jpg
imlevel_02A3AFFC_302A_566F_41B6_1211B13A7180.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_3.jpg
imlevel_02A3AFFC_302A_566F_41B6_1211B13A7180.url = media/ToggleZoomImage_F3E475C6_DF83_EB2F_41BD_BE6E30CB64B5_en_0_3.jpg
imlevel_02A4FFE8_302A_5697_41B4_4D5AC37086FA.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_0.jpg
imlevel_02A4FFE8_302A_5697_41B4_4D5AC37086FA.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_0.jpg
imlevel_02A4EFE8_302A_5697_41B7_A5FE75EA0911.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_1.jpg
imlevel_02A4EFE8_302A_5697_41B7_A5FE75EA0911.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_1.jpg
imlevel_02A49FE8_302A_5697_41C0_457DC875D48B.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_2.jpg
imlevel_02A49FE8_302A_5697_41C0_457DC875D48B.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_2.jpg
imlevel_02A4BFE9_302A_5669_41BC_E6DF40399E8B.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_3.jpg
imlevel_02A4BFE9_302A_5669_41BC_E6DF40399E8B.url = media/ToggleZoomImage_F3E595C0_DF83_EB23_41D2_F14AE7AC2FDE_en_0_3.jpg
imlevel_02A64FA4_302A_569F_41C4_4AFC00901D66.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_0.jpg
imlevel_02A64FA4_302A_569F_41C4_4AFC00901D66.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_0.jpg
imlevel_02A61FA4_302A_569F_41C6_DD59D7F4F5B2.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_1.jpg
imlevel_02A61FA4_302A_569F_41C6_DD59D7F4F5B2.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_1.jpg
imlevel_02A63FA4_302A_569F_41BC_9584C2445F9E.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_2.jpg
imlevel_02A63FA4_302A_569F_41BC_9584C2445F9E.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_2.jpg
imlevel_02A7FFA4_302A_569F_4173_98E578834A91.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_3.jpg
imlevel_02A7FFA4_302A_569F_4173_98E578834A91.url = media/ToggleZoomImage_F3E7C5BA_DF83_EB67_41CC_AFDF97A9CF60_en_0_3.jpg
imlevel_02AD0F23_302A_5799_41C4_F5545966CABA.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_0.jpg
imlevel_02AD0F23_302A_5799_41C4_F5545966CABA.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_0.jpg
imlevel_02AD3F24_302A_579F_41B2_31CFC2FA75AC.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_1.jpg
imlevel_02AD3F24_302A_579F_41B2_31CFC2FA75AC.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_1.jpg
imlevel_02AACF24_302A_579F_41C4_308AF6FFC3CB.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_2.jpg
imlevel_02AACF24_302A_579F_41C4_308AF6FFC3CB.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_2.jpg
imlevel_02AAFF24_302A_579F_419D_198998931BBE.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_3.jpg
imlevel_02AAFF24_302A_579F_419D_198998931BBE.url = media/ToggleZoomImage_F3E9F5A4_DF83_EB63_41CC_5545A8E4BCFF_en_0_3.jpg
imlevel_02AF5F0C_302A_57A8_4194_9139C9F2D572.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_0.jpg
imlevel_02AF5F0C_302A_57A8_4194_9139C9F2D572.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_0.jpg
imlevel_02AF7F0C_302A_57A8_41B3_745D32C648D3.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_1.jpg
imlevel_02AF7F0C_302A_57A8_41B3_745D32C648D3.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_1.jpg
imlevel_02AF1F0C_302A_57A8_419E_B3D7BE0DCA11.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_2.jpg
imlevel_02AF1F0C_302A_57A8_419E_B3D7BE0DCA11.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_2.jpg
imlevel_02ACDF0C_302A_57A8_41A8_2DCD9529ED23.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_3.jpg
imlevel_02ACDF0C_302A_57A8_41A8_2DCD9529ED23.url = media/ToggleZoomImage_F3EB159E_DF83_EB5F_41E8_3878CF144120_en_0_3.jpg
imlevel_02ABDF60_302A_5797_41BE_0BEDFDAC642B.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_0.jpg
imlevel_02ABDF60_302A_5797_41BE_0BEDFDAC642B.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_0.jpg
imlevel_02ABFF60_302A_5797_41B1_EEF96AF7655F.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_1.jpg
imlevel_02ABFF60_302A_5797_41B1_EEF96AF7655F.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_1.jpg
imlevel_02AB8F61_302A_5799_41C3_C0E45D663D24.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_2.jpg
imlevel_02AB8F61_302A_5799_41C3_C0E45D663D24.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_2.jpg
imlevel_02ABBF61_302A_5799_41C7_61960205C113.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_3.jpg
imlevel_02ABBF61_302A_5799_41C7_61960205C113.url = media/ToggleZoomImage_F3ECF5AF_DF83_EB7D_41E5_A8FDC8CEF9F3_en_0_3.jpg
imlevel_02AD8F3D_302A_57E8_41AA_E96B1BCE2D92.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_0.jpg
imlevel_02AD8F3D_302A_57E8_41AA_E96B1BCE2D92.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_0.jpg
imlevel_02ADAF3E_302A_57E8_41C6_4FCFBB2CC64E.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_1.jpg
imlevel_02ADAF3E_302A_57E8_41C6_4FCFBB2CC64E.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_1.jpg
imlevel_02AD7F3E_302A_57E8_41AA_3F298A8017F5.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_2.jpg
imlevel_02AD7F3E_302A_57E8_41AA_3F298A8017F5.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_2.jpg
imlevel_02AD0F3E_302A_57E8_41A2_E8FAE63F1F08.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_3.jpg
imlevel_02AD0F3E_302A_57E8_41A2_E8FAE63F1F08.url = media/ToggleZoomImage_F3EEE5A9_DF83_EB65_41BE_FE278758F5EC_en_0_3.jpg
imlevel_02BB708D_302A_6AA9_41C3_DEB74725B7E6.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_0.jpg
imlevel_02BB708D_302A_6AA9_41C3_DEB74725B7E6.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_0.jpg
imlevel_02BB208D_302A_6AA9_41BB_70A82EB538E6.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_1.jpg
imlevel_02BB208D_302A_6AA9_41BB_70A82EB538E6.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_1.jpg
imlevel_02BB108D_302A_6AA9_41A6_2F4E2C238259.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_2.jpg
imlevel_02BB108D_302A_6AA9_41A6_2F4E2C238259.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_2.jpg
imlevel_02B8E08E_302A_6AAB_41C1_A767FFCAA517.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_3.jpg
imlevel_02B8E08E_302A_6AAB_41C1_A767FFCAA517.url = media/ToggleZoomImage_F3F075E3_DF83_EAE5_41C7_E150B823F10C_en_0_3.jpg
imlevel_02BC406B_302A_6A69_41AB_1CC2D72EA669.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_0.jpg
imlevel_02BC406B_302A_6A69_41AB_1CC2D72EA669.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_0.jpg
imlevel_02BC206B_302A_6A69_41A2_4C75373AD82B.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_1.jpg
imlevel_02BC206B_302A_6A69_41A2_4C75373AD82B.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_1.jpg
imlevel_02BC106B_302A_6A69_41A0_52BEE583FA55.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_2.jpg
imlevel_02BC106B_302A_6A69_41A0_52BEE583FA55.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_2.jpg
imlevel_02BDF06B_302A_6A69_41AA_066418F84016.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_3.jpg
imlevel_02BDF06B_302A_6A69_41AA_066418F84016.url = media/ToggleZoomImage_F3F235DD_DF83_EADD_41E9_90EBE00BBD30_en_0_3.jpg
imlevel_02B9B0AD_302A_6AE9_41AC_27BFEA263DC7.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_0.jpg
imlevel_02B9B0AD_302A_6AE9_41AC_27BFEA263DC7.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_0.jpg
imlevel_02B980AD_302A_6AE9_41C5_96AE7A7BA875.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_1.jpg
imlevel_02B980AD_302A_6AE9_41C5_96AE7A7BA875.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_1.jpg
imlevel_02B990AD_302A_6AE9_41B4_2CBD0119C2E3.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_2.jpg
imlevel_02B990AD_302A_6AE9_41B4_2CBD0119C2E3.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_2.jpg
imlevel_02B940AD_302A_6AE9_41B3_6A3EA0DF7951.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_3.jpg
imlevel_02B940AD_302A_6AE9_41B3_6A3EA0DF7951.url = media/ToggleZoomImage_F3F6E5E9_DF83_EAE5_41DF_EF13BF65793B_en_0_3.jpg
imlevel_02A0800C_302A_69AF_41C3_C539184F02F1.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_0.jpg
imlevel_02A0800C_302A_69AF_41C3_C539184F02F1.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_0.jpg
imlevel_02A0600C_302A_69AF_41BC_2CBCB9744D32.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_1.jpg
imlevel_02A0600C_302A_69AF_41BC_2CBCB9744D32.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_1.jpg
imlevel_02A0400C_302A_69AF_415F_778340D7C99A.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_2.jpg
imlevel_02A0400C_302A_69AF_415F_778340D7C99A.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_2.jpg
imlevel_02A0200D_302A_69A9_41C5_BBE290C086F7.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_3.jpg
imlevel_02A0200D_302A_69A9_41C5_BBE290C086F7.url = media/ToggleZoomImage_F3F8A5CC_DF83_EB23_41B3_4593DFF17A05_en_0_3.jpg
imlevel_02BF5049_302A_69A9_41C6_E149407A23AA.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_0.jpg
imlevel_02BF5049_302A_69A9_41C6_E149407A23AA.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_0.jpg
imlevel_02BF2049_302A_69A9_4197_7CF36B8F7F90.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_1.jpg
imlevel_02BF2049_302A_69A9_4197_7CF36B8F7F90.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_1.jpg
imlevel_02BF004A_302A_69AB_41B2_4A57D1E8E22B.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_2.jpg
imlevel_02BF004A_302A_69AB_41B2_4A57D1E8E22B.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_2.jpg
imlevel_02BCF04A_302A_69AB_41A4_E88D65A10978.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_3.jpg
imlevel_02BCF04A_302A_69AB_41A4_E88D65A10978.url = media/ToggleZoomImage_F3FD05D7_DF83_EB2D_41E1_2461028ABB7D_en_0_3.jpg
imlevel_02BFF026_302A_6998_41A5_BE5A73190F29.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_0.jpg
imlevel_02BFF026_302A_6998_41A5_BE5A73190F29.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_0.jpg
imlevel_02BFD026_302A_6998_41C6_8BC73A9B4EDA.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_1.jpg
imlevel_02BFD026_302A_6998_41C6_8BC73A9B4EDA.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_1.jpg
imlevel_02BFB027_302A_6998_41B5_B57382933034.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_2.jpg
imlevel_02BFB027_302A_6998_41B5_B57382933034.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_2.jpg
imlevel_02BF8027_302A_6998_41AB_BEBE9283A077.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_3.jpg
imlevel_02BF8027_302A_6998_41AB_BEBE9283A077.url = media/ToggleZoomImage_F3FE85D2_DF83_EB27_41E9_EA06137A3152_en_0_3.jpg
imlevel_02B6C0E0_302A_6A98_41B5_204E4B637BDC.url = media/zoomImage_44115F54_27CB_9B93_4197_68B4D758961E_en_0_0.jpg
imlevel_02B6B0E0_302A_6A98_41C4_850D606EADFA.url = media/zoomImage_44115F54_27CB_9B93_4197_68B4D758961E_en_0_1.jpg
imlevel_02B670E1_302A_6A98_41B5_075E6BCFF5DA.url = media/zoomImage_44115F54_27CB_9B93_4197_68B4D758961E_en_0_2.jpg
imlevel_02B650E1_302A_6A98_41B2_F2157EED8BD9.url = media/zoomImage_44115F54_27CB_9B93_4197_68B4D758961E_en_0_3.jpg
imlevel_02B950E1_302A_6A98_41B1_7F90A91C0F36.url = media/zoomImage_44115F54_27CB_9B93_4197_68B4D758961E_en_0_4.jpg
imlevel_02746C0E_302A_59A8_41C1_9141EDBB5273.url = media/zoomImage_71015E96_273B_7A9F_41B7_7EED4ABAD9D4_en_0_0.jpg
imlevel_02740C0E_302A_59A8_41A5_66F19479D7C4.url = media/zoomImage_71015E96_273B_7A9F_41B7_7EED4ABAD9D4_en_0_1.jpg
imlevel_02759C0E_302A_59A8_41C2_D4B1D61A249D.url = media/zoomImage_71015E96_273B_7A9F_41B7_7EED4ABAD9D4_en_0_2.jpg
imlevel_02758C10_302A_59B7_41C0_056A12B53319.url = media/zoomImage_71015E96_273B_7A9F_41B7_7EED4ABAD9D4_en_0_3.jpg
imlevel_0275BC10_302A_59B7_41C2_F7F0B44BBF6D.url = media/zoomImage_71015E96_273B_7A9F_41B7_7EED4ABAD9D4_en_0_4.jpg
imlevel_0287E21B_302A_69A9_41C3_73C5EF798B43.url = media/zoomImage_71150B31_273B_BB92_41B6_A0671C022332_en_0_0.jpg
imlevel_0287C21B_302A_69A9_41BA_43AF9E9AB217.url = media/zoomImage_71150B31_273B_BB92_41B6_A0671C022332_en_0_1.jpg
imlevel_0287821C_302A_69AF_41AF_D49EA3F3A663.url = media/zoomImage_71150B31_273B_BB92_41B6_A0671C022332_en_0_2.jpg
imlevel_0287621C_302A_69AF_4164_C82F0F8A2412.url = media/zoomImage_71150B31_273B_BB92_41B6_A0671C022332_en_0_3.jpg
imlevel_0289621C_302A_69AF_41B1_D2296F6560F7.url = media/zoomImage_71150B31_273B_BB92_41B6_A0671C022332_en_0_4.jpg
imlevel_02531EDB_302A_56A9_41BD_BF288D9E65B5.url = media/zoomImage_7A8C718B_27CA_A775_41C1_75FC4FFDF85D_en_0_0.jpg
imlevel_0250DEDB_302A_56A9_41BC_C59F6E2FA004.url = media/zoomImage_7A8C718B_27CA_A775_41C1_75FC4FFDF85D_en_0_1.jpg
imlevel_0250EEDB_302A_56A9_4190_85DEA53EC512.url = media/zoomImage_7A8C718B_27CA_A775_41C1_75FC4FFDF85D_en_0_2.jpg
imlevel_02509EDB_302A_56A9_41C7_379C9195EC5F.url = media/zoomImage_7A8C718B_27CA_A775_41C1_75FC4FFDF85D_en_0_3.jpg
imlevel_0250BEDB_302A_56A9_41A2_79495968BB0C.url = media/zoomImage_7A8C718B_27CA_A775_41C1_75FC4FFDF85D_en_0_4.jpg
imlevel_02166943_302A_5B99_41C6_E816CC9F9658.url = media/zoomImage_7A986CD5_27C9_9E9D_418D_B82D7FA64769_en_0_0.jpg
imlevel_02160943_302A_5B99_41B2_127DDB96A571.url = media/zoomImage_7A986CD5_27C9_9E9D_418D_B82D7FA64769_en_0_1.jpg
imlevel_02163943_302A_5B99_41A8_A57EF9A5730F.url = media/zoomImage_7A986CD5_27C9_9E9D_418D_B82D7FA64769_en_0_2.jpg
imlevel_0217C943_302A_5B99_41BA_C7D0A7E55B8D.url = media/zoomImage_7A986CD5_27C9_9E9D_418D_B82D7FA64769_en_0_3.jpg
imlevel_0219D944_302A_5B9F_41C0_BC560F4D4A0B.url = media/zoomImage_7A986CD5_27C9_9E9D_418D_B82D7FA64769_en_0_4.jpg
imlevel_0201E879_302A_5A68_41BE_61B14CA01546.url = media/zoomImage_7C0FD3C8_18FB_840E_41A9_23FA068B93D6_en_0_0.jpg
imlevel_0201B87A_302A_5A6B_41A1_518CB0E97DB8.url = media/zoomImage_7C0FD3C8_18FB_840E_41A9_23FA068B93D6_en_0_1.jpg
imlevel_0201A87A_302A_5A6B_41C6_ED2797CA8E32.url = media/zoomImage_7C0FD3C8_18FB_840E_41A9_23FA068B93D6_en_0_2.jpg
imlevel_0201587A_302A_5A6B_41B4_5FE4762AD91F.url = media/zoomImage_7C0FD3C8_18FB_840E_41A9_23FA068B93D6_en_0_3.jpg
imlevel_0203687A_302A_5A6B_41C4_31E0E6800754.url = media/zoomImage_7C0FD3C8_18FB_840E_41A9_23FA068B93D6_en_0_4.jpg
imlevel_027E4B44_302A_5F9F_41BF_6BA2629FCE72.url = media/zoomImage_7C600089_1815_840E_41B0_B5B4B0053CA8_en_0_0.jpg
imlevel_027E6B45_302A_5F99_416C_6DE660CD16B6.url = media/zoomImage_7C600089_1815_840E_41B0_B5B4B0053CA8_en_0_1.jpg
imlevel_027E0B45_302A_5F99_41B4_854D88A57DC6.url = media/zoomImage_7C600089_1815_840E_41B0_B5B4B0053CA8_en_0_2.jpg
imlevel_027FDB45_302A_5F99_41BF_70426B962AF0.url = media/zoomImage_7C600089_1815_840E_41B0_B5B4B0053CA8_en_0_3.jpg
imlevel_027EDB45_302A_5F99_41B9_A05EE097977F.url = media/zoomImage_7C600089_1815_840E_41B0_B5B4B0053CA8_en_0_4.jpg
imlevel_0215C9A4_302A_5A9F_41AF_216E4AC27A9E.url = media/zoomImage_7F8867FE_180A_8C02_418A_991289C3F54A_en_0_0.jpg
imlevel_021599A4_302A_5A9F_41BB_A688B7D9A36E.url = media/zoomImage_7F8867FE_180A_8C02_418A_991289C3F54A_en_0_1.jpg
imlevel_021589A4_302A_5A9F_41AF_B039884CE6D6.url = media/zoomImage_7F8867FE_180A_8C02_418A_991289C3F54A_en_0_2.jpg
imlevel_0215A9A4_302A_5A9F_4184_7D31DDD99473.url = media/zoomImage_7F8867FE_180A_8C02_418A_991289C3F54A_en_0_3.jpg
imlevel_021549A5_302A_5A98_41C0_894D64A7BBA2.url = media/zoomImage_7F8867FE_180A_8C02_418A_991289C3F54A_en_0_4.jpg
imlevel_025DBE14_302A_59BF_4173_CAE879E00AE2.url = media/zoomImage_98419557_1817_9CEB_41A7_20C3CEF00AF0_en_0_0.jpg
imlevel_025D5E14_302A_59BF_41BC_2E3B695A06A7.url = media/zoomImage_98419557_1817_9CEB_41A7_20C3CEF00AF0_en_0_1.jpg
imlevel_025D6E14_302A_59BF_41BB_718765B50A27.url = media/zoomImage_98419557_1817_9CEB_41A7_20C3CEF00AF0_en_0_2.jpg
imlevel_025D0E14_302A_59BF_41C7_1E51341F8DF6.url = media/zoomImage_98419557_1817_9CEB_41A7_20C3CEF00AF0_en_0_3.jpg
imlevel_025D3E14_302A_59BF_41B8_6FBFA74FF236.url = media/zoomImage_98419557_1817_9CEB_41A7_20C3CEF00AF0_en_0_4.jpg
imlevel_02AC0F2C_302A_57E8_41BC_842F37538748.url = media/zoomImage_98653ED3_1816_ADEB_41B0_50F5EF049E19_en_0_0.jpg
imlevel_02AC3F2D_302A_57E8_41C1_939D12AAEB3D.url = media/zoomImage_98653ED3_1816_ADEB_41B0_50F5EF049E19_en_0_1.jpg
imlevel_02ADDF2D_302A_57E8_41B3_A6596BE4FAC8.url = media/zoomImage_98653ED3_1816_ADEB_41B0_50F5EF049E19_en_0_2.jpg
imlevel_02ADFF2D_302A_57E8_41B9_26332C8604D4.url = media/zoomImage_98653ED3_1816_ADEB_41B0_50F5EF049E19_en_0_3.jpg
imlevel_02AD9F2D_302A_57E8_41C2_50B9F87FADE5.url = media/zoomImage_98653ED3_1816_ADEB_41B0_50F5EF049E19_en_0_4.jpg
imlevel_028E0187_302A_6A99_41C2_819E529E1C87.url = media/zoomImage_F3004613_DF83_E925_41E5_7CF2A15F2395_en_0_0.jpg
imlevel_028E0187_302A_6A99_41C2_819E529E1C87.url = media/zoomImage_F3004613_DF83_E925_41E5_7CF2A15F2395_en_0_0.jpg
imlevel_02B1F164_302A_6B9F_41C3_4DDBB61279B9.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_0.jpg
imlevel_02B1F164_302A_6B9F_41C3_4DDBB61279B9.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_0.jpg
imlevel_02B1D164_302A_6B9F_419E_11E024D93EBB.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_1.jpg
imlevel_02B1D164_302A_6B9F_419E_11E024D93EBB.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_1.jpg
imlevel_02B18164_302A_6B9F_41C3_C566758F34B9.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_2.jpg
imlevel_02B18164_302A_6B9F_41C3_C566758F34B9.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_2.jpg
imlevel_02B19164_302A_6B98_41AF_111BDAC38349.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_3.jpg
imlevel_02B19164_302A_6B98_41AF_111BDAC38349.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_3.jpg
imlevel_02B05165_302A_6B99_41C3_040625FE67AA.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_4.jpg
imlevel_02B05165_302A_6B99_41C3_040625FE67AA.url = media/zoomImage_F302660D_DF83_E93D_41CB_D531024F72C7_en_0_4.jpg
imlevel_02B5E101_302A_6B99_415E_548D4A6D4510.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_0.jpg
imlevel_02B5E101_302A_6B99_415E_548D4A6D4510.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_0.jpg
imlevel_02B5C101_302A_6B99_41B6_0CA7238DC9F1.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_1.jpg
imlevel_02B5C101_302A_6B99_41B6_0CA7238DC9F1.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_1.jpg
imlevel_02B5A101_302A_6B99_41B6_7D3C115EE988.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_2.jpg
imlevel_02B5A101_302A_6B99_41B6_7D3C115EE988.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_2.jpg
imlevel_02B59101_302A_6B99_41C2_767E4623168F.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_3.jpg
imlevel_02B59101_302A_6B99_41C2_767E4623168F.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_3.jpg
imlevel_02B79102_302A_6B9B_41A4_2131538131F0.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_4.jpg
imlevel_02B79102_302A_6B9B_41A4_2131538131F0.url = media/zoomImage_F30885FB_DF83_EAE5_41EA_6298EEBAE525_en_0_4.jpg
imlevel_02B38143_302A_6B99_41BA_CD4968FBF2C4.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_0.jpg
imlevel_02B38143_302A_6B99_41BA_CD4968FBF2C4.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_0.jpg
imlevel_02B37143_302A_6B99_41C4_1F436E24E454.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_1.jpg
imlevel_02B37143_302A_6B99_41C4_1F436E24E454.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_1.jpg
imlevel_02B34143_302A_6B99_4193_EED518C52136.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_2.jpg
imlevel_02B34143_302A_6B99_4193_EED518C52136.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_2.jpg
imlevel_02B30143_302A_6B99_41AA_1AA207B8CCB2.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_3.jpg
imlevel_02B30143_302A_6B99_41AA_1AA207B8CCB2.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_3.jpg
imlevel_02B21144_302A_6B9F_41B0_61E5891C6C77.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_4.jpg
imlevel_02B21144_302A_6B9F_41B0_61E5891C6C77.url = media/zoomImage_F30D5607_DF83_E92D_41E1_26E6C0B39ED6_en_0_4.jpg
imlevel_02B23122_302A_6B9B_41C7_2D8B7029D01B.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_0.jpg
imlevel_02B23122_302A_6B9B_41C7_2D8B7029D01B.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_0.jpg
imlevel_02B21123_302A_6B99_41A9_DB18C2443D92.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_1.jpg
imlevel_02B21123_302A_6B99_41A9_DB18C2443D92.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_1.jpg
imlevel_02B3F123_302A_6B99_4195_75B7D55489F8.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_2.jpg
imlevel_02B3F123_302A_6B99_4195_75B7D55489F8.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_2.jpg
imlevel_02B3C123_302A_6B99_41BE_775326805988.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_3.jpg
imlevel_02B3C123_302A_6B99_41BE_775326805988.url = media/zoomImage_F30F4601_DF83_E925_41D0_3BB88706A1EB_en_0_3.jpg
imlevel_02488CD5_302A_5AB9_41B8_C9BECD8A8CEA.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_0.jpg
imlevel_02488CD5_302A_5AB9_41B8_C9BECD8A8CEA.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_0.jpg
imlevel_0248BCD5_302A_5AB9_41AD_8623EAA9E9D2.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_1.jpg
imlevel_0248BCD5_302A_5AB9_41AD_8623EAA9E9D2.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_1.jpg
imlevel_02484CD5_302A_5AB9_41C5_8892B5DBF9B3.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_2.jpg
imlevel_02484CD5_302A_5AB9_41C5_8892B5DBF9B3.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_2.jpg
imlevel_02480CD5_302A_5AB9_41C4_01027F6DA8A3.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_3.jpg
imlevel_02480CD5_302A_5AB9_41C4_01027F6DA8A3.url = media/zoomImage_F3B21537_DF83_EB6D_41D4_9AB951DBD217_en_0_3.jpg
imlevel_024AACC3_302A_5A98_41C4_44878376E0FB.url = media/zoomImage_F3B39530_DF83_EB63_41DE_045DA2B793D6_en_0_0.jpg
imlevel_024AACC3_302A_5A98_41C4_44878376E0FB.url = media/zoomImage_F3B39530_DF83_EB63_41DE_045DA2B793D6_en_0_0.jpg
imlevel_02441D38_302A_5BF7_41B5_4336EF516EAC.url = media/zoomImage_F3B47548_DF83_EB23_41E5_CEF87DAE286E_en_0_0.jpg
imlevel_02441D38_302A_5BF7_41B5_4336EF516EAC.url = media/zoomImage_F3B47548_DF83_EB23_41E5_CEF87DAE286E_en_0_0.jpg
imlevel_02443D38_302A_5BF7_41C3_740AFB1079AD.url = media/zoomImage_F3B47548_DF83_EB23_41E5_CEF87DAE286E_en_0_1.jpg
imlevel_02443D38_302A_5BF7_41C3_740AFB1079AD.url = media/zoomImage_F3B47548_DF83_EB23_41E5_CEF87DAE286E_en_0_1.jpg
imlevel_0244AD18_302A_5BA8_41C0_7DE123BED626.url = media/zoomImage_F3B5D542_DF83_EB27_41D1_6FFF5B0BFC44_en_0_0.jpg
imlevel_0244AD18_302A_5BA8_41C0_7DE123BED626.url = media/zoomImage_F3B5D542_DF83_EB27_41D1_6FFF5B0BFC44_en_0_0.jpg
imlevel_02462CF7_302A_5A79_41BC_851CD22E9AE4.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_0.jpg
imlevel_02462CF7_302A_5A79_41BC_851CD22E9AE4.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_0.jpg
imlevel_0247FCF7_302A_5A79_41C5_77AFF1C5B859.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_1.jpg
imlevel_0247FCF7_302A_5A79_41C5_77AFF1C5B859.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_1.jpg
imlevel_0247ECF7_302A_5A79_41AE_49AAE7F683B1.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_2.jpg
imlevel_0247ECF7_302A_5A79_41AE_49AAE7F683B1.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_2.jpg
imlevel_02478CF8_302A_5A77_41C1_A7C5A51D39D7.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_3.jpg
imlevel_02478CF8_302A_5A77_41C1_A7C5A51D39D7.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_3.jpg
imlevel_02498CF8_302A_5A77_41B7_F2F8A85BE492.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_4.jpg
imlevel_02498CF8_302A_5A77_41B7_F2F8A85BE492.url = media/zoomImage_F3B7553C_DF83_EB63_41C9_9C676BFFD242_en_0_4.jpg
imlevel_024F2CA3_302A_5A99_41C3_E3165570EE16.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_0.jpg
imlevel_024F2CA3_302A_5A99_41C3_E3165570EE16.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_0.jpg
imlevel_024CFCA3_302A_5A99_41C4_363319AB0AC9.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_1.jpg
imlevel_024CFCA3_302A_5A99_41C4_363319AB0AC9.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_1.jpg
imlevel_024C8CA4_302A_5A9F_417F_D12F9E6F33E4.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_2.jpg
imlevel_024C8CA4_302A_5A9F_417F_D12F9E6F33E4.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_2.jpg
imlevel_024CBCA4_302A_5A9F_41A4_A491A413809F.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_3.jpg
imlevel_024CBCA4_302A_5A9F_41A4_A491A413809F.url = media/zoomImage_F3BD552B_DF83_EB65_41B7_7D5E000E0B3A_en_0_3.jpg
imlevel_025C8DCF_302A_5AA9_41C5_C8E62DB58D16.url = media/zoomImage_F3C0B565_DF83_EBED_41E5_0DDCEE45EBCD_en_0_0.jpg
imlevel_025C8DCF_302A_5AA9_41C5_C8E62DB58D16.url = media/zoomImage_F3C0B565_DF83_EBED_41E5_0DDCEE45EBCD_en_0_0.jpg
imlevel_025E8DCF_302A_5AA9_41B2_8E2BBF39AD87.url = media/zoomImage_F3C0B565_DF83_EBED_41E5_0DDCEE45EBCD_en_0_1.jpg
imlevel_025E8DCF_302A_5AA9_41B2_8E2BBF39AD87.url = media/zoomImage_F3C0B565_DF83_EBED_41E5_0DDCEE45EBCD_en_0_1.jpg
imlevel_025EBDCF_302A_5AA9_41A2_FBEDD664A397.url = media/zoomImage_F3C0B565_DF83_EBED_41E5_0DDCEE45EBCD_en_0_2.jpg
imlevel_025EBDCF_302A_5AA9_41A2_FBEDD664A397.url = media/zoomImage_F3C0B565_DF83_EBED_41E5_0DDCEE45EBCD_en_0_2.jpg
imlevel_02410DAC_302A_5AE8_41AA_7378AAE8C4DF.url = media/zoomImage_F3C2055F_DF83_EBDD_41BC_C089C181622D_en_0_0.jpg
imlevel_02410DAC_302A_5AE8_41AA_7378AAE8C4DF.url = media/zoomImage_F3C2055F_DF83_EBDD_41BC_C089C181622D_en_0_0.jpg
imlevel_025EDDAC_302A_5AE8_419C_D782A67ADC29.url = media/zoomImage_F3C2055F_DF83_EBDD_41BC_C089C181622D_en_0_1.jpg
imlevel_025EDDAC_302A_5AE8_419C_D782A67ADC29.url = media/zoomImage_F3C2055F_DF83_EBDD_41BC_C089C181622D_en_0_1.jpg
imlevel_025ADDF0_302A_5A77_41B6_F774022C330F.url = media/zoomImage_F3C6D56B_DF83_EBE5_41AB_CD2EFC921888_en_0_0.jpg
imlevel_025ADDF0_302A_5A77_41B6_F774022C330F.url = media/zoomImage_F3C6D56B_DF83_EBE5_41AB_CD2EFC921888_en_0_0.jpg
imlevel_025ACDF0_302A_5A77_41BF_B3A378EDB598.url = media/zoomImage_F3C6D56B_DF83_EBE5_41AB_CD2EFC921888_en_0_1.jpg
imlevel_025ACDF0_302A_5A77_41BF_B3A378EDB598.url = media/zoomImage_F3C6D56B_DF83_EBE5_41AB_CD2EFC921888_en_0_1.jpg
imlevel_02452D47_302A_5B98_4190_9F44EE0EFAB3.url = media/zoomImage_F3C8D54E_DF83_EB3F_41D6_CC154FD3A250_en_0_0.jpg
imlevel_02452D47_302A_5B98_4190_9F44EE0EFAB3.url = media/zoomImage_F3C8D54E_DF83_EB3F_41D6_CC154FD3A250_en_0_0.jpg
imlevel_0240BD8C_302A_5AA8_41C7_A33A707FB8BB.url = media/zoomImage_F3CDC559_DF83_EB25_41D2_36C7EF31F810_en_0_0.jpg
imlevel_0243AD8C_302A_5AA8_41B7_B5BA5FFC03F4.url = media/zoomImage_F3CDC559_DF83_EB25_41D2_36C7EF31F810_en_0_1.jpg
imlevel_0240FD6A_302A_5A6B_41B3_E1ECCE1005BE.url = media/zoomImage_F3CF6554_DF83_EB23_41E2_999C51ED1C9E_en_0_0.jpg
imlevel_0240FD6A_302A_5A6B_41B3_E1ECCE1005BE.url = media/zoomImage_F3CF6554_DF83_EB23_41E2_999C51ED1C9E_en_0_0.jpg
imlevel_02529EB9_302A_56E8_41A6_1F8B2BAFE756.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_0.jpg
imlevel_02529EB9_302A_56E8_41A6_1F8B2BAFE756.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_0.jpg
imlevel_0252BEB9_302A_56E8_41A4_9DA5C8BD1F42.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_1.jpg
imlevel_0252BEB9_302A_56E8_41A4_9DA5C8BD1F42.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_1.jpg
imlevel_0252AEB9_302A_56E8_41C5_2D7773CF3776.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_2.jpg
imlevel_0252AEB9_302A_56E8_41C5_2D7773CF3776.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_2.jpg
imlevel_02527EB9_302A_56E8_41B3_3150782E2C16.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_3.jpg
imlevel_02527EB9_302A_56E8_41B3_3150782E2C16.url = media/zoomImage_F3D1D58D_DF83_EB3D_41E2_A002339FBFEB_en_0_3.jpg
imlevel_02544E98_302A_56B7_417C_F90ECA37D078.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_0.jpg
imlevel_02544E98_302A_56B7_417C_F90ECA37D078.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_0.jpg
imlevel_02546E98_302A_56B7_41A5_D5CD3F52C53B.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_1.jpg
imlevel_02546E98_302A_56B7_41A5_D5CD3F52C53B.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_1.jpg
imlevel_02540E98_302A_56B7_41C1_B09281C9270C.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_2.jpg
imlevel_02540E98_302A_56B7_41C1_B09281C9270C.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_2.jpg
imlevel_02543E99_302A_56A9_41C0_3A42A4201A1D.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_3.jpg
imlevel_02543E99_302A_56A9_41C0_3A42A4201A1D.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_3.jpg
imlevel_0255CE99_302A_56A9_41C7_FB1BBDB22327.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_4.jpg
imlevel_0255CE99_302A_56A9_41C7_FB1BBDB22327.url = media/zoomImage_F3D32588_DF83_EB23_41E4_4304EC15F2E7_en_0_4.jpg
imlevel_02AE6EFB_302A_5669_41C1_249253B6F145.url = media/zoomImage_F3D4C599_DF83_EB25_41D1_2C948B177671_en_0_0.jpg
imlevel_02AE6EFB_302A_5669_41C1_249253B6F145.url = media/zoomImage_F3D4C599_DF83_EB25_41D1_2C948B177671_en_0_0.jpg
imlevel_02511EFB_302A_5669_41C0_021D580B6A04.url = media/zoomImage_F3D4C599_DF83_EB25_41D1_2C948B177671_en_0_1.jpg
imlevel_02511EFB_302A_5669_41C0_021D580B6A04.url = media/zoomImage_F3D4C599_DF83_EB25_41D1_2C948B177671_en_0_1.jpg
imlevel_02513EFB_302A_5669_4185_E8871F599732.url = media/zoomImage_F3D4C599_DF83_EB25_41D1_2C948B177671_en_0_2.jpg
imlevel_02513EFB_302A_5669_4185_E8871F599732.url = media/zoomImage_F3D4C599_DF83_EB25_41D1_2C948B177671_en_0_2.jpg
imlevel_0257AE56_302A_59B8_41C7_8D62BFF68755.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_0.jpg
imlevel_0257AE56_302A_59B8_41C7_8D62BFF68755.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_0.jpg
imlevel_02571E57_302A_59B9_41BF_63A634B91E8F.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_1.jpg
imlevel_02571E57_302A_59B9_41BF_63A634B91E8F.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_1.jpg
imlevel_02573E57_302A_59B9_419F_25476406A33B.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_2.jpg
imlevel_02573E57_302A_59B9_419F_25476406A33B.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_2.jpg
imlevel_02590E57_302A_59B9_41C4_376892A51173.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_3.jpg
imlevel_02590E57_302A_59B9_41C4_376892A51173.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_3.jpg
imlevel_02592E58_302A_59B7_41C0_C067C8CD4256.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_4.jpg
imlevel_02592E58_302A_59B7_41C0_C067C8CD4256.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_4.jpg
imlevel_0256DE58_302A_59B7_4173_BAA51FEFD8EB.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_5.jpg
imlevel_0256DE58_302A_59B7_4173_BAA51FEFD8EB.url = media/zoomImage_F3D8257C_DF83_EBE3_41E8_8352024621B4_en_0_5.jpg
imlevel_02583E33_302A_59F8_41BF_31BBB6E53049.url = media/zoomImage_F3D98576_DF83_EBEF_41E2_4B53FC6E1553_en_0_0.jpg
imlevel_02583E33_302A_59F8_41BF_31BBB6E53049.url = media/zoomImage_F3D98576_DF83_EBEF_41E2_4B53FC6E1553_en_0_0.jpg
imlevel_025A3E33_302A_59F8_419A_2FDE3DECF99F.url = media/zoomImage_F3D98576_DF83_EBEF_41E2_4B53FC6E1553_en_0_1.jpg
imlevel_025A3E33_302A_59F8_419A_2FDE3DECF99F.url = media/zoomImage_F3D98576_DF83_EBEF_41E2_4B53FC6E1553_en_0_1.jpg
imlevel_0255DE76_302A_5678_41C4_F5125114A38F.url = media/zoomImage_F3DD6582_DF83_EB27_41E1_CA2223D439A6_en_0_0.jpeg
imlevel_0255DE76_302A_5678_41C4_F5125114A38F.url = media/zoomImage_F3DD6582_DF83_EB27_41E1_CA2223D439A6_en_0_0.jpeg
imlevel_02558E76_302A_5678_4196_540D5A9DD8B0.url = media/zoomImage_F3DD6582_DF83_EB27_41E1_CA2223D439A6_en_0_1.jpeg
imlevel_02558E76_302A_5678_4196_540D5A9DD8B0.url = media/zoomImage_F3DD6582_DF83_EB27_41E1_CA2223D439A6_en_0_1.jpeg
imlevel_0255BE77_302A_5678_41AF_50CB832F01A5.url = media/zoomImage_F3DD6582_DF83_EB27_41E1_CA2223D439A6_en_0_2.jpeg
imlevel_0255BE77_302A_5678_41AF_50CB832F01A5.url = media/zoomImage_F3DD6582_DF83_EB27_41E1_CA2223D439A6_en_0_2.jpeg
imlevel_02A94F92_302A_56BB_41B4_865909202EB0.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_0.jpg
imlevel_02A94F92_302A_56BB_41B4_865909202EB0.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_0.jpg
imlevel_02A91F92_302A_56BB_4168_D401221E11F7.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_1.jpg
imlevel_02A91F92_302A_56BB_4168_D401221E11F7.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_1.jpg
imlevel_02A93F92_302A_56BB_41B3_4149CB1384DB.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_2.jpg
imlevel_02A93F92_302A_56BB_41B3_4149CB1384DB.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_2.jpg
imlevel_02A6CF93_302A_56B9_41A5_C8DBCB811095.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_3.jpg
imlevel_02A6CF93_302A_56B9_41A5_C8DBCB811095.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_3.jpg
imlevel_02A6EF93_302A_56B9_41BA_466A946F6D56.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_4.jpg
imlevel_02A6EF93_302A_56B9_41BA_466A946F6D56.url = media/zoomImage_F3E275B6_DF83_EB6F_41E3_067809044386_en_0_4.jpg
imlevel_02AB1F73_302A_5679_4197_F7C6093AF9FB.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_0.jpg
imlevel_02AB1F73_302A_5679_4197_F7C6093AF9FB.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_0.jpg
imlevel_02AB0F73_302A_5679_4155_73DB945A98A1.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_1.jpg
imlevel_02AB0F73_302A_5679_4155_73DB945A98A1.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_1.jpg
imlevel_02AB2F73_302A_5679_41C2_7F10787D7962.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_2.jpg
imlevel_02AB2F73_302A_5679_41C2_7F10787D7962.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_2.jpg
imlevel_02A8FF73_302A_5679_41C6_B534912CD444.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_3.jpg
imlevel_02A8FF73_302A_5679_41C6_B534912CD444.url = media/zoomImage_F3E395B0_DF83_EB63_41E5_8E98C9EC1B0F_en_0_3.jpg
imlevel_02A5EFF4_302A_567F_417C_977AF91FAD71.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_0.jpg
imlevel_02A5EFF4_302A_567F_417C_977AF91FAD71.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_0.jpg
imlevel_02A59FF4_302A_567F_417D_E0F72B0FAE87.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_1.jpg
imlevel_02A59FF4_302A_567F_417D_E0F72B0FAE87.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_1.jpg
imlevel_02A5BFF5_302A_5679_41BF_FC8B34E45885.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_2.jpg
imlevel_02A5BFF5_302A_5679_41BF_FC8B34E45885.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_2.jpg
imlevel_02A54FF5_302A_5679_4175_A90C06BEDAD0.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_3.jpg
imlevel_02A54FF5_302A_5679_4175_A90C06BEDAD0.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_3.jpg
imlevel_02A51FF5_302A_5679_41A3_BF8BCBC17A92.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_4.jpg
imlevel_02A51FF5_302A_5679_41A3_BF8BCBC17A92.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_4.jpg
imlevel_02A2DFF5_302A_5679_41AC_38722F00CF7B.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_5.jpg
imlevel_02A2DFF5_302A_5679_41AC_38722F00CF7B.url = media/zoomImage_F3E525C1_DF83_EB25_41E0_F6BD4523FC7E_en_0_5.jpg
imlevel_02A48FB4_302A_56FF_41C1_651776BBA1C8.url = media/zoomImage_F3E695BB_DF83_EB65_41E5_4BFDB7298713_en_0_0.jpg
imlevel_02A48FB4_302A_56FF_41C1_651776BBA1C8.url = media/zoomImage_F3E695BB_DF83_EB65_41E5_4BFDB7298713_en_0_0.jpg
imlevel_02AC9F1C_302A_57A8_4198_A7884C9CB84A.url = media/zoomImage_F3EA959F_DF83_EB5D_41D7_44AFD26A01EE_en_0_0.jpg
imlevel_02AC9F1C_302A_57A8_4198_A7884C9CB84A.url = media/zoomImage_F3EA959F_DF83_EB5D_41D7_44AFD26A01EE_en_0_0.jpg
imlevel_02AABF50_302A_57B8_41C2_72D8310DBD4C.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_0.jpg
imlevel_02AABF50_302A_57B8_41C2_72D8310DBD4C.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_0.jpg
imlevel_02AA5F50_302A_57B8_4190_ED56A8A4BD40.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_1.jpg
imlevel_02AA5F50_302A_57B8_4190_ED56A8A4BD40.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_1.jpg
imlevel_02AA6F50_302A_57B8_41C0_8D464BAB7C58.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_2.jpg
imlevel_02AA6F50_302A_57B8_41C0_8D464BAB7C58.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_2.jpg
imlevel_02AA0F50_302A_57B8_4195_3214795170FA.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_3.jpg
imlevel_02AA0F50_302A_57B8_4195_3214795170FA.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_3.jpg
imlevel_02AA3F51_302A_57B8_41A1_50DAE6AF2463.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_4.jpg
imlevel_02AA3F51_302A_57B8_41A1_50DAE6AF2463.url = media/zoomImage_F3EDC5AA_DF83_EB67_41DD_30031D9E9EF3_en_0_4.jpg
imlevel_02BD607B_302A_6A68_41B4_1D17C173E207.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_0.jpeg
imlevel_02BD607B_302A_6A68_41B4_1D17C173E207.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_0.jpeg
imlevel_02BD407B_302A_6A68_41C7_7F4554B6D107.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_1.jpeg
imlevel_02BD407B_302A_6A68_41C7_7F4554B6D107.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_1.jpeg
imlevel_02BD507B_302A_6A68_41B3_6CB10BDCFD5B.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_2.jpeg
imlevel_02BD507B_302A_6A68_41B3_6CB10BDCFD5B.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_2.jpeg
imlevel_02BD307B_302A_6A68_41B7_32150D31EF5F.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_3.jpeg
imlevel_02BD307B_302A_6A68_41B7_32150D31EF5F.url = media/zoomImage_F3F295DF_DF83_EADD_41E4_FBBD4EA8D76C_en_0_3.jpeg
imlevel_02B910BE_302A_6AEB_41AF_2071D281FE36.url = media/zoomImage_F3F5B5EA_DF83_EAE7_41A6_499BA18C1A4D_en_0_0.jpg
imlevel_02B910BE_302A_6AEB_41AF_2071D281FE36.url = media/zoomImage_F3F5B5EA_DF83_EAE7_41A6_499BA18C1A4D_en_0_0.jpg
imlevel_02B8809D_302A_6AA9_41C3_DC5E8E772C1B.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_0.jpg
imlevel_02B8809D_302A_6AA9_41C3_DC5E8E772C1B.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_0.jpg
imlevel_02B8909D_302A_6AA9_41C0_959196C19876.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_1.jpg
imlevel_02B8909D_302A_6AA9_41C0_959196C19876.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_1.jpg
imlevel_02B8409E_302A_6AAB_41BB_AB7CDD88C122.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_2.jpg
imlevel_02B8409E_302A_6AAB_41BB_AB7CDD88C122.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_2.jpg
imlevel_02B8209E_302A_6AAB_417E_708A3D21C25B.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_3.jpg
imlevel_02B8209E_302A_6AAB_417E_708A3D21C25B.url = media/zoomImage_F3F7E5E4_DF83_EAE3_41EB_3F4324466B37_en_0_3.jpg
imlevel_02BEB017_302A_69B8_41C7_3E7132E15C0B.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_0.jpg
imlevel_02BEB017_302A_69B8_41C7_3E7132E15C0B.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_0.jpg
imlevel_02BE9017_302A_69B8_41A3_35EF13931282.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_1.jpg
imlevel_02BE9017_302A_69B8_41A3_35EF13931282.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_1.jpg
imlevel_02BE6018_302A_69A8_41BC_CDBDBDC9B251.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_2.jpg
imlevel_02BE6018_302A_69A8_41BC_CDBDBDC9B251.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_2.jpg
imlevel_02BE2018_302A_69A8_41A9_4A907FC04355.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_3.jpg
imlevel_02BE2018_302A_69A8_41A9_4A907FC04355.url = media/zoomImage_F3F875CD_DF83_EB3D_41E9_4DC460C70E0D_en_0_3.jpg
imlevel_02A03006_302A_699B_41C0_36B611FE34A1.url = media/zoomImage_F3FBC5C7_DF83_EB2D_41D0_0BCC1AAAD212_en_0_0.jpg
imlevel_02A03006_302A_699B_41C0_36B611FE34A1.url = media/zoomImage_F3FBC5C7_DF83_EB2D_41D0_0BCC1AAAD212_en_0_0.jpg
imlevel_02BDB058_302A_69A8_41B3_AC72E1BADE77.url = media/zoomImage_F3FCB5D9_DF83_EB25_41E8_253F5B0861F4_en_0_0.jpg
imlevel_02BDB058_302A_69A8_41B3_AC72E1BADE77.url = media/zoomImage_F3FCB5D9_DF83_EB25_41E8_253F5B0861F4_en_0_0.jpg
imlevel_02BF0038_302A_69F7_41B9_C45BBD0CEE67.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_0.jpg
imlevel_02BF0038_302A_69F7_41B9_C45BBD0CEE67.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_0.jpg
imlevel_02BCE038_302A_69F7_41B7_2E0C64EC517C.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_1.jpg
imlevel_02BCE038_302A_69F7_41B7_2E0C64EC517C.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_1.jpg
imlevel_02BCC038_302A_69F7_41B5_133306E5A052.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_2.jpg
imlevel_02BCC038_302A_69F7_41B5_133306E5A052.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_2.jpg
imlevel_02BCA038_302A_69F7_41C2_70838E18A84C.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_3.jpg
imlevel_02BCA038_302A_69F7_41C2_70838E18A84C.url = media/zoomImage_F3FE05D3_DF83_EB25_4190_1DA27A94A263_en_0_3.jpg

### Popup Image

### Title
panorama_B79CA0C2_BB71_AA90_41CD_71BAAAD6B3D4.label = Armory (1 of 40)
panorama_B18E4AEF_BB72_BE90_41B5_99E09A9566E2.label = Armory (10 of 40)
panorama_B18F981D_BB72_D9B0_41E4_C60048A12A6C.label = Armory (11 of 40)
panorama_B18E6590_BB72_EAB0_41DC_62A05608D2A9.label = Armory (12 of 40)
panorama_B18FA3B1_BB72_EEF0_41E1_B963ABE1678A.label = Armory (13 of 40)
panorama_B18FC0E8_BB72_AA90_41E5_05FFF3F0A6F5.label = Armory (14 of 40)
panorama_B18FCEFF_BB72_B670_41C3_06268F5159F6.label = Armory (15 of 40)
panorama_B18E2C72_BB72_5A70_41BD_6A38B5022972.label = Armory (16 of 40)
panorama_B18F9A51_BB72_79B1_41E2_450847C9DBFB.label = Armory (17 of 40)
panorama_B18FA892_BB72_5AB0_41E6_A5B632FAF6A0.label = Armory (18 of 40)
panorama_B18E75F3_BB73_AA70_41DB_86EE6BD0BDD4.label = Armory (19 of 40)
panorama_B071B04B_BB71_E990_41D7_0529DFC72FA5.label = Armory (2 of 40)
panorama_B18E22A5_BB73_AE90_41B4_CC2A9E69BAA4.label = Armory (20 of 40)
panorama_B18E7FB3_BB73_D6F0_41C1_27576F8753D6.label = Armory (21 of 40)
panorama_B0712C3B_BB73_F9F0_41D6_94A9CACA6EF8.label = Armory (22 of 40)
panorama_B07039A4_BB73_DA90_41D1_44138F667037.label = Armory (23 of 40)
panorama_B0712704_BB73_B790_41C5_DB61B1CD9453.label = Armory (24 of 40)
panorama_B18EF51E_BB73_ABB0_41E4_9DFC6B244F7C.label = Armory (25 of 40)
panorama_B18EE30C_BB72_6F90_41DD_E58780A6F5C9.label = Armory (26 of 40)
panorama_B18EA560_BB72_6B90_4192_46F0A9942352.label = Armory (27 of 40)
panorama_B18E1542_BB72_AB91_4193_5659B80C2396.label = Armory (28 of 40)
panorama_B0719395_BB72_AEB0_41E4_46CCF0D04EF8.label = Armory (29 of 40)
panorama_B18F0D2F_BB71_FB90_418D_72285E8C534F.label = Armory (3 of 40)
panorama_B18E4335_BB72_EFF1_41DF_810AA0FB6981.label = Armory (30 of 40)
panorama_B071B176_BB72_EA70_41DD_DF890F23B89A.label = Armory (31 of 40)
panorama_B18E6F09_BB72_D790_41C2_A0F8F8EDEC31.label = Armory (32 of 40)
panorama_B0718CE0_BB72_BA90_41D6_094B10957847.label = Armory (33 of 40)
panorama_B071FB97_BB72_5EB0_41C9_666451BE463B.label = Armory (34 of 40)
panorama_B071B9A7_BB72_7A90_41E6_4F8A01C45E44.label = Armory (35 of 40)
panorama_B071E6F7_BB72_5671_41AF_4B145CE522F4.label = Armory (36 of 40)
panorama_B072A4DC_BB71_AAB0_41D2_A5675412064E.label = Armory (37 of 40)
panorama_B0729316_BB71_AFB0_41DC_911D8A5D16DB.label = Armory (38 of 40)
panorama_B07281EF_BB71_EA90_41E0_D13404627B18.label = Armory (39 of 40)
panorama_B0706ACB_BB71_DE90_41E6_A6398D9D4626.label = Armory (4 of 40)
panorama_B0724E24_BB71_F990_41D3_38CDBAE5EBCC.label = Armory (40 of 40)
panorama_B18ED7E1_BB71_B690_41E1_97C6023FF1ED.label = Armory (5 of 40)
panorama_B18E358D_BB71_AA91_41E5_4E480C690435.label = Armory (6 of 40)
panorama_B18EC32F_BB72_6F90_41DA_539E5CC0064A.label = Armory (7 of 40)
panorama_B18E0070_BB72_6A70_41E5_82D5024232B8.label = Armory (8 of 40)
panorama_B18E9D97_BB72_5AB0_41E3_64AFF8417BF9.label = Armory (9 of 40)

## Skin

### Button
Button_D023F236_DEB4_3888_41E9_78B317A14E40.pressedLabel = About This Exhibit
Button_D023F236_DEB4_3888_41E9_78B317A14E40.label = About This Exhibition
Button_E4E16903_DF87_3B25_41D4_038776630B59.label = About This Exhibition
Button_E4E16903_DF87_3B25_41D4_038776630B59.pressedLabel = About This Exhibition
Button_9042A416_187A_9C6C_41A4_9F862926178F_mobile.label = Close Panel
Button_7FF6E4E2_2749_AEB7_41B4_12F471261C56_mobile.label = Close Panel
Button_9CB6E63E_187D_7C9D_41B1_FDE4B1AB95C6_mobile.label = Close Panel
Button_D12F3FB2_DEBC_4789_41C5_AC32BA24D960.label = Close Panel
Button_6108C452_180A_9CE5_41A1_882C535421AA_mobile.label = Close Panel
Button_CE2BFE09_DEBD_C898_41E7_E87EAF99F7C7.label = Close Panel
Button_6EA5B6B8_180A_9DA5_41A6_62C7EEE13AFB_mobile.label = Close Panel
Button_CA7834C6_DED4_F988_41C7_1A9B2ECDBE0A.label = Close Panel
Button_603CF601_1875_7C64_41AD_B47FD41A9291_mobile.label = Close Panel
Button_CD4CD230_DED4_5888_41E0_02488E939244.label = Close Panel
Button_6EE8EA1E_180D_B49D_41A2_53E6D17AC72A_mobile.label = Close Panel
Button_CCA44EE0_DEDC_4988_41CB_35741329FD4E.label = Close Panel
Button_CBFD591A_DF87_1B27_41EA_534DA2B091F6_mobile.label = Close Panel
Button_CC591690_DEDC_3988_41E9_4307996AEFAC.label = Close Panel
Button_E8BD87BE_DF54_47F8_41E1_3D3EC05F5107_mobile.label = Close Panel
Button_CCB6F139_DED4_38F8_41BF_B5145E0D8DE3.label = Close Panel
Button_E838FB53_DF54_4888_41D0_57C802073198_mobile.label = Close Panel
Button_CC24B3A0_DED4_3F88_41AA_AFA940E891E6.label = Close Panel
Button_E593845A_DF5C_78B8_41D9_317F15075676_mobile.label = Close Panel
Button_CC23BEC9_DECC_4998_41D5_04D3BBF1217D.label = Close Panel
Button_E83CB84E_DF5D_C898_41B3_74D9D789B860_mobile.label = Close Panel
Button_CB5E214E_DECC_D898_41D0_1C93EA161265.label = Close Panel
Button_ECCACE0C_DEBC_C898_41E4_6CE0ED00596F_mobile.label = Close Panel
Button_CB9F7859_DEF5_C8B8_41D2_680036272312.label = Close Panel
Button_F1E29603_DEB4_3888_41E3_79F99FCE6D76_mobile.label = Close Panel
Button_E9ED69ED_DF4C_CB98_41D0_B8858523322C.label = Close Panel
Button_F2E42A12_DEB7_C888_41E0_C2023FAAE397_mobile.label = Close Panel
Button_E9A42AD2_DF54_4988_41DD_422409D1ECF3.label = Close Panel
Button_F3C7E5E7_DEB5_DB88_41A2_BC7980896317_mobile.label = Close Panel
Button_CB378B7E_DEF4_CF78_41B7_C316FCD96B15.label = Close Panel
Button_F7CB2131_DECC_3888_41E9_8B1384A7F4C8_mobile.label = Close Panel
Button_CB7EC981_DEF4_4B88_41B6_12908658F946.label = Close Panel
Button_F73C0783_DECC_4788_41B5_7CFA21DB3FFE_mobile.label = Close Panel
Button_C6254D1C_DEF4_48B8_41CF_ADDB07713244.label = Close Panel
Button_F437788B_DECC_C998_41E6_1A1EC6C8F6D4_mobile.label = Close Panel
Button_C5DD2DC4_DEF4_4B88_41EA_7F5465B312C4.label = Close Panel
Button_F410B0F4_DED3_D988_41B0_78951AD77078_mobile.label = Close Panel
Button_C21D94B4_DECC_F988_41E3_A8A8A2FBF626.label = Close Panel
Button_F7515B35_DED4_4888_41E6_BB5D41D22E90_mobile.label = Close Panel
Button_C375C640_DECC_5888_41A8_FEAE0A4AAC39.label = Close Panel
Button_FDADEDAA_DED4_4B98_41C6_72B6B760B91E_mobile.label = Close Panel
Button_FE19EE97_DEF5_C988_41E9_5792F3A7691E.label = Close Panel
Button_FA3D2E5D_DED3_C8B8_41D4_D5B33C7DDDA3_mobile.label = Close Panel
Button_C37D3932_DED4_4888_41EB_08702632E795.label = Close Panel
Button_FF88966B_DEDC_3898_41C0_9F0503A09AFD_mobile.label = Close Panel
Button_FE9DC4FA_DED4_D978_41E8_45F4ED8FF5C4.label = Close Panel
Button_FE77E48A_DEDC_D998_41E9_10A4B872C34C_mobile.label = Close Panel
Button_CE2BFE09_DEBD_C898_41E7_E87EAF99F7C7_mobile.label = Close Panel
Button_FE453421_DEDC_F888_41D5_BF98850FFB72_mobile.label = Close Panel
Button_FE77E48A_DEDC_D998_41E9_10A4B872C34C.label = Close Panel
Button_FE9DC4FA_DED4_D978_41E8_45F4ED8FF5C4_mobile.label = Close Panel
Button_FF88966B_DEDC_3898_41C0_9F0503A09AFD.label = Close Panel
Button_C37D3932_DED4_4888_41EB_08702632E795_mobile.label = Close Panel
Button_FA3D2E5D_DED3_C8B8_41D4_D5B33C7DDDA3.label = Close Panel
Button_FE19EE97_DEF5_C988_41E9_5792F3A7691E_mobile.label = Close Panel
Button_FDADEDAA_DED4_4B98_41C6_72B6B760B91E.label = Close Panel
Button_C375C640_DECC_5888_41A8_FEAE0A4AAC39_mobile.label = Close Panel
Button_F7515B35_DED4_4888_41E6_BB5D41D22E90.label = Close Panel
Button_C21D94B4_DECC_F988_41E3_A8A8A2FBF626_mobile.label = Close Panel
Button_F410B0F4_DED3_D988_41B0_78951AD77078.label = Close Panel
Button_C5DD2DC4_DEF4_4B88_41EA_7F5465B312C4_mobile.label = Close Panel
Button_F437788B_DECC_C998_41E6_1A1EC6C8F6D4.label = Close Panel
Button_C6254D1C_DEF4_48B8_41CF_ADDB07713244_mobile.label = Close Panel
Button_F73C0783_DECC_4788_41B5_7CFA21DB3FFE.label = Close Panel
Button_CB7EC981_DEF4_4B88_41B6_12908658F946_mobile.label = Close Panel
Button_F7CB2131_DECC_3888_41E9_8B1384A7F4C8.label = Close Panel
Button_CB378B7E_DEF4_CF78_41B7_C316FCD96B15_mobile.label = Close Panel
Button_F3C7E5E7_DEB5_DB88_41A2_BC7980896317.label = Close Panel
Button_E9A42AD2_DF54_4988_41DD_422409D1ECF3_mobile.label = Close Panel
Button_F2E42A12_DEB7_C888_41E0_C2023FAAE397.label = Close Panel
Button_E9ED69ED_DF4C_CB98_41D0_B8858523322C_mobile.label = Close Panel
Button_F1E29603_DEB4_3888_41E3_79F99FCE6D76.label = Close Panel
Button_CB9F7859_DEF5_C8B8_41D2_680036272312_mobile.label = Close Panel
Button_ECCACE0C_DEBC_C898_41E4_6CE0ED00596F.label = Close Panel
Button_CB5E214E_DECC_D898_41D0_1C93EA161265_mobile.label = Close Panel
Button_E83CB84E_DF5D_C898_41B3_74D9D789B860.label = Close Panel
Button_CB9DD343_DECC_3888_41E8_CC32FCB11C09_mobile.label = Close Panel
Button_E593845A_DF5C_78B8_41D9_317F15075676.label = Close Panel
Button_CC23BEC9_DECC_4998_41D5_04D3BBF1217D_mobile.label = Close Panel
Button_E838FB53_DF54_4888_41D0_57C802073198.label = Close Panel
Button_CC24B3A0_DED4_3F88_41AA_AFA940E891E6_mobile.label = Close Panel
Button_E8BD87BE_DF54_47F8_41E1_3D3EC05F5107.label = Close Panel
Button_CCB6F139_DED4_38F8_41BF_B5145E0D8DE3_mobile.label = Close Panel
Button_7FF6E4E2_2749_AEB7_41B4_12F471261C56.label = Close Panel
Button_CC591690_DEDC_3988_41E9_4307996AEFAC_mobile.label = Close Panel
Button_CBFD591A_DF87_1B27_41EA_534DA2B091F6.label = Close Panel
Button_6EE8EA1E_180D_B49D_41A2_53E6D17AC72A.label = Close Panel
Button_603CF601_1875_7C64_41AD_B47FD41A9291.label = Close Panel
Button_6EA5B6B8_180A_9DA5_41A6_62C7EEE13AFB.label = Close Panel
Button_6108C452_180A_9CE5_41A1_882C535421AA.label = Close Panel
Button_9CB6E63E_187D_7C9D_41B1_FDE4B1AB95C6.label = Close Panel
Button_9042A416_187A_9C6C_41A4_9F862926178F.label = Close Panel
Button_FE453421_DEDC_F888_41D5_BF98850FFB72.label = Close Panel
Button_CD4CD230_DED4_5888_41E0_02488E939244_mobile.label = Close Panel
Button_CA7834C6_DED4_F988_41C7_1A9B2ECDBE0A_mobile.label = Close Panel
Button_CCA44EE0_DEDC_4988_41CB_35741329FD4E_mobile.label = Close Panel
Button_D0237236_DEB4_3888_41E6_D52607362E34.label = Contact Us
Button_E4E1F903_DF87_3B25_41EA_C31D860418C5.label = Contact Us
Button_D0242236_DEB4_3888_41B4_8C162A107103.label = Exhibitions
Button_E4E12903_DF87_3B25_41C5_673D6AF869ED.label = Exhibitions 
Button_FE752489_DEDC_D998_41D8_9CFDBE0C22F4_mobile.label = Expand Art
Button_CE2BDE09_DEBD_C898_419C_16D1D4018403_mobile.label = Expand Art
Button_CD4C122F_DED4_5898_41BA_9029553322CC_mobile.label = Expand Art
Button_FE455420_DEDC_F888_41DA_30E483150CFB.label = Expand Art
Button_CCA60EDF_DEDC_49B8_41CB_4F2DD318D77D_mobile.label = Expand Art
Button_FF8B166A_DEDC_3898_41E8_EC5491D8195F_mobile.label = Expand Art
Button_CC59468F_DEDC_3998_41CA_4EEEBA39D47E_mobile.label = Expand Art
Button_FE9D04F9_DED4_D978_41EA_53E3A4265F73.label = Expand Art
Button_CCB52137_DED4_3888_41C1_4BB0FA352F19_mobile.label = Expand Art
Button_7F0894E1_2749_AEB5_4195_9B12F3E2917C.label = Expand Art
Button_CC26739E_DED4_3FB8_41C3_8D95E342BC57_mobile.label = Expand Art
Button_E8BD87BC_DF54_47F8_41D1_852C40BE1CDE.label = Expand Art
Button_CC217EC8_DECC_4998_41E8_FBE6D368AE2B_mobile.label = Expand Art
Button_E838AB51_DF54_4888_4184_1ABFD864DF3B.label = Expand Art
Button_CB9FA342_DECC_3888_41D3_5F22E1A42C5D_mobile.label = Expand Art
Button_E59C4459_DF5C_78B8_41E6_F445F02A9A87.label = Expand Art
Button_CB58714D_DECC_D898_41E9_39073808C88E_mobile.label = Expand Art
Button_E83E884D_DF5D_C898_41CE_800487F83572.label = Expand Art
Button_CB9DB858_DEF5_C8B8_41D9_9B4935198A56_mobile.label = Expand Art
Button_ECCA1E0C_DEBC_C898_41E9_32BA8C78EEE1.label = Expand Art
Button_E9EF59EC_DF4C_CB98_41E6_8B621D43D36A_mobile.label = Expand Art
Button_F1E56602_DEB4_3888_41BA_41E9E576CC1D.label = Expand Art
Button_E9A4FAD1_DF54_4988_41DE_284C9543902B_mobile.label = Expand Art
Button_F2E47A10_DEB7_C888_41CA_AF645676D84E.label = Expand Art
Button_CB09EB77_DEF4_CF77_41E5_1BF6CD4CDA05_mobile.label = Expand Art
Button_F3C7D5E5_DEB5_DB88_41EB_DC3F01B04ACF.label = Expand Art
Button_CB7EA980_DEF4_4B88_41A5_EC3796225E82_mobile.label = Expand Art
Button_F7C56130_DECC_3888_41D0_43B25C6D63A5.label = Expand Art
Button_C62BFD1B_DEF4_48B8_41CA_A87FF1A84327_mobile.label = Expand Art
Button_F73CC781_DECC_4788_41E6_892BB88CDBD2.label = Expand Art
Button_C5DDFDC2_DEF4_4B88_41CA_434849AFC6BA_mobile.label = Expand Art
Button_F432D88A_DECC_C998_41A0_FEB19F8164C4.label = Expand Art
Button_C21DB4B3_DECC_F988_41E6_9B8748333564_mobile.label = Expand Art
Button_F410F0F2_DED3_D988_41E9_1C68A29A7D74.label = Expand Art
Button_C375A63E_DECC_58F8_41DF_AFAAE869D0FA_mobile.label = Expand Art
Button_F7530B34_DED4_4888_41C9_4F90EEE58ECE.label = Expand Art
Button_FE1A4E96_DEF5_C988_41C3_427437CF3763_mobile.label = Expand Art
Button_FDD39DA9_DED4_4B98_41D8_7EF011E35B5D.label = Expand Art
Button_C37DD931_DED4_4888_41EA_34F3BB10F881_mobile.label = Expand Art
Button_FA3F6E5C_DED3_C8B8_41A5_22E6A70FF312.label = Expand Art
Button_FE9D04F9_DED4_D978_41EA_53E3A4265F73_mobile.label = Expand Art
Button_FF8B166A_DEDC_3898_41E8_EC5491D8195F.label = Expand Art
Button_FE455420_DEDC_F888_41DA_30E483150CFB_mobile.label = Expand Art
Button_FE752489_DEDC_D998_41D8_9CFDBE0C22F4.label = Expand Art
Button_CA7914C5_DED4_F988_419D_FB6EA21DAD73_mobile.label = Expand Art
Button_F1E56602_DEB4_3888_41BA_41E9E576CC1D_mobile.label = Expand Art
Button_E9EF59EC_DF4C_CB98_41E6_8B621D43D36A.label = Expand Art
Button_E9A4FAD1_DF54_4988_41DE_284C9543902B.label = Expand Art
Button_FA3F6E5C_DED3_C8B8_41A5_22E6A70FF312_mobile.label = Expand Art
Button_C37DD931_DED4_4888_41EA_34F3BB10F881.label = Expand Art
Button_FDD39DA9_DED4_4B98_41D8_7EF011E35B5D_mobile.label = Expand Art
Button_FE1A4E96_DEF5_C988_41C3_427437CF3763.label = Expand Art
Button_F7530B34_DED4_4888_41C9_4F90EEE58ECE_mobile.label = Expand Art
Button_C375A63E_DECC_58F8_41DF_AFAAE869D0FA.label = Expand Art
Button_F410F0F2_DED3_D988_41E9_1C68A29A7D74_mobile.label = Expand Art
Button_C21DB4B3_DECC_F988_41E6_9B8748333564.label = Expand Art
Button_F432D88A_DECC_C998_41A0_FEB19F8164C4_mobile.label = Expand Art
Button_C5DDFDC2_DEF4_4B88_41CA_434849AFC6BA.label = Expand Art
Button_F73CC781_DECC_4788_41E6_892BB88CDBD2_mobile.label = Expand Art
Button_C62BFD1B_DEF4_48B8_41CA_A87FF1A84327.label = Expand Art
Button_F7C56130_DECC_3888_41D0_43B25C6D63A5_mobile.label = Expand Art
Button_CB7EA980_DEF4_4B88_41A5_EC3796225E82.label = Expand Art
Button_F3C7D5E5_DEB5_DB88_41EB_DC3F01B04ACF_mobile.label = Expand Art
Button_CB09EB77_DEF4_CF77_41E5_1BF6CD4CDA05.label = Expand Art
Button_F2E47A10_DEB7_C888_41CA_AF645676D84E_mobile.label = Expand Art
Button_E838AB51_DF54_4888_4184_1ABFD864DF3B_mobile.label = Expand Art
Button_7F0894E1_2749_AEB5_4195_9B12F3E2917C_mobile.label = Expand Art
Button_CC26739E_DED4_3FB8_41C3_8D95E342BC57.label = Expand Art
Button_ECCA1E0C_DEBC_C898_41E9_32BA8C78EEE1_mobile.label = Expand Art
Button_CB9DB858_DEF5_C8B8_41D9_9B4935198A56.label = Expand Art
Button_E83E884D_DF5D_C898_41CE_800487F83572_mobile.label = Expand Art
Button_CB58714D_DECC_D898_41E9_39073808C88E.label = Expand Art
Button_E59C4459_DF5C_78B8_41E6_F445F02A9A87_mobile.label = Expand Art
Button_CC217EC8_DECC_4998_41E8_FBE6D368AE2B.label = Expand Art
Button_CC59468F_DEDC_3998_41CA_4EEEBA39D47E.label = Expand Art
Button_CA7914C5_DED4_F988_419D_FB6EA21DAD73.label = Expand Art
Button_E8BD87BC_DF54_47F8_41D1_852C40BE1CDE_mobile.label = Expand Art
Button_CCB52137_DED4_3888_41C1_4BB0FA352F19.label = Expand Art
Button_CD4C122F_DED4_5898_41BA_9029553322CC.label = Expand Art
Button_CE2BDE09_DEBD_C898_419C_16D1D4018403.label = Expand Art
Button_CCA60EDF_DEDC_49B8_41CB_4F2DD318D77D.label = Expand Art
Button_CBF2991A_DF87_1B27_419A_CE37CE8C92F6_mobile.label = More Info
Button_CBF2991A_DF87_1B27_419A_CE37CE8C92F6.label = More Info
Button_D12F1FB2_DEBC_4789_41E6_90B644D6688C.label = More Info
Button_E4E14903_DF87_3B25_41E8_E1963214D06C.label = Our Website
Button_D0231236_DEB4_3888_41C8_C8D28AD55145.label = Our Website
Button_D0234236_DEB4_3888_41DA_38E6CED5056C.label = Visit MOCA
Button_E4E1B903_DF87_3B25_41E9_8098722B06CB.label = Vist MOCA

### Image
Image_603605FF_1875_7F9C_41A4_2C1F29E7136F.url = skin/Image_603605FF_1875_7F9C_41A4_2C1F29E7136F_en.jpg
Image_603605FF_1875_7F9C_41A4_2C1F29E7136F_mobile.url = skin/Image_603605FF_1875_7F9C_41A4_2C1F29E7136F_mobile_en.jpg
Image_610C0450_180A_9CE6_4186_7C3A8369405B.url = skin/Image_610C0450_180A_9CE6_4186_7C3A8369405B_en.jpg
Image_610C0450_180A_9CE6_4186_7C3A8369405B_mobile.url = skin/Image_610C0450_180A_9CE6_4186_7C3A8369405B_mobile_en.jpg
Image_6EBE66B7_180A_9DAB_41AD_F162210FEB4D.url = skin/Image_6EBE66B7_180A_9DAB_41AD_F162210FEB4D_en.jpg
Image_6EBE66B7_180A_9DAB_41AD_F162210FEB4D_mobile.url = skin/Image_6EBE66B7_180A_9DAB_41AD_F162210FEB4D_mobile_en.jpg
Image_6EE8DA1E_180D_B49D_419D_428FFB017F39.url = skin/Image_6EE8DA1E_180D_B49D_419D_428FFB017F39_en.jpg
Image_6EE8DA1E_180D_B49D_419D_428FFB017F39_mobile.url = skin/Image_6EE8DA1E_180D_B49D_419D_428FFB017F39_mobile_en.jpg
Image_7F01A4D9_2749_AE95_41A4_D2353A10F4EB.url = skin/Image_7F01A4D9_2749_AE95_41A4_D2353A10F4EB_en.jpg
Image_7F01A4D9_2749_AE95_41A4_D2353A10F4EB_mobile.url = skin/Image_7F01A4D9_2749_AE95_41A4_D2353A10F4EB_mobile_en.jpg
Image_7F0F84E0_2749_AEB3_41A5_322F95939E1E.url = skin/Image_7F0F84E0_2749_AEB3_41A5_322F95939E1E_en.jpg
Image_7F0F84E0_2749_AEB3_41A5_322F95939E1E_mobile.url = skin/Image_7F0F84E0_2749_AEB3_41A5_322F95939E1E_mobile_en.jpg
Image_9045C414_187A_9C6D_41B6_2A5E5BB7FDC7.url = skin/Image_9045C414_187A_9C6D_41B6_2A5E5BB7FDC7_en.jpg
Image_9045C414_187A_9C6D_41B6_2A5E5BB7FDC7_mobile.url = skin/Image_9045C414_187A_9C6D_41B6_2A5E5BB7FDC7_mobile_en.jpg
Image_9CB3263C_187D_7C9D_419A_F4D810750E6B.url = skin/Image_9CB3263C_187D_7C9D_419A_F4D810750E6B_en.jpg
Image_9CB3263C_187D_7C9D_419A_F4D810750E6B_mobile.url = skin/Image_9CB3263C_187D_7C9D_419A_F4D810750E6B_mobile_en.jpg
Image_C216B4B0_DECC_F988_41D2_FEC6521CF25C.url = skin/Image_C216B4B0_DECC_F988_41D2_FEC6521CF25C_en.jpg
Image_C216B4B0_DECC_F988_41D2_FEC6521CF25C_mobile.url = skin/Image_C216B4B0_DECC_F988_41D2_FEC6521CF25C_mobile_en.jpg
Image_C21BD4B1_DECC_F988_41DB_6F1817897019.url = skin/Image_C21BD4B1_DECC_F988_41DB_6F1817897019_en.jpg
Image_C21BD4B1_DECC_F988_41DB_6F1817897019_mobile.url = skin/Image_C21BD4B1_DECC_F988_41DB_6F1817897019_mobile_en.jpg
Image_C36D1630_DECC_5888_41E2_FBC49F2EAAC4.url = skin/Image_C36D1630_DECC_5888_41E2_FBC49F2EAAC4_en.jpg
Image_C36D1630_DECC_5888_41E2_FBC49F2EAAC4_mobile.url = skin/Image_C36D1630_DECC_5888_41E2_FBC49F2EAAC4_mobile_en.jpg
Image_C36E463D_DECC_58F8_41CD_67E713CDAB23.url = skin/Image_C36E463D_DECC_58F8_41CD_67E713CDAB23_en.jpg
Image_C36E463D_DECC_58F8_41CD_67E713CDAB23_mobile.url = skin/Image_C36E463D_DECC_58F8_41CD_67E713CDAB23_mobile_en.jpg
Image_C374E929_DED4_4898_41C6_E25AF7008964.url = skin/Image_C374E929_DED4_4898_41C6_E25AF7008964_en.jpg
Image_C374E929_DED4_4898_41C6_E25AF7008964_mobile.url = skin/Image_C374E929_DED4_4898_41C6_E25AF7008964_mobile_en.jpg
Image_C376B930_DED4_4888_41E7_82BF668F7B63.url = skin/Image_C376B930_DED4_4888_41E7_82BF668F7B63_en.jpg
Image_C376B930_DED4_4888_41E7_82BF668F7B63_mobile.url = skin/Image_C376B930_DED4_4888_41E7_82BF668F7B63_mobile_en.jpg
Image_C4248DC1_DEF4_4B88_41D0_99B96882BD5B.url = skin/Image_C4248DC1_DEF4_4B88_41D0_99B96882BD5B_en.jpg
Image_C4248DC1_DEF4_4B88_41D0_99B96882BD5B_mobile.url = skin/Image_C4248DC1_DEF4_4B88_41D0_99B96882BD5B_mobile_en.jpg
Image_C42ABDB6_DEF4_4B88_41E1_01177924BB28.url = skin/Image_C42ABDB6_DEF4_4B88_41E1_01177924BB28_en.jpg
Image_C42ABDB6_DEF4_4B88_41E1_01177924BB28_mobile.url = skin/Image_C42ABDB6_DEF4_4B88_41E1_01177924BB28_mobile_en.jpg
Image_C62E6D14_DEF4_4888_41E2_F0BAA9576DB3.url = skin/Image_C62E6D14_DEF4_4888_41E2_F0BAA9576DB3_en.jpg
Image_C62E6D14_DEF4_4888_41E2_F0BAA9576DB3_mobile.url = skin/Image_C62E6D14_DEF4_4888_41E2_F0BAA9576DB3_mobile_en.jpg
Image_C6333D0D_DEF4_4898_41C7_42B95CB26C6B.url = skin/Image_C6333D0D_DEF4_4898_41C7_42B95CB26C6B_en.jpeg
Image_C6333D0D_DEF4_4898_41C7_42B95CB26C6B_mobile.url = skin/Image_C6333D0D_DEF4_4898_41C7_42B95CB26C6B_mobile_en.jpeg
Image_CA7204BD_DED4_F9F8_41BE_4990A6538FE7.url = skin/Image_CA7204BD_DED4_F9F8_41BE_4990A6538FE7_en.jpg
Image_CA7204BD_DED4_F9F8_41BE_4990A6538FE7_mobile.url = skin/Image_CA7204BD_DED4_F9F8_41BE_4990A6538FE7_mobile_en.jpg
Image_CA7774B7_DED4_F988_4148_891AF5C51E4E.url = skin/Image_CA7774B7_DED4_F988_4148_891AF5C51E4E_en.jpg
Image_CA7774B7_DED4_F988_4148_891AF5C51E4E_mobile.url = skin/Image_CA7774B7_DED4_F988_4148_891AF5C51E4E_mobile_en.jpg
Image_CB011B75_DEF4_C88B_41E3_791AC8795B51.url = skin/Image_CB011B75_DEF4_C88B_41E3_791AC8795B51_en.jpg
Image_CB011B75_DEF4_C88B_41E3_791AC8795B51_mobile.url = skin/Image_CB011B75_DEF4_C88B_41E3_791AC8795B51_mobile_en.jpg
Image_CB0F5B76_DEF4_C889_41E5_C3344B2D2105.url = skin/Image_CB0F5B76_DEF4_C889_41E5_C3344B2D2105_en.jpg
Image_CB0F5B76_DEF4_C889_41E5_C3344B2D2105_mobile.url = skin/Image_CB0F5B76_DEF4_C889_41E5_C3344B2D2105_mobile_en.jpg
Image_CB552140_DECC_D888_41BE_07A6B4BF391D.url = skin/Image_CB552140_DECC_D888_41BE_07A6B4BF391D_en.jpg
Image_CB552140_DECC_D888_41BE_07A6B4BF391D_mobile.url = skin/Image_CB552140_DECC_D888_41BE_07A6B4BF391D_mobile_en.jpg
Image_CB5AB14D_DECC_D898_41D5_BFFDFBE78D31.url = skin/Image_CB5AB14D_DECC_D898_41D5_BFFDFBE78D31_en.jpg
Image_CB5AB14D_DECC_D898_41D5_BFFDFBE78D31_mobile.url = skin/Image_CB5AB14D_DECC_D898_41D5_BFFDFBE78D31_mobile_en.jpg
Image_CB74797F_DEF4_4B78_41E4_7A1D3073931A.url = skin/Image_CB74797F_DEF4_4B78_41E4_7A1D3073931A_en.jpg
Image_CB74797F_DEF4_4B78_41E4_7A1D3073931A_mobile.url = skin/Image_CB74797F_DEF4_4B78_41E4_7A1D3073931A_mobile_en.jpg
Image_CB76A977_DEF4_4888_41E0_324D855B4439.url = skin/Image_CB76A977_DEF4_4888_41E0_324D855B4439_en.jpg
Image_CB76A977_DEF4_4888_41E0_324D855B4439_mobile.url = skin/Image_CB76A977_DEF4_4888_41E0_324D855B4439_mobile_en.jpg
Image_CB95E340_DECC_3888_41B7_F7955A186D8B_mobile.url = skin/Image_CB95E340_DECC_3888_41B7_F7955A186D8B_mobile_en.jpg
Image_CB961857_DEF5_C888_41E3_121C343C82A0.url = skin/Image_CB961857_DEF5_C888_41E3_121C343C82A0_en.jpg
Image_CB961857_DEF5_C888_41E3_121C343C82A0_mobile.url = skin/Image_CB961857_DEF5_C888_41E3_121C343C82A0_mobile_en.jpg
Image_CB9B9341_DECC_3888_41B5_D5112D08B8C9_mobile.url = skin/Image_CB9B9341_DECC_3888_41B5_D5112D08B8C9_mobile_en.jpg
Image_CBEAA850_DEF5_C888_41E0_13541A88C9FE.url = skin/Image_CBEAA850_DEF5_C888_41E0_13541A88C9FE_en.jpg
Image_CBEAA850_DEF5_C888_41E0_13541A88C9FE_mobile.url = skin/Image_CBEAA850_DEF5_C888_41E0_13541A88C9FE_mobile_en.jpg
Image_CBF2191A_DF87_1B27_41E0_01BA353A52F5.url = skin/Image_CBF2191A_DF87_1B27_41E0_01BA353A52F5_en.jpg
Image_CBF2191A_DF87_1B27_41E0_01BA353A52F5_mobile.url = skin/Image_CBF2191A_DF87_1B27_41E0_01BA353A52F5_mobile_en.jpg
Image_CBF2D91A_DF87_1B27_41D7_FC6B9A013ECD.url = skin/Image_CBF2D91A_DF87_1B27_41D7_FC6B9A013ECD_en.jpg
Image_CBF2D91A_DF87_1B27_41D7_FC6B9A013ECD_mobile.url = skin/Image_CBF2D91A_DF87_1B27_41D7_FC6B9A013ECD_mobile_en.jpg
Image_CC29439C_DED4_3FB8_41BC_9D073D3201E7.url = skin/Image_CC29439C_DED4_3FB8_41BC_9D073D3201E7_en.jpg
Image_CC29439C_DED4_3FB8_41BC_9D073D3201E7_mobile.url = skin/Image_CC29439C_DED4_3FB8_41BC_9D073D3201E7_mobile_en.jpg
Image_CC2E1392_DED4_3F88_41E9_8EEA90914A43.url = skin/Image_CC2E1392_DED4_3F88_41E9_8EEA90914A43_en.jpg
Image_CC2E1392_DED4_3F88_41E9_8EEA90914A43_mobile.url = skin/Image_CC2E1392_DED4_3F88_41E9_8EEA90914A43_mobile_en.jpg
Image_CC3AFEC0_DECC_4988_41D6_83570DFBFB10.url = skin/Image_CC3AFEC0_DECC_4988_41D6_83570DFBFB10_en.jpg
Image_CC3AFEC0_DECC_4988_41D6_83570DFBFB10_mobile.url = skin/Image_CC3AFEC0_DECC_4988_41D6_83570DFBFB10_mobile_en.jpg
Image_CC3CEEC6_DECC_4988_41CA_ECBB65C208CA.url = skin/Image_CC3CEEC6_DECC_4988_41CA_ECBB65C208CA_en.jpg
Image_CC3CEEC6_DECC_4988_41CA_ECBB65C208CA_mobile.url = skin/Image_CC3CEEC6_DECC_4988_41CA_ECBB65C208CA_mobile_en.jpg
Image_CC417687_DEDC_3997_41E6_75D7CA5B2F5A.url = skin/Image_CC417687_DEDC_3997_41E6_75D7CA5B2F5A_en.jpg
Image_CC417687_DEDC_3997_41E6_75D7CA5B2F5A_mobile.url = skin/Image_CC417687_DEDC_3997_41E6_75D7CA5B2F5A_mobile_en.jpg
Image_CC45668E_DEDC_3998_41B4_4D1CBE20C7DF.url = skin/Image_CC45668E_DEDC_3998_41B4_4D1CBE20C7DF_en.jpg
Image_CC45668E_DEDC_3998_41B4_4D1CBE20C7DF_mobile.url = skin/Image_CC45668E_DEDC_3998_41B4_4D1CBE20C7DF_mobile_en.jpg
Image_CCA35EDE_DEDC_49B8_41B1_2007D21AC2FC.url = skin/Image_CCA35EDE_DEDC_49B8_41B1_2007D21AC2FC_en.jpg
Image_CCA35EDE_DEDC_49B8_41B1_2007D21AC2FC_mobile.url = skin/Image_CCA35EDE_DEDC_49B8_41B1_2007D21AC2FC_mobile_en.jpg
Image_CCAF9ED8_DEDC_49B8_41EA_EBC7CC126422.url = skin/Image_CCAF9ED8_DEDC_49B8_41EA_EBC7CC126422_en.jpg
Image_CCAF9ED8_DEDC_49B8_41EA_EBC7CC126422_mobile.url = skin/Image_CCAF9ED8_DEDC_49B8_41EA_EBC7CC126422_mobile_en.jpg
Image_CCBCC130_DED4_3888_41EB_BD1CB40C092A.url = skin/Image_CCBCC130_DED4_3888_41EB_BD1CB40C092A_en.jpg
Image_CCBCC130_DED4_3888_41EB_BD1CB40C092A_mobile.url = skin/Image_CCBCC130_DED4_3888_41EB_BD1CB40C092A_mobile_en.jpg
Image_CCBE6136_DED4_3888_41E7_7EF63D596F07.url = skin/Image_CCBE6136_DED4_3888_41E7_7EF63D596F07_en.jpg
Image_CCBE6136_DED4_3888_41E7_7EF63D596F07_mobile.url = skin/Image_CCBE6136_DED4_3888_41E7_7EF63D596F07_mobile_en.jpg
Image_CD47822E_DED4_5898_41E8_FFD08A2DD8A8.url = skin/Image_CD47822E_DED4_5898_41E8_FFD08A2DD8A8_en.jpg
Image_CD47822E_DED4_5898_41E8_FFD08A2DD8A8_mobile.url = skin/Image_CD47822E_DED4_5898_41E8_FFD08A2DD8A8_mobile_en.jpg
Image_CDBA7228_DED4_5898_41E3_5B7DE528339E.url = skin/Image_CDBA7228_DED4_5898_41E3_5B7DE528339E_en.jpg
Image_CDBA7228_DED4_5898_41E3_5B7DE528339E_mobile.url = skin/Image_CDBA7228_DED4_5898_41E3_5B7DE528339E_mobile_en.jpg
Image_CE2A0E09_DEBD_C898_41E5_3F60013121F0.url = skin/Image_CE2A0E09_DEBD_C898_41E5_3F60013121F0_en.jpg
Image_CE2A0E09_DEBD_C898_41E5_3F60013121F0_mobile.url = skin/Image_CE2A0E09_DEBD_C898_41E5_3F60013121F0_mobile_en.jpg
Image_CE2ABE08_DEBD_C898_41D9_708DC8248648.url = skin/Image_CE2ABE08_DEBD_C898_41D9_708DC8248648_en.jpg
Image_CE2ABE08_DEBD_C898_41D9_708DC8248648_mobile.url = skin/Image_CE2ABE08_DEBD_C898_41D9_708DC8248648_mobile_en.jpg
Image_D024F236_DEB4_3888_41E7_89F2F19F3674.url = skin/Image_D024F236_DEB4_3888_41E7_89F2F19F3674_en.png
Image_D12E0FB2_DEBC_4789_418E_100C5E91BB16.url = skin/Image_D12E0FB2_DEBC_4789_418E_100C5E91BB16_en.jpg
Image_D12E6FB2_DEBC_4789_41E9_79A7F40F6452.url = skin/Image_D12E6FB2_DEBC_4789_41E9_79A7F40F6452_en.jpg
Image_E4E6F903_DF87_3B25_41D6_4A8ED5980F55.url = skin/Image_E4E6F903_DF87_3B25_41D6_4A8ED5980F55_en.png
Image_E598E451_DF5C_7888_41E5_F931C7FE9798.url = skin/Image_E598E451_DF5C_7888_41E5_F931C7FE9798_en.jpg
Image_E598E451_DF5C_7888_41E5_F931C7FE9798_mobile.url = skin/Image_E598E451_DF5C_7888_41E5_F931C7FE9798_mobile_en.jpg
Image_E59DC458_DF5C_78B8_41D3_339E7AF1F10C.url = skin/Image_E59DC458_DF5C_78B8_41D3_339E7AF1F10C_en.jpg
Image_E59DC458_DF5C_78B8_41D3_339E7AF1F10C_mobile.url = skin/Image_E59DC458_DF5C_78B8_41D3_339E7AF1F10C_mobile_en.jpg
Image_E821BB4F_DF54_4898_41D1_6EFB06EE23DD.url = skin/Image_E821BB4F_DF54_4898_41D1_6EFB06EE23DD_en.jpg
Image_E821BB4F_DF54_4898_41D1_6EFB06EE23DD_mobile.url = skin/Image_E821BB4F_DF54_4898_41D1_6EFB06EE23DD_mobile_en.jpg
Image_E821C84B_DF5D_C898_41E0_7B935AD77C74.url = skin/Image_E821C84B_DF5D_C898_41E0_7B935AD77C74_en.jpg
Image_E821C84B_DF5D_C898_41E0_7B935AD77C74_mobile.url = skin/Image_E821C84B_DF5D_C898_41E0_7B935AD77C74_mobile_en.jpg
Image_E827684C_DF5D_C898_41CA_B6B909AC5F05.url = skin/Image_E827684C_DF5D_C898_41CA_B6B909AC5F05_en.jpg
Image_E827684C_DF5D_C898_41CA_B6B909AC5F05_mobile.url = skin/Image_E827684C_DF5D_C898_41CA_B6B909AC5F05_mobile_en.jpg
Image_E8278B49_DF54_4898_41D6_BD482AFA4921.url = skin/Image_E8278B49_DF54_4898_41D6_BD482AFA4921_en.jpg
Image_E8278B49_DF54_4898_41D6_BD482AFA4921_mobile.url = skin/Image_E8278B49_DF54_4898_41D6_BD482AFA4921_mobile_en.jpg
Image_E8A877B9_DF54_47F8_41E3_5F52834B7FBF.url = skin/Image_E8A877B9_DF54_47F8_41E3_5F52834B7FBF_en.jpg
Image_E8A877B9_DF54_47F8_41E3_5F52834B7FBF_mobile.url = skin/Image_E8A877B9_DF54_47F8_41E3_5F52834B7FBF_mobile_en.jpg
Image_E8AA47BB_DF54_47F8_41DD_AC34889FA94A.url = skin/Image_E8AA47BB_DF54_47F8_41DD_AC34889FA94A_en.jpg
Image_E8AA47BB_DF54_47F8_41DD_AC34889FA94A_mobile.url = skin/Image_E8AA47BB_DF54_47F8_41DD_AC34889FA94A_mobile_en.jpg
Image_E993DAC9_DF54_4998_41DA_AF0D7876108E.url = skin/Image_E993DAC9_DF54_4998_41DA_AF0D7876108E_en.jpg
Image_E993DAC9_DF54_4998_41DA_AF0D7876108E_mobile.url = skin/Image_E993DAC9_DF54_4998_41DA_AF0D7876108E_mobile_en.jpg
Image_E99DEACF_DF54_4998_41B7_9E685A0D1370.url = skin/Image_E99DEACF_DF54_4998_41B7_9E685A0D1370_en.jpg
Image_E99DEACF_DF54_4998_41B7_9E685A0D1370_mobile.url = skin/Image_E99DEACF_DF54_4998_41B7_9E685A0D1370_mobile_en.jpg
Image_E9E4D9EA_DF4C_CB98_41A0_116A5EE18C25.url = skin/Image_E9E4D9EA_DF4C_CB98_41A0_116A5EE18C25_en.jpg
Image_E9E4D9EA_DF4C_CB98_41A0_116A5EE18C25_mobile.url = skin/Image_E9E4D9EA_DF4C_CB98_41A0_116A5EE18C25_mobile_en.jpg
Image_E9E5C9E9_DF4C_CB98_41DD_47D320E49A96.url = skin/Image_E9E5C9E9_DF4C_CB98_41DD_47D320E49A96_en.jpg
Image_E9E5C9E9_DF4C_CB98_41DD_47D320E49A96_mobile.url = skin/Image_E9E5C9E9_DF4C_CB98_41DD_47D320E49A96_mobile_en.jpg
Image_ECD02E0A_DEBC_C898_41C6_F5ABED4D81D5.url = skin/Image_ECD02E0A_DEBC_C898_41C6_F5ABED4D81D5_en.jpg
Image_ECD02E0A_DEBC_C898_41C6_F5ABED4D81D5_mobile.url = skin/Image_ECD02E0A_DEBC_C898_41C6_F5ABED4D81D5_mobile_en.jpg
Image_ECDC9E09_DEBC_C898_41E6_287162305AAB.url = skin/Image_ECDC9E09_DEBC_C898_41E6_287162305AAB_en.jpg
Image_ECDC9E09_DEBC_C898_41E6_287162305AAB_mobile.url = skin/Image_ECDC9E09_DEBC_C898_41E6_287162305AAB_mobile_en.jpg
Image_F1FB45FF_DEB4_3B78_41E5_698D971320BF.url = skin/Image_F1FB45FF_DEB4_3B78_41E5_698D971320BF_en.jpg
Image_F1FB45FF_DEB4_3B78_41E5_698D971320BF_mobile.url = skin/Image_F1FB45FF_DEB4_3B78_41E5_698D971320BF_mobile_en.jpg
Image_F1FD45F9_DEB4_3B78_41DA_B3D1F0508A70.url = skin/Image_F1FD45F9_DEB4_3B78_41DA_B3D1F0508A70_en.jpg
Image_F1FD45F9_DEB4_3B78_41DA_B3D1F0508A70_mobile.url = skin/Image_F1FD45F9_DEB4_3B78_41DA_B3D1F0508A70_mobile_en.png
Image_F2FDBA0A_DEB7_C898_41E3_B6B6AC3A738D.url = skin/Image_F2FDBA0A_DEB7_C898_41E3_B6B6AC3A738D_en.jpg
Image_F2FDBA0A_DEB7_C898_41E3_B6B6AC3A738D_mobile.url = skin/Image_F2FDBA0A_DEB7_C898_41E3_B6B6AC3A738D_mobile_en.jpg
Image_F2FF8A0F_DEB7_C898_41C3_C4599DA29FCC.url = skin/Image_F2FF8A0F_DEB7_C898_41C3_C4599DA29FCC_en.jpg
Image_F2FF8A0F_DEB7_C898_41C3_C4599DA29FCC_mobile.url = skin/Image_F2FF8A0F_DEB7_C898_41C3_C4599DA29FCC_mobile_en.jpg
Image_F3C4B5E2_DEB5_DB88_41C0_5291F26BA2BB.url = skin/Image_F3C4B5E2_DEB5_DB88_41C0_5291F26BA2BB_en.jpg
Image_F3C4B5E2_DEB5_DB88_41C0_5291F26BA2BB_mobile.url = skin/Image_F3C4B5E2_DEB5_DB88_41C0_5291F26BA2BB_mobile_en.jpg
Image_F3C675E3_DEB5_DB88_41C8_0D20F63D6818.url = skin/Image_F3C675E3_DEB5_DB88_41C8_0D20F63D6818_en.jpg
Image_F3C675E3_DEB5_DB88_41C8_0D20F63D6818_mobile.url = skin/Image_F3C675E3_DEB5_DB88_41C8_0D20F63D6818_mobile_en.jpg
Image_F41170F1_DED3_D988_41A9_5BA43457327E.url = skin/Image_F41170F1_DED3_D988_41A9_5BA43457327E_en.jpg
Image_F41170F1_DED3_D988_41A9_5BA43457327E_mobile.url = skin/Image_F41170F1_DED3_D988_41A9_5BA43457327E_mobile_en.jpg
Image_F413C0F0_DED3_D988_41E5_6DACF20B5C7E.url = skin/Image_F413C0F0_DED3_D988_41E5_6DACF20B5C7E_en.jpg
Image_F413C0F0_DED3_D988_41E5_6DACF20B5C7E_mobile.url = skin/Image_F413C0F0_DED3_D988_41E5_6DACF20B5C7E_mobile_en.jpg
Image_F44A887E_DECC_C978_41DB_A7CB5857F7DC.url = skin/Image_F44A887E_DECC_C978_41DB_A7CB5857F7DC_en.jpg
Image_F44A887E_DECC_C978_41DB_A7CB5857F7DC_mobile.url = skin/Image_F44A887E_DECC_C978_41DB_A7CB5857F7DC_mobile_en.jpg
Image_F44EE883_DECC_C988_41D0_D35F9D044342.url = skin/Image_F44EE883_DECC_C988_41D0_D35F9D044342_en.jpg
Image_F44EE883_DECC_C988_41D0_D35F9D044342_mobile.url = skin/Image_F44EE883_DECC_C988_41D0_D35F9D044342_mobile_en.jpg
Image_F7351778_DECC_4778_41E6_E4FD11117C1D.url = skin/Image_F7351778_DECC_4778_41E6_E4FD11117C1D_en.jpg
Image_F7351778_DECC_4778_41E6_E4FD11117C1D_mobile.url = skin/Image_F7351778_DECC_4778_41E6_E4FD11117C1D_mobile_en.jpg
Image_F73BD77F_DECC_4778_41E1_D15920CA6176.url = skin/Image_F73BD77F_DECC_4778_41E1_D15920CA6176_en.jpg
Image_F73BD77F_DECC_4778_41E1_D15920CA6176_mobile.url = skin/Image_F73BD77F_DECC_4778_41E1_D15920CA6176_mobile_en.jpg
Image_F7543B2D_DED4_4898_41E3_FA10F077AC36.url = skin/Image_F7543B2D_DED4_4898_41E3_FA10F077AC36_en.jpg
Image_F7543B2D_DED4_4898_41E3_FA10F077AC36_mobile.url = skin/Image_F7543B2D_DED4_4898_41E3_FA10F077AC36_mobile_en.jpg
Image_F7589B26_DED4_4888_41E9_2BF89CCE72BF.url = skin/Image_F7589B26_DED4_4888_41E9_2BF89CCE72BF_en.jpg
Image_F7589B26_DED4_4888_41E9_2BF89CCE72BF_mobile.url = skin/Image_F7589B26_DED4_4888_41E9_2BF89CCE72BF_mobile_en.jpg
Image_F7C3412E_DECC_3898_41C1_3899BBD45B34.url = skin/Image_F7C3412E_DECC_3898_41C1_3899BBD45B34_en.jpg
Image_F7C3412E_DECC_3898_41C1_3899BBD45B34_mobile.url = skin/Image_F7C3412E_DECC_3898_41C1_3899BBD45B34_mobile_en.jpg
Image_F7DD4129_DECC_3898_41E8_7F0FFFDBF6E5.url = skin/Image_F7DD4129_DECC_3898_41E8_7F0FFFDBF6E5_en.jpeg
Image_F7DD4129_DECC_3898_41E8_7F0FFFDBF6E5_mobile.url = skin/Image_F7DD4129_DECC_3898_41E8_7F0FFFDBF6E5_mobile_en.jpeg
Image_FA38AE58_DED3_C8B9_41D2_6490D518F68C.url = skin/Image_FA38AE58_DED3_C8B9_41D2_6490D518F68C_en.jpg
Image_FA38AE58_DED3_C8B9_41D2_6490D518F68C_mobile.url = skin/Image_FA38AE58_DED3_C8B9_41D2_6490D518F68C_mobile_en.jpg
Image_FA3FBE5B_DED3_C8B8_41DC_6E9031A4F54E.url = skin/Image_FA3FBE5B_DED3_C8B8_41DC_6E9031A4F54E_en.jpg
Image_FA3FBE5B_DED3_C8B8_41DC_6E9031A4F54E_mobile.url = skin/Image_FA3FBE5B_DED3_C8B8_41DC_6E9031A4F54E_mobile_en.jpg
Image_FDD5EDA8_DED4_4B98_41B9_AE8E07E7A099.url = skin/Image_FDD5EDA8_DED4_4B98_41B9_AE8E07E7A099_en.jpg
Image_FDD5EDA8_DED4_4B98_41B9_AE8E07E7A099_mobile.url = skin/Image_FDD5EDA8_DED4_4B98_41B9_AE8E07E7A099_mobile_en.jpg
Image_FDD9FDA1_DED4_4B88_41B6_E1F2716D7E12.url = skin/Image_FDD9FDA1_DED4_4B88_41B6_E1F2716D7E12_en.jpg
Image_FDD9FDA1_DED4_4B88_41B6_E1F2716D7E12_mobile.url = skin/Image_FDD9FDA1_DED4_4B88_41B6_E1F2716D7E12_mobile_en.jpg
Image_FE1F0E94_DEF5_C989_41E9_0FCD46A31F8C.url = skin/Image_FE1F0E94_DEF5_C989_41E9_0FCD46A31F8C_en.jpg
Image_FE1F0E94_DEF5_C989_41E9_0FCD46A31F8C_mobile.url = skin/Image_FE1F0E94_DEF5_C989_41E9_0FCD46A31F8C_mobile_en.jpg
Image_FE41241F_DEDC_F8B8_41EB_DC54ACBA9D27.url = skin/Image_FE41241F_DEDC_F8B8_41EB_DC54ACBA9D27_en.jpg
Image_FE41241F_DEDC_F8B8_41EB_DC54ACBA9D27_mobile.url = skin/Image_FE41241F_DEDC_F8B8_41EB_DC54ACBA9D27_mobile_en.jpg
Image_FE4E241E_DEDC_F8B8_41C9_F1014D06B9AC.url = skin/Image_FE4E241E_DEDC_F8B8_41C9_F1014D06B9AC_en.jpg
Image_FE4E241E_DEDC_F8B8_41C9_F1014D06B9AC_mobile.url = skin/Image_FE4E241E_DEDC_F8B8_41C9_F1014D06B9AC_mobile_en.jpg
Image_FE633E89_DEF5_C998_41BF_21E00CE3F58D.url = skin/Image_FE633E89_DEF5_C998_41BF_21E00CE3F58D_en.jpg
Image_FE633E89_DEF5_C998_41BF_21E00CE3F58D_mobile.url = skin/Image_FE633E89_DEF5_C998_41BF_21E00CE3F58D_mobile_en.jpg
Image_FE734480_DEDC_D988_41E0_3D2AEE363C2D.url = skin/Image_FE734480_DEDC_D988_41E0_3D2AEE363C2D_en.jpg
Image_FE734480_DEDC_D988_41E0_3D2AEE363C2D_mobile.url = skin/Image_FE734480_DEDC_D988_41E0_3D2AEE363C2D_mobile_en.jpg
Image_FE756487_DEDC_D988_41E2_2B2887067879.url = skin/Image_FE756487_DEDC_D988_41E2_2B2887067879_en.jpg
Image_FE756487_DEDC_D988_41E2_2B2887067879_mobile.url = skin/Image_FE756487_DEDC_D988_41E2_2B2887067879_mobile_en.jpg
Image_FE91C4F8_DED4_D978_41C1_308D65161519.url = skin/Image_FE91C4F8_DED4_D978_41C1_308D65161519_en.jpg
Image_FE91C4F8_DED4_D978_41C1_308D65161519_mobile.url = skin/Image_FE91C4F8_DED4_D978_41C1_308D65161519_mobile_en.jpg
Image_FE95B4F0_DED4_D988_41E0_BFF6CBACC01D.url = skin/Image_FE95B4F0_DED4_D988_41E0_BFF6CBACC01D_en.jpg
Image_FE95B4F0_DED4_D988_41E0_BFF6CBACC01D_mobile.url = skin/Image_FE95B4F0_DED4_D988_41E0_BFF6CBACC01D_mobile_en.jpg
Image_FFB0E664_DEDC_3888_41E9_646C0671C13D.url = skin/Image_FFB0E664_DEDC_3888_41E9_646C0671C13D_en.jpg
Image_FFB0E664_DEDC_3888_41E9_646C0671C13D_mobile.url = skin/Image_FFB0E664_DEDC_3888_41E9_646C0671C13D_mobile_en.jpg
Image_FFBCF65D_DEDC_38B8_41EB_BE411F0B8672.url = skin/Image_FFBCF65D_DEDC_38B8_41EB_BE411F0B8672_en.jpg
Image_FFBCF65D_DEDC_38B8_41EB_BE411F0B8672_mobile.url = skin/Image_FFBCF65D_DEDC_38B8_41EB_BE411F0B8672_mobile_en.jpg

### Multiline Text
HTMLText_D12E7FB2_DEBC_4789_41C7_28942D4689CA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:3.167062549485351vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.17vmin;font-family:'Futura Std Medium';"><B>THE ARMORY SOUTH</B></SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:2.01173512154233vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.01vmin;font-family:'Futura Std Medium';"><B>The 1924 Jacksonville Woman’s Club Exhibition Rediscovered</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.94vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:2.1377672209026106vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.14vmin;font-family:'Futura Std Book';"><B>April 10 - November 23, 2025</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:0.8854166666666645vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:0.89vmin;font-family:'Futura Std Book';">        </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.89vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">    In March 1924, the Jacksonville Woman’s Club and its newly founded Fine Art Society opened one of the most important art exhibitions in Jacksonville’s history. Four extraordinary Jacksonville women—Merrydelle Hoyt, Edith Harrison, Louese Washburn, and Rose Tharpe—organized a groundbreaking exhibition of more than 200 works by nearly eighty of the foremost artists of the 1920s, including more than twenty influential women artists of the time, many neglected or forgotten today. It offered Jacksonville, Florida, and the South, a comprehensive introduction to the art of the new century. For most, it constituted their first encounter with Modern art. In fact, this seminal event drew inspiration from the famous 1913 New York Armory Show, which had introduced Modernism to America a decade earlier. The Jacksonville organizers envisioned a similarly groundbreaking, watershed event that would give rise to the future “Art Museum of the South.” Indeed, their efforts were not without consequence. The 1924 exhibition marked the foundation of today’s Museum of Contemporary Art Jacksonville. The Armory South: The 1924 Jacksonville Woman’s Club Exhibition Rediscovered brings together artworks and artists from the historic 1924 Woman’s Club show, reconstructing and exploring the significance of this previously lost history. The exhibition aims to restore the legacy of the pioneering women whose cultural leadership in Jacksonville in 1924 led to the creation of one of the nation’s oldest museums for modern and contemporary art, brought Modern art to the South, and raised enduring questions about the civic importance of art and public access to beauty. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">This exhibition is curated by Dr. P. Scott Brown and MOCA Senior Curator Ylva Rouse. Additional support for this exhibition was made in part by the City of Jacksonville, the Cultural Council of Greater Jacksonville, the MOCA Board of Trustees, the MOCA Director’s Circle, and the University of North Florida.</SPAN></SPAN></DIV></div>
HTMLText_CBF2E91A_DF87_1B27_41E3_669088F68FBB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:3.1670625494853533vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.17vmin;font-family:'Futura Std Medium';"><B>THE ARMORY SOUTH</B></SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:2.2754491017964056vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.28vmin;font-family:'Futura Std Medium';"><B>The 1924 Jacksonville Woman’s Club Exhibition Rediscovered</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.94vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:2.1377672209026106vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.14vmin;font-family:'Futura Std Book';"><B>April 10 - November 23, 2025</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:0.8854166666666645vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:0.89vmin;font-family:'Futura Std Book';">        </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.89vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">   The Armory South: The 1924 Jacksonville Woman’s Club Exhibition Rediscovered reassembles core works from a forgotten but seminal Modernist exhibition mounted in March 1924 by the Woman’s Club of Jacksonville and the newly founded Jacksonville Fine Arts Society (now MOCA). Planned to mark the beginning of the museum’s second century in 2025, The Armory South tells several related stories of essential importance to the history of women in Modern art, the introduction of Modernism to the American South, and the ideas and relationships shaping American art in the mid-1920s.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">The title of this new exhibition is a nod to the 1913 Armory show that propelled the Modern art movement in America. In the same way, the 1924 Woman’s Club Exhibition in Jacksonville marked the beginning of Modern art in the South. The exhibition was organized by four Jacksonville women led by Merrydelle Hoyt, a largely overlooked but pioneering advocate for Modern art in Florida, and curated by the artist Wood Gaylor. It included nearly 200 works by more than eighty cutting edge Modernist artists, including George Ault, Peggy Bacon, Charles DeMuth, John Dos Passos, Wood Gaylor, Marsden Hartley, Thomas Hart Benton, Walt Kuhn, Yasuo Kuniyoshi, Adelaide Lawson, Pablo Picasso, Diego Rivera, Katherine Schmidt, Joseph Stella, and Isabel Whitney, among others. Nearly one-third of the exhibiting artists were women. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">Until very recently, this remarkable history had been almost completely forgotten.   </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">Beyond its contribution to understanding a forgotten regional history of American art, this retrospective exhibition will bring completely new evidence to bear on open questions important to our broader history of American art. The exhibition will be an opportunity to reconsider both the neglected work of influential women artists and some of the now canonical artworks that shaped Modern art in America in the early twentieth century.   </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">A catalog is being created to accompany this exhibition with support from the Wyeth Foundation for American Art. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479807vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Std Book';">Guest curator: Dr. P. Scott Brown, PhD.  </SPAN></SPAN></DIV></div>
HTMLText_CBF2E91A_DF87_1B27_41E3_669088F68FBB_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:6.388888888888882vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:6.39vmin;font-family:'Futura Std Medium';"><B>THE ARMORY SOUTH</B></SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Std Medium';"><B>The 1924 Jacksonville Woman’s Club Exhibition Rediscovered</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.62vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';"><B>April 10 - November 23, 2025</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">        </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">   </SPAN><SPAN STYLE="color:#ffffff;font-size:3.86vmin;font-family:'Futura Std Book';"> In March 1924, the Jacksonville Woman’s Club and its newly founded Fine Art Society opened one of the most important art exhibitions in Jacksonville’s history. Four extraordinary Jacksonville women—Merrydelle Hoyt, Edith Harrison, Louese Washburn, and Rose Tharpe—organized a groundbreaking exhibition of more than 200 works by nearly eighty of the foremost artists of the 1920s, including more than twenty influential women artists of the time, many neglected or forgotten today. It offered Jacksonville, Florida, and the South, a comprehensive introduction to the art of the new century. For most, it constituted their first encounter with Modern art. In fact, this seminal event drew inspiration from the famous 1913 New York Armory Show, which had introduced Modernism to America a decade earlier. The Jacksonville organizers envisioned a similarly groundbreaking, watershed event that would give rise to the future “Art Museum of the South.” Indeed, their efforts were not without consequence. The 1924 exhibition marked the foundation of today’s Museum of Contemporary Art Jacksonville. The Armory South: The 1924 Jacksonville Woman’s Club Exhibition Rediscovered brings together artworks and artists from the historic 1924 Woman’s Club show, reconstructing and exploring the significance of this previously lost history. The exhibition aims to restore the legacy of the pioneering women whose cultural leadership in Jacksonville in 1924 led to the creation of one of the nation’s oldest museums for modern and contemporary art, brought Modern art to the South, and raised enduring questions about the civic importance of art and public access to beauty. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.86vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.45vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.861177091580885vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.86vmin;font-family:'Futura Std Book';">This exhibition is curated by Dr. P. Scott Brown and MOCA Senior Curator Ylva Rouse. Additional support for this exhibition was made in part by the City of Jacksonville, the Cultural Council of Greater Jacksonville, the MOCA Board of Trustees, the MOCA Director’s Circle, and the University of North Florida.</SPAN></SPAN></DIV></div>
HTMLText_90448414_187A_9C6C_41B5_AE5F44507F9A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';"><B>Beauty, Nature, and the Real</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.38vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';">Practically everyone can appreciate the beauty of a still life or landscape painting, the two most common kinds of pictures in the 1924 Woman’s Club Exhibition. Still life and landscape both evolved in the seventeenth century at the end of the Renaissance, as art expanded beyond the aristocracy and new, middle class art lovers turned away from the paintings of religion, mythology, and history once favored by elites. Flowers, fruits, beaches, and forests were popular, accessible pictorial subjects that required only an eye and love for beauty to appreciate. It is no accident that these subjects dominated the exhibition in 1924. The organizers wanted the Jacksonville audience to feel comfortable engaging with familiar themes, but Merrydelle Hoyt and Wood Gaylor also selected the canvases to surprise and to challenge assumptions about beauty, naturalism, and representation. They included paintings in the American Realist tradition that challenge the assumption that art is about making pretty pictures. Paintings by Hamilton Easter Field, Stuart Davis, Glenn Coleman, Katherine Schmidt, and Adelaide Lawson offer examples of such works. The 1924 show also included exquisite canvases in Post-Impressionist, Fauvist, Cubist, and abstract styles that challenged the assumption that beauty is tied to the skill of “realistic” representation, as in paintings in The Armory South by Arthur Beecher Carles, Bernard Karfiol, George Of, Henry Fitch Taylor, Louis Bouché, and Marsden Hartley. Other works by artists like Jacques Villon, Rudolf Dirks, Jay Van Everen, and Joseph Stella remind us how adventurous and even strange, yet how irresistible, the new Modernist visions of old ideas could be.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6102C450_180A_9CE5_4123_5C4338AB4240.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';"><B>Beauty, Nature, and the Real</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.38vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';">Practically everyone can appreciate the beauty of a still life or landscape painting, the two most common kinds of pictures in the 1924 Woman’s Club Exhibition. Still life and landscape both evolved in the seventeenth century at the end of the Renaissance, as art expanded beyond the aristocracy and new, middle class art lovers turned away from the paintings of religion, mythology, and history once favored by elites. Flowers, fruits, beaches, and forests were popular, accessible pictorial subjects that required only an eye and love for beauty to appreciate. It is no accident that these subjects dominated the exhibition in 1924. The organizers wanted the Jacksonville audience to feel comfortable engaging with familiar themes, but Merrydelle Hoyt and Wood Gaylor also selected the canvases to surprise and to challenge assumptions about beauty, naturalism, and representation. They included paintings in the American Realist tradition that challenge the assumption that art is about making pretty pictures. Paintings by Hamilton Easter Field, Stuart Davis, Glenn Coleman, Katherine Schmidt, and Adelaide Lawson offer examples of such works. The 1924 show also included exquisite canvases in Post-Impressionist, Fauvist, Cubist, and abstract styles that challenged the assumption that beauty is tied to the skill of “realistic” representation, as in paintings in The Armory South by Arthur Beecher Carles, Bernard Karfiol, George Of, Henry Fitch Taylor, Louis Bouché, and Marsden Hartley. Other works by artists like Jacques Villon, Rudolf Dirks, Jay Van Everen, and Joseph Stella remind us how adventurous and even strange, yet how irresistible, the new Modernist visions of old ideas could be.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_90448414_187A_9C6C_41B5_AE5F44507F9A_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';"><B>Beauty, Nature, and the Real</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.38vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';">Practically everyone can appreciate the beauty of a still life or landscape painting, the two most common kinds of pictures in the 1924 Woman’s Club Exhibition. Still life and landscape both evolved in the seventeenth century at the end of the Renaissance, as art expanded beyond the aristocracy and new, middle class art lovers turned away from the paintings of religion, mythology, and history once favored by elites. Flowers, fruits, beaches, and forests were popular, accessible pictorial subjects that required only an eye and love for beauty to appreciate. It is no accident that these subjects dominated the exhibition in 1924. The organizers wanted the Jacksonville audience to feel comfortable engaging with familiar themes, but Merrydelle Hoyt and Wood Gaylor also selected the canvases to surprise and to challenge assumptions about beauty, naturalism, and representation. They included paintings in the American Realist tradition that challenge the assumption that art is about making pretty pictures. Paintings by Hamilton Easter Field, Stuart Davis, Glenn Coleman, Katherine Schmidt, and Adelaide Lawson offer examples of such works. The 1924 show also included exquisite canvases in Post-Impressionist, Fauvist, Cubist, and abstract styles that challenged the assumption that beauty is tied to the skill of “realistic” representation, as in paintings in The Armory South by Arthur Beecher Carles, Bernard Karfiol, George Of, Henry Fitch Taylor, Louis Bouché, and Marsden Hartley. Other works by artists like Jacques Villon, Rudolf Dirks, Jay Van Everen, and Joseph Stella remind us how adventurous and even strange, yet how irresistible, the new Modernist visions of old ideas could be.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9CBC663C_187D_7C9D_4174_A278A84DD073.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';"><B>CUBISM AND THE AVANT-GARDE</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.38vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.216943784639742vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.22vmin;font-family:'Futura Std Book';">The 1924 Woman’s Club show introduced Jacksonville to the cutting edge of the Modernist avant-garde, “a tough nut for Jacksonville to crack,” as Merrydelle Hoyt opined. In the weeks before and during the exhibition, the local papers were full of discussions of the “-isms” of Modern art, but Picasso and Cubism were by far the most widely discussed topics of conversation. Picasso, “the dearest pal of Modernism,” according to the Jacksonville Times-Union, was already a household name, and many of the artists in the Woman’s Club show were grappling with the implications of Cubism for the future of American art. Alongside Picasso, Jacques Villon, the brother of Marcel Duchamp, was another founder-figure of Cubism featured in the 1924 exhibition, while Henry Fitch Taylor, an organizer of the 1913 Armory Show and an elder statesman of the American avant-garde, was perhaps the first American painter to embrace Cubism. In our 2025 retrospective, several works from the 1924 show by Villon, George Ault, and Robert Laurent, as well as others from the era by Taylor, Marsden Hartley, Louis Bouché, Niles Spencer, Stuart Davis, Stefan Hirsch, and Jay Van Everen all reflect different American responses to Cubism. These works feature geometric forms, color as an artistic ideal, the schematizing abstraction of nature, and reinterpret traditional systems of pictorial perspective, inviting new aesthetic responses to familiar representational forms. When Teddy Roosevelt viewed the Cubist works at the 1913 Armory Show, Wood Gaylor heard him bellow in outrage, “This is the bunk!” What did Jacksonville think? The Times-Union wrote, “Many assumed the attitude of the scoffer on the first visit but went again and again, perhaps realizing… that there is something in this new art as there is something good in the new movements in every phase of life.”</SPAN></SPAN></DIV></div>
HTMLText_603745FF_1875_7F9C_4185_1E6443AA4D0C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';"><B>Delight, Spectacle, and Leisure</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.38vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';">Alongside familiar, accessible themes like landscape and still life, Merrydelle Hoyt and Wood Gaylor selected especially playful subjects that were calculated simply to delight. Modernist painters were drawn to the marvelous, strange, whimsical, and outlandish. Performers, circuses, and the carnivalesque were themes favored by many American Modernists, as opportunities to explore striking themes on the fringes of everyday life. The 1924 Woman’s Club show included Dorothea Schwarcz’s The Circus, a painting that emphasized the surreal spectacle of the three-ring circus. It also featured Charles Demuth’s watercolor, Negro Girl Dancer, which captured the Bohemian jazz and cabaret joie de vivre of roaring twenties New York while introducing race and Black music as themes in a Jim Crow southern city that was itself famed for the jazz and blues scene in its LaVilla neighborhood, often remembered today as the “Harlem of the South.” In The Armory South, Henry Schnakenberg’s Acrobats disconcerts and engages the viewer through jarring composition and field of view. Walt Kuhn’s Mining Camp imagines the picaresque spirit of a wild west frontier town. Peggy Bacon’s Promenade Deck offers an amusingly satirical depiction of the revoltingly Modern bourgeois denizens of a cruise ship. Gaylor’s own Arts Ball chronicles the bacchanalian revels of the Penguin artists’ collective at its annual costume ball, with musicians, dancers, and the giant papier-mâché Goo-Goo bird laying a rugby ball egg. MOCA co-founder Rose B. Tharpe recorded the response to Gaylor’s painting of one visitor to the 1924 show: “I saw an old man looking at it with a smile on his rugged face, just standing there chuckling to himself. I could not resist asking him why the amusement. ‘Oh,’ he said, ‘this is such a jolly piece of painting. How much fun the artist must have had.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6EE8AA1E_180D_B49D_41B1_6391F33BA439.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';"><B>Modern Artists in Florida</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.38vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.216943784639742vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.22vmin;font-family:'Futura Std Book';">1924 was a year of extraordinary optimism in Florida. The land boom was in full swing, and Jacksonville was the largest and wealthiest city in the state, the long-time tourist gateway and financial center of Florida. John Dos Passos, the great American writer and artist, who participated in the Woman’s Club exhibition, wrote of Florida in 1924, “One arrives on foot, works a year, buys an orange grove from his wages, then in five years travels in a limosine, in ten years is the founder of a city, is a millionaire or a senator–it's the American Eden.” Dos Passos was far from the only Modernist painter drawn to Florida in the early twentieth century. The Jacksonville Woman’s Club brought avantgarde Modern art to Florida in 1924, but Modern artists had been visiting and painting there for some time, drawn by curiosity about the exotic subtropical landscape offering a window on the Caribbean, an American frontier at once accessible and foreign, paradisiacal and forbidding. Artists found material in Florida for a different and unique image of America, of rural poverty and resorts, of piney swamps and palm-lined beaches. Among the artists featured in the Woman’s Club exhibitions, Dos Passos, William and Marguerite Zorach, Walt Kuhn, Reginald Marsh, Jules Pascin, Hermine David, Thomas Hart Benton, Jane Peterson, and Robert Chanler all visited and painted in Florida in the 1910s and 20s. In The Armory South, several works from the Vickers Collection of Florida Art reveal the range of the Modern artist’s interest in Florida. The Fine Arts Society co-founder Rose Tharp’s Blue Cloud, Pablo Beach, offers an Impressionist view of the waves and sky off Jacksonville Beach that is little different from what one might see today. Theresa Bernstein’s Florida Water Tower turns our eyes inward, away from the picture-postcard beach to the interior of the state and the evening silhouettes of massive pine trees against a Post-Impressionist sunset. Ashcan School painter William Glackens records a view of the Florida palmetto forest and swamp, a portrait of the sort of natural place that, while not vanished, increasingly survives today mainly in dedicated preserves.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6EBCA6B6_180A_9DAD_4179_73CFE7B89B4A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';"><B>Modernism, Urbanism, and the Portraiture of Place</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.38vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.375296912114011vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.38vmin;font-family:'Futura Std Book';">The changing shape of the American urban and industrial landscape was an important theme for Modern artists in the early decades of the twentieth century. Modernist painters were influenced by the growth of cities, the depopulation of rural places, pollution, the rise of the skyscraper and heavy industrial architecture, and the dehumanizing scale of modern urban spaces. Abandoning the picturesque tradition of landscape painting, Modernist painters began to explore the complicated aesthetic relationships between cities, architecture, people, and the environment. They were fascinated and excited by the unique American-ness of Modern architecture—concrete, glass, steel, geometric lines, and functional forms—but also skeptical of its aesthetic and social impacts on the city. Modern architects drew on the same artistic ideas that animated the era’s painters and sculptors, but the cities that arose during the twentieth century often inspired critical responses from artists. Sooty, hazy, polluted and polluting, cities concentrated poverty and highlighted disparities of status and scale, with huge new commercial skyscrapers or factory smokestacks looming over nineteenth-century tenements and rowhouses and their lowly inhabitants. Many of the artists in the 1924 Woman’s Club exhibition were interested in what might be called a “portraiture of place,” unconventional urban landscapes or architectural subjects that explore the distinctive real or imaginary aesthetic characteristics of American urban space. Among other remarkable pictures in The Armory South, Isabelle Whitney’s canvas documents the cannibalization of old New York by towering new buildings. George Ault interrogates the bleak soul and skeleton of a skyscraper in Construction Night. Stefan Hirsch contemplates industrial architecture and an aesthetic of physical and environmental disturbance, while Walt Kuhn explores the American imaginary of the untamed Wild West—a place that no longer existed by 1920 except in the popular pictures, films, and fictions treasured by the inhabitants of America’s Modern cities.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6102C450_180A_9CE5_4123_5C4338AB4240_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';"><B>Beauty, Nature, and the Real</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.9vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';">Practically everyone can appreciate the beauty of a still life or landscape painting, the two most common kinds of pictures in the 1924 Woman’s Club Exhibition. Still life and landscape both evolved in the seventeenth century at the end of the Renaissance, as art expanded beyond the aristocracy and new, middle class art lovers turned away from the paintings of religion, mythology, and history once favored by elites. Flowers, fruits, beaches, and forests were popular, accessible pictorial subjects that required only an eye and love for beauty to appreciate. It is no accident that these subjects dominated the exhibition in 1924. The organizers wanted the Jacksonville audience to feel comfortable engaging with familiar themes, but Merrydelle Hoyt and Wood Gaylor also selected the canvases to surprise and to challenge assumptions about beauty, naturalism, and representation. They included paintings in the American Realist tradition that challenge the assumption that art is about making pretty pictures. Paintings by Hamilton Easter Field, Stuart Davis, Glenn Coleman, Katherine Schmidt, and Adelaide Lawson offer examples of such works. The 1924 show also included exquisite canvases in Post-Impressionist, Fauvist, Cubist, and abstract styles that challenged the assumption that beauty is tied to the skill of “realistic” representation, as in paintings in The Armory South by Arthur Beecher Carles, Bernard Karfiol, George Of, Henry Fitch Taylor, Louis Bouché, and Marsden Hartley. Other works by artists like Jacques Villon, Rudolf Dirks, Jay Van Everen, and Joseph Stella remind us how adventurous and even strange, yet how irresistible, the new Modernist visions of old ideas could be.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.9vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:3.9vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9CBC663C_187D_7C9D_4174_A278A84DD073_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';"><B>CUBISM AND THE AVANT-GARDE</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.9vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';">The 1924 Woman’s Club show introduced Jacksonville to the cutting edge of the Modernist avant-garde, “a tough nut for Jacksonville to crack,” as Merrydelle Hoyt opined. In the weeks before and during the exhibition, the local papers were full of discussions of the “-isms” of Modern art, but Picasso and Cubism were by far the most widely discussed topics of conversation. Picasso, “the dearest pal of Modernism,” according to the Jacksonville Times-Union, was already a household name, and many of the artists in the Woman’s Club show were grappling with the implications of Cubism for the future of American art. Alongside Picasso, Jacques Villon, the brother of Marcel Duchamp, was another founder-figure of Cubism featured in the 1924 exhibition, while Henry Fitch Taylor, an organizer of the 1913 Armory Show and an elder statesman of the American avant-garde, was perhaps the first American painter to embrace Cubism. In our 2025 retrospective, several works from the 1924 show by Villon, George Ault, and Robert Laurent, as well as others from the era by Taylor, Marsden Hartley, Louis Bouché, Niles Spencer, Stuart Davis, Stefan Hirsch, and Jay Van Everen all reflect different American responses to Cubism. These works feature geometric forms, color as an artistic ideal, the schematizing abstraction of nature, and reinterpret traditional systems of pictorial perspective, inviting new aesthetic responses to familiar representational forms. When Teddy Roosevelt viewed the Cubist works at the 1913 Armory Show, Wood Gaylor heard him bellow in outrage, “This is the bunk!” What did Jacksonville think? The Times-Union wrote, “Many assumed the attitude of the scoffer on the first visit but went again and again, perhaps realizing… that there is something in this new art as there is something good in the new movements in every phase of life.”</SPAN></SPAN></DIV></div>
HTMLText_603745FF_1875_7F9C_4185_1E6443AA4D0C_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';"><B>Delight, Spectacle, and Leisure</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.9vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';">Alongside familiar, accessible themes like landscape and still life, Merrydelle Hoyt and Wood Gaylor selected especially playful subjects that were calculated simply to delight. Modernist painters were drawn to the marvelous, strange, whimsical, and outlandish. Performers, circuses, and the carnivalesque were themes favored by many American Modernists, as opportunities to explore striking themes on the fringes of everyday life. The 1924 Woman’s Club show included Dorothea Schwarcz’s The Circus, a painting that emphasized the surreal spectacle of the three-ring circus. It also featured Charles Demuth’s watercolor, Negro Girl Dancer, which captured the Bohemian jazz and cabaret joie de vivre of roaring twenties New York while introducing race and Black music as themes in a Jim Crow southern city that was itself famed for the jazz and blues scene in its LaVilla neighborhood, often remembered today as the “Harlem of the South.” In The Armory South, Henry Schnakenberg’s Acrobats disconcerts and engages the viewer through jarring composition and field of view. Walt Kuhn’s Mining Camp imagines the picaresque spirit of a wild west frontier town. Peggy Bacon’s Promenade Deck offers an amusingly satirical depiction of the revoltingly Modern bourgeois denizens of a cruise ship. Gaylor’s own Arts Ball chronicles the bacchanalian revels of the Penguin artists’ collective at its annual costume ball, with musicians, dancers, and the giant papier-mâché Goo-Goo bird laying a rugby ball egg. MOCA co-founder Rose B. Tharpe recorded the response to Gaylor’s painting of one visitor to the 1924 show: “I saw an old man looking at it with a smile on his rugged face, just standing there chuckling to himself. I could not resist asking him why the amusement. ‘Oh,’ he said, ‘this is such a jolly piece of painting. How much fun the artist must have had.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6EE8AA1E_180D_B49D_41B1_6391F33BA439_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';"><B>Modern Artists in Florida</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.9vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.899721448467963vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.9vmin;font-family:'Futura Std Book';">1924 was a year of extraordinary optimism in Florida. The land boom was in full swing, and Jacksonville was the largest and wealthiest city in the state, the long-time tourist gateway and financial center of Florida. John Dos Passos, the great American writer and artist, who participated in the Woman’s Club exhibition, wrote of Florida in 1924, “One arrives on foot, works a year, buys an orange grove from his wages, then in five years travels in a limosine, in ten years is the founder of a city, is a millionaire or a senator–it's the American Eden.” Dos Passos was far from the only Modernist painter drawn to Florida in the early twentieth century. The Jacksonville Woman’s Club brought avantgarde Modern art to Florida in 1924, but Modern artists had been visiting and painting there for some time, drawn by curiosity about the exotic subtropical landscape offering a window on the Caribbean, an American frontier at once accessible and foreign, paradisiacal and forbidding. Artists found material in Florida for a different and unique image of America, of rural poverty and resorts, of piney swamps and palm-lined beaches. Among the artists featured in the Woman’s Club exhibitions, Dos Passos, William and Marguerite Zorach, Walt Kuhn, Reginald Marsh, Jules Pascin, Hermine David, Thomas Hart Benton, Jane Peterson, and Robert Chanler all visited and painted in Florida in the 1910s and 20s. In The Armory South, several works from the Vickers Collection of Florida Art reveal the range of the Modern artist’s interest in Florida. The Fine Arts Society co-founder Rose Tharp’s Blue Cloud, Pablo Beach, offers an Impressionist view of the waves and sky off Jacksonville Beach that is little different from what one might see today. Theresa Bernstein’s Florida Water Tower turns our eyes inward, away from the picture-postcard beach to the interior of the state and the evening silhouettes of massive pine trees against a Post-Impressionist sunset. Ashcan School painter William Glackens records a view of the Florida palmetto forest and swamp, a portrait of the sort of natural place that, while not vanished, increasingly survives today mainly in dedicated preserves.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.9vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6EBCA6B6_180A_9DAD_4179_73CFE7B89B4A_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.178272980501394vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.18vmin;font-family:'Futura Std Book';"><B>Modernism, Urbanism, and the Portraiture of Place</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.18vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.178272980501394vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.18vmin;font-family:'Futura Std Book';">The changing shape of the American urban and industrial landscape was an important theme for Modern artists in the early decades of the twentieth century. Modernist painters were influenced by the growth of cities, the depopulation of rural places, pollution, the rise of the skyscraper and heavy industrial architecture, and the dehumanizing scale of modern urban spaces. Abandoning the picturesque tradition of landscape painting, Modernist painters began to explore the complicated aesthetic relationships between cities, architecture, people, and the environment. They were fascinated and excited by the unique American-ness of Modern architecture—concrete, glass, steel, geometric lines, and functional forms—but also skeptical of its aesthetic and social impacts on the city. Modern architects drew on the same artistic ideas that animated the era’s painters and sculptors, but the cities that arose during the twentieth century often inspired critical responses from artists. Sooty, hazy, polluted and polluting, cities concentrated poverty and highlighted disparities of status and scale, with huge new commercial skyscrapers or factory smokestacks looming over nineteenth-century tenements and rowhouses and their lowly inhabitants. Many of the artists in the 1924 Woman’s Club exhibition were interested in what might be called a “portraiture of place,” unconventional urban landscapes or architectural subjects that explore the distinctive real or imaginary aesthetic characteristics of American urban space. Among other remarkable pictures in The Armory South, Isabelle Whitney’s canvas documents the cannibalization of old New York by towering new buildings. George Ault interrogates the bleak soul and skeleton of a skyscraper in Construction Night. Stefan Hirsch contemplates industrial architecture and an aesthetic of physical and environmental disturbance, while Walt Kuhn explores the American imaginary of the untamed Wild West—a place that no longer existed by 1920 except in the popular pictures, films, and fictions treasured by the inhabitants of America’s Modern cities.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.22vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.83vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CC3B9EC6_DECC_4988_41E6_BA8242D372FE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.3023791250959302vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.3vmin;font-family:'Futura Std Medium';"><B>Rose B. Tharpe </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.3023791250959302vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.3vmin;font-family:'Futura Std Medium';"><B>United States, 1869-1963</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Blue Cloud, Pablo Beach, Florida, ca. 1922</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Courtesy of the Harn Museum of Art, The Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE9034F6_DED4_D989_41B8_F472F1DED6DD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Adelaide Lawson Gaylor</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1889–1986)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Hempstead Harbor, ca. 1930</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Portland Museum of Art, Maine. Hamilton Easter Field Art Foundation Collection, Gift of Barn Gallery Associates, Inc., Ogunquit, Maine, 1979.13.29</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Lawson’s work emerges from the faux-naïve strain in American art influenced by cartoons, commercial illustration, and the simplified forms of artists like Matisse. Hempstead Harbor exhibits the flat colors, simple forms, heavy outlines, and the near absence of shadows that characterize her work. The subject of the landscape belongs to the long tradition of picturesque painting, a tradition that Lawson intentionally subverts by exploring unprettiness or, perhaps, the indifference of the subject to our expectations for beauty. Telephone poles, power lines, factory smokestacks, and roads scar the landscape, and her loose brushwork contributes further to the impression of an artist seeking an authenticity that lies outside of the conventions of pretty picture-painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F1FC15FF_DEB4_3B78_41D2_84C764AABBCD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Arthur Beecher Carles</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1882–1952)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Mixed Bouquet, ca. 1915</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Arthur Beecher Carles was a brilliant colorist and leading figure in American Modernism. Mixed Bouquet is an exceptional example of his work and of developments in Modernist painting in America in the 1910s. The massive canvas presents a larger-than-life bouquet, a deeply traditional still-life subject closely linked to popular concepts of art and beauty, transformed through Carles’ avant-gardist technique and aesthetic. He flattens the composition, does away with drawing, and emphasizes the materiality of paint and the surface of the picture through thin washes of pigment that stain the ground, the scumbled haze of green foliage, and flower forms that pile up in worked strokes of pigment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F756CB2C_DED4_4898_41E5_1FA9EF3954C5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Bernard Karfiol</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Hungary, 1886–1952)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Bathers in Boats, ca. 1920</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Courtesy of Forum Gallery, New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Bernard Karfiol was a core member of the Ogunquit circle of artists who orbited around Hamilton Easter Field. His mature, Post-Impressionist work reflects the deep influence of Modernist heroes Cézanne and Renoir. In Bathers in Boats, one of his Ogunquit paintings, Karfiol’s handling of paint is exquisite, with areas of impasto, heavy brushstrokes, and textural effects that suggest the complex movement of water in the cove, the spray of waves breaking on the rocks, and light working across the turbulent surface of the water. The picture is a beautiful example of Post-Impressionist painting in the spirit of Van Gogh that speaks vividly to the Modernist painter’s preoccupation with new ways of seeing and depicting nature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E826F84C_DF5D_C898_41E6_9AC649542C89.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Ernest Fiene</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Germany, 1894–1965)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Hudson River Boat, 1927</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Courtesy of D. Wigmore Fine Art, Inc., New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Like Konrad Cramer’s Roundout Creek, Ernest Fiene’s Hudson River Boat is a Hudson River port scene and landscape by a German-born artist. The two works, viewed side by side, help to illustrate the range of ideas and approaches in the new Realism practiced by American Modernists in the 1920s. Fiene’s picture reveals his interest in post-Cubist movements like Precisionism, evident in the geometrical, linear forms of the boat prow and the Bear Mountain bridge in the background—the longest suspension bridge in the world when it was completed in 1924. Juxtaposing these ultra-modern industrial forms, Fiene explores abstraction and color in the formless image of water, analogous to liquid paint itself as a cracked mirror of reality.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E9937ACF_DF54_4998_41D4_B7BDC4B278B7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>George Copeland Ault</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1891–1948)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Construction: Night, ca. 1923</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Yale University Art Gallery, Gift of the Woodward Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">George Ault’s Construction: Night was among the most abstract and avant-garde works in the 1924 Woman’s Club Exhibition—a marvelous piece of post-Cubist Precisionist painting, offering a dark critique of the inorganic forms and unhuman spirit of the modern industrial skyscraper. Yet it went over well in Jacksonville and was praised in the papers. Ault’s picture had special appeal for the audience there because of local interest in Modern architecture. In the decades after the Great Fire in 1901, Jacksonville built the first skyscrapers in Florida, and its modern skyline was a point of pride. Construction: Night connected to the city’s aesthetic interest in architecture. Said one Jacksonville viewer, “It is an embodiment of the spirit of the times."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F412C0F1_DED3_D988_41E1_6FCD26BF8AAA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>George Of</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1876–1954)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Boats in Sunlight, 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Weisman Art Museum at University of Minnesota, Minneapolis. Bequest of Hudson D. Walker from the lone and Hudson D. Walker Collection.1978.21.44</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">The painter George Ferdinand Of is remembered as one of the leading Modernist frame makers. He was also among the first Americans to discover Matisse, purchasing Nude in a Wood in 1907. The influence of Matisse and Fauvism is obvious in Boats in Sunlight, which is perhaps the same picture Of exhibited in 1924 Jacksonville. The loose, fluid application of pigment dissolves the solid contours of hills and trees into gestural forms that approach deepest abstraction, recalling distantly Matisse’s Nude in a Wood. Of’s expressive and unexpected use of color leads, in the words of a Jacksonville viewer in 1924, “From a high key to a very low one…a marvelous scene of intonation of quietness, of late afternoon not quite nocturnal. It fairly sings the scale of colors.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F73A877F_DECC_4778_41E5_4EA3D9CA96C7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>George Overbury “Pop” Hart</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1868–1933)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Landscape, Santo Domingo, 1922</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Watercolor and graphite on cream wove paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Collection Zimmerli Art Museum at Rutgers University, Gift of the estate of Jeane Overbury Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">“Pop” Hart, as he was known familiarly, was a self-taught sign painter, footloose rambler, and student of the world; a friend to everyone, and a key figure in American art in the 1920s. His travels took him to Europe, the Caribbean, Central America, Africa, and the South Pacific, and much of his art records observations from his wandering. He worked extensively in the portable medium of watercolor and exhibited two watercolor landscapes in Jacksonville in 1923. The unaffected freedom of his watercolors painted on-site, like Landscape, Santo Domingo here, reflect the Modernist generation’s search for new subjects and real rather than ideal concepts, moving beyond the European picturesque tradition of landscape painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C36DA637_DECC_5888_41E4_58E4F3444E43.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>George Overbury “Pop” Hart</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1868–1933)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Study for Sunday Picnic on the Hudson, 1921</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Collection Zimmerli Art Museum at Rutgers University, Gift of the estate of Jeane Overbury Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">“Pop” Hart, as he was known familiarly, was a self-taught sign painter, footloose rambler, and student of the world; a friend to everyone, and a key figure in American art in the 1920s. His travels took him to Europe, the Caribbean, Central America, Africa, and the South Pacific, and much of his art records observations from his wandering. Hart was influenced by the commercial graphic arts of sign painting and cartooning. Study for Sunday Picnic on the Hudson shows Pop Hart’s incisive observations and humorous critiques of modern American life. It is an amusing and perceptive depiction of working-class leisure that draws on traditions of peasant and low-life genre scenes stretching back at least to the Renaissance and Pieter Brueghel’s festive peasants. Leisure was itself a concept that evolved with the modern age, and it is easy to imagine how this work might have appealed to the audience in Jacksonville, a tourist destination and beach town in the avant-garde of the new American culture of leisure. His satirical approach and the subject of American leisure must be compared to Peggy Bacon’s Promenade Deck.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7F0E74DF_2749_AE8E_41B5_D6C5E832BE5E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Glenn O. Coleman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1887 - 1932)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Untitled n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on Canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York, Charles Simon Bequest, Inv.:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">96.60.16</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Coleman was a Realist, influenced by the gritty New York Ashcan School. Like many artists of his generation, Coleman did not privilege the picturesque but explored the real with a deep attention to people and perspectives that tend to be overlooked. His pictures are not ugly, but like the Ashcan artists, he helps us to appreciate the aesthetic dimensions of a world that is not always beautiful or ideal. This picture, exhibited in Jacksonville in 1924 under the title, Cuban Church, depicts a plaza peopled with poor street vendors outside a beautiful walled church or monastery, which looms behind the peasants seated in the dirt. It is impossible to miss the themes of poverty and class in this composition, as in many of Coleman’s works.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E9E549EA_DF4C_CB98_41D0_B7A794D7D624.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Hamilton Easter Field</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1873–1922)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>River Front, New York, Winter, ca. 1912</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Brooklyn Museum, Gift of Robert Laurent, 22.89</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Hamilton Easter Field was an influential critic, patron, and leader in American art who ran artists’ colonies in his properties in both Ogunquit, Maine, and Brooklyn. He was a critical influence and source of support for a large community of young American artists, many of whom exhibited in the 1924 Woman’s Club show. River Front, New York, Winter is connected to the gritty American Ashcan School. A dingy brown sky and hazy skyline feature skyscrapers breaking the line formed by the mass of lower buildings, tumbling toward the low warehouses that line the riverfront. Their roofs glimmer dully with ecru snow against the gloom. It is a picture at once beautiful and glowering, conjuring the squalor and splendor of the modern city as both human and inhumane.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C62D3D14_DEF4_4888_41DD_3792B65F127C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Henry Ernest Schnakenberg</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1892–1970)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Acrobats, 1939</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Oil on canvas</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">The John and Mabel Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Florida</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Henry Ernest Schnakenberg was one of America’s leading "poets of the actual," akin to Realist painters like Edward Hopper, characterized by skillful craftsmanship and attention to the aesthetic textures and possibilities of everyday things. In Acrobats, the arresting, vertical composition centers on a powerful, muscular figure that harkens back to Michelangelo and Mannerism. The cropped body of the inverted man at the top of the composition produces a surreal effect, confusing our sense of space and gravity. Schnakenberg used this cropping technique repeatedly in his compositions to limit the viewer’s perspective and focus attention on part of an unknowable whole. He frames his acrobats narrowly, dissociating them from a narrative setting like the circus or the stage that would allow the viewer to rationalize their inherent strangeness.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CD44B22E_DED4_5898_41CA_BD07D84E7FF1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Henry Fitch Taylor</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1853–1925)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Still Life, 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Chrysler Museum of Art, Norfolk, VA; gift of Walter P. Chrysler, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Henry Fitch Taylor, America’s first Cubist, turned from Impressionism to Cubism after the 1913 Armory Show. In a nod to Picasso, still life compositions featuring guitars and violins were among his most common subjects. This work exhibits fractured Cubist perspectives on a musical instrument, including the curve of the body and the scroll and flourishes of the neck. Taylor’s painting in the 1924 Woman’s Club Exhibition both vexed and intrigued viewers. Rose Tharp recorded one viewer’s reaction: “‘I can’t get it. I see nothing to it,’ she said, but she came back the next day. It fascinated her. At last, she declared, ‘I could feel the color vibrations at once and caught the message of the artist.’”.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E8A517BA_DF54_47F8_41E1_23CCA7CF555D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Hermine David</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(France, 1886–1970)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Cuban Bungalow, n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Watercolor and Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Rose Art Museum, Brandeis University, Gift of Mr. Samuel Lustgarten, Sherman Oaks, CA, - 1139</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Hermine David, the wife of Jules Pascin, was a successful artist in her own right; a member of the artists’ collective known as the École de Paris, and a world traveler who documented her voyages in the portable medium of watercolor. She and Pascin were among the increasing number of artists whose eyes and brushes turned toward new American subjects in Florida, the Deep South, and the Caribbean. David’s Cuban Bungalow would have seemed familiar to Floridians: dense, jungle-like vegetation that seems to swallow a lonely, ramshackle bungalow. The picture reflects the Modernist interest in nature and the environment, especially rural and poor landscapes on the edges of the modernizing industrial world in the early twentieth century.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB01AB76_DEF4_C889_41E8_47D8081901D0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Isabel Lydia Whitney</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1878–1962)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>The Emerald Tower, 1927–1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Brooklyn Museum, Gift of Mr. and Mrs. James H. Hayes, 54.18</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Isabel Lydia Whitney was, for a period in the 1920s, among the most famous American artists, after the story of her exploits painting true fresco by candlelight on scaffolding eight stories up on the façade of a Manhattan skyscraper during a raging blizzard was picked up by national and international newswires. Her surviving works reveal an artist who was deeply interested in architecture and urban space. The Emerald Tower is an allegory based on the Emerald City in The Wizard of Oz, a fantasy land that vainly promises the fulfillment of all dreams and wishes. The eponymous emerald tower is a seemingly impossible modern glass and steel skyscraper, overshadowing the darkened streets and nineteenth-century brownstone walkups of old New York.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FDDAADA7_DED4_4B88_41D7_F2A77225B40D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Jacques Villon</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(France, 1875–1963)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Puteaux: Smoke and Trees in Bloom, ca. 1912</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Myron Kunin Collection of Art, Minneapolis, MN; Courtesy of Curtis Galleries, Inc.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Puteaux was a featured work in the 1924 Woman’s Club Exhibition and the only work also exhibited in the 1913 Armory Show. Villon, the brother of Marcel Duchamp, was a founder of the Puteaux Group, a French avant-garde collective associated with the development of Cubism and Orphism. Puteaux: Smoke and Trees in Bloom is a triumph of the Cubist aesthetic—fragmented shapes and overlapping planes, smoke and color, a landscape of dynamic form and feeling. The work illustrates the evolution of abstraction and landscape in the years following the Armory Show, helping to introduce Jacksonville to the formative avant-garde influences on American Modernism.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F3C5B5E3_DEB5_DB88_41CB_FF12E90CEAE5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Jane Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1876–1965)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Bowl of Zinnias, n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Wesleyan College, Helena Eastman Ogden Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Bowl of Zinnias is a fine example of Post-Impressionist painting from the Campbell Collection at Wesleyan College that offers insight into the friendship networks among Modernist women artists. Jane Peterson was a student at Pratt Institute, where she was a classmate of Louese Washburn, one of the four co-founders of the Jacksonville Fine Arts Society (today, MOCA). In 1923, Peterson was also a featured artist in the fourth annual Jacksonville Woman’s Club Exhibition.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CC46A68D_DEDC_3998_41E4_FFFD3E25B6BA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Jay Van Everen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1875–1947)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Abstract Landscape, ca. 1924</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Whitney Museum of American Art, Gift of Mr. and Mrs. Henry M. Reed</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Jay Van Everen, one of the most intriguing artists featured in the 1924 Woman’s Club Exhibition, was a devotee of Synchromism—a radical, theoretical branch of Modernist painting that explored synesthesia, specifically the relation of color to other senses. Van Everen’s Synchromist works are astonishingly avant-garde. His bright, prismatic landscape composition here is a descendant of Jacques Villon’s Puteaux, illustrating the evolution of abstraction and landscape in the years that followed the 1913 Armory Show. Large, irregular geometries of saturated color dominate the bottom half of the composition, evoking the weight and gravity of land. The smaller lozenges of intense color in the upper half of the composition are bound together by a framework of ethereal haze, a grey and halftone revetment of sky.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CE2A1E09_DEBD_C898_41D9_193D44F792C1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Joseph Stella </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666662vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Std Book';"><B>(Italy, 1877–1946)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';">Green Apple, 1930</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Joseph Stella was a true original, born in Italy, trained in America, an innovator who transformed the lessons of Fauvism, Cubism, Futurism, and Surrealism into a unique and uniquely beautiful new personal style. Green Apple is an exceptional example, at once dark and glowing, of his mastery of color and light. Its composition draws on Renaissance religious painting, recalling, in particular, common devotional images of the sacred heart surrounded by the floral garlands that symbolize rebirth and renewal. House sparrows—common symbols of love and happiness—point their beaks toward the apple in this suggestive meditation on dark and light, flower and fruit.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE1E3E8F_DEF5_C998_41E4_DB5D90F629E1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Jules Pascin</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Austria, 1885–1930)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Hermine David and Mrs. Gaylor, 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Rose Art Museum, Brandeis University, Gift of Larry Aldrich, 1962.103</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Jules Pascin, known as the "Prince of Montparnasse," eventually became a naturalized US citizen and influenced a generation of American artists who came of age around Wood Gaylor. The double portrait, Hermine David and Mrs. Gaylor, captures his wife, Hermine David, and Ruth Gaylor, both of whom were professional artists. This painting is a fine example of Pascin's style, which often carried a sense of the cartoon—by turns satirical and exaggerated. The women are depicted in a disconcertingly Modernist manner, almost caricature-like, with oddly proportioned bodies and short, stem-like arms ending in tiny, folded hands. The imagery evokes traditional femininity yet contradicts the reality that both women were successful, professional artists operating in a male-dominated art world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C375892F_DED4_4898_41EB_BB801FB7FBED.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Katherine Schmidt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1899–1978)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>The White Factory, 1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York; gift of Gertrude Vanderbilt Whitney, 31.336</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Katherine Schmidt was one of the most heralded artists in the 1924 show, singled out alongside Picasso in press coverage before the exhibition. By the late 1930s, however, as the world turned away from Realism to abstraction, Schmidt briefly abandoned painting, while many other women artists of her generation were likewise forgotten by collectors and museums. The White Factory offers insight into Schmidt’s meticulous technique and her approach to her subjects, both natural and artificial. Schmidt positions the unnatural factory as a nearly perfectly flat, two-dimensional screen defined almost entirely by horizontal and vertical lines. The volumes of the building resolve into flat, geometric shapes, asserting its industrial presence amid a composition dominated by organic forms and natural colors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E59F5457_DF5C_7888_41D8_2F3627C3F336.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Konrad Cramer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Germany, 1888–1963)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Roundout Creek, 1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">The work of Konrad Cramer, a German-born artist who immigrated to the US in 1911, illustrates some of the striking ways that European and American artistic traditions mingled to produce new forms in the avant-garde spaces of the 1920s. In Roundout Creek, a Cézanne-inspired landscape in the background and a Cubist-influenced port scene in the foreground meet techniques drawn from American folk art. Cramer frequently used stencils to build up his compositions, a technique borrowed from American theorem painting, producing the hard linear edges and soft tonal interiors of the architectural and landscape features. His style and subject invite conversation with the works of Precisionists like Niles Spencer and new Realists like Ernest Fiene and Katherine Schmidt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E8272B4F_DF54_4898_41E9_592DD4807768.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Konrad Cramer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Germany, 1888–1963)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Roundout Creek, 1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">The work of Konrad Cramer, a German-born artist who immigrated to the US in 1911, illustrates some of the striking ways that European and American artistic traditions mingled to produce new forms in the avant-garde spaces of the 1920s. In Roundout Creek, a Cézanne-inspired landscape in the background and a Cubist-influenced port scene in the foreground meet techniques drawn from American folk art. Cramer frequently used stencils to build up his compositions, a technique borrowed from American theorem painting, producing the hard linear edges and soft tonal interiors of the architectural and landscape features. His style and subject invite conversation with the works of Precisionists like Niles Spencer and new Realists like Ernest Fiene and Katherine Schmidt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F2FCDA0F_DEB7_C898_41CF_5E578EE55651.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Louis Bouché</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1896–1969)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Fish and Roses (a.k.a. Fish and Roses to My Darling), 1921–1923</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas mounted to hardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Woodstock Artists Association &amp; Museum, Gift of Olin Dows, 1973-07-04</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Bouché’s Fish and Roses (a.k.a. Fish and Roses to My Darling) wrestles with the impact of Cubism on perspective, depicting in perfect profile a large central vase hung with a garland of roses, flanked by plates of fish viewed from above. It was a picture like this that inspired Wood Gaylor’s comments that a painting “can be photographic, but an artist may paint from whatever angle he chooses provided he considers it a better piece of art.” This simple observation offered Jacksonville a profound and challenging insight into Modern art: there are no laws of art that constrain the painter’s imagination or force the brush to imitate nature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F44F3883_DECC_C988_41AB_407236BDD0C0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Margaret Huntington</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1867–1958)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Nantucket Houses, n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Wesleyan College, Helena Eastman Ogden Campbell Collection, WC0009253</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Margaret Huntington is the only female artist in the 1924 Woman’s Club show who also exhibited in the famous 1913 Armory Show ten years earlier. Though largely forgotten today, she had a thriving career in the 1920s. Nantucket Houses is an excellent example of her post-Impressionist style, indebted to Van Gogh and characterized by loose brushwork, extensive use of heavy line to define contours and forms, and a strong sense of color. The survival of her work in the Campbell Collection (of mainly women artists collected by a woman artist) at Wesleyan College (the oldest women’s college in the world) helps to illustrate the friendship networks that united and sustained professional women artists in the early twentieth century.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE739487_DEDC_D988_41E9_ED6EDEE939D8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Marguerite Thompson Zorach</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1887–1968)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>The Zorach Family in a Landscape, 1915</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Marguerite Zorach lived and studied in Paris in the 1910s, where she absorbed the ideas of artists like Matisse and Picasso. She and her husband, William Zorach, were close associates of Merrydelle Hoyt and curated the 1922 Jacksonville Woman’s Club Exhibition, which Hoyt described as Jacksonville’s first ultra-modern art show, “a tough nut for Jacksonvillians to crack.” The Zorach Family in a Landscape, painted in the same year as the birth of her first child, reflects the Fauvist influence of Matisse in its color and the Cubist influence of Picasso in its concepts of line and form. It is also a profoundly intimate picture—a suggestive commentary for a new era by a leading Modernist woman artist on the dynamics of motherhood and family.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CCA3AEDE_DEDC_49B8_41B2_47CBFAB5263A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Marsden Hartley</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1877–1943)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Movement #4, Provincetown, 1916</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Marsden Hartley, a towering figure in American art, studied and painted in Paris and Berlin in the 1910s and was a bridge between French and German movements in American Modern art. He exhibited in Merrydelle Hoyt’s Ogunquit gallery and in the 1920 and 1924 Jacksonville Woman’s Club shows. Movement #4, Provincetown begins with a delightful conceit: that the familiar “still” life is an exploration of movement—musical, optical, physical. The composition, reflecting on Cubism, employs dynamic angles and grayscale contrasts in the pedestal to generate forces of gravity and shifting perspective that imply the displacement of the viewer in a composition anchored in the center by the flat goblet and its colorful stem of abstracted leaves or flowers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE4F241F_DEDC_F8B8_41D8_48FAA45E5BC6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Niles Spencer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1893–1952)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Back of the Town (Provincetown), 1926</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Niles Spencer was a key member of the community of artists around Hamilton Easter Field and Wood Gaylor in Ogunquit and Salons of America. Associated with the Post-Cubist Precisionist movement in American art and with artists like George Ault and Stefan Hirsch, Spencer’s architectural scenes explore new concepts of perspective and linear form in landscape painting. Back of the Town (Provincetown) takes a classic landscape subject—a quaint New England village—and abandons any prettifying pretense of sentimentalism. Spencer renders the houses of Provincetown as a jumble of cubic forms, overlapping and cutting across each other with analytical, angular discontinuities that challenge the rationalizing, picturesque tradition of European landscape painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C21514B1_DECC_F988_41E9_FF65BB6EAA7B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Peggy Bacon</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1895–1987)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Promenade Deck, 1920</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Dry point</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Dr. P. Scott and Sally Anne Brown Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Peggy Bacon’s etching, Promenade Deck, was a featured work in the 1924 Jacksonville Woman’s Club Exhibition. Bacon was a key member of the overlapping communities of artists associated with Ogunquit, the Whitney Studio Club, and Salons of America, whose contributions formed the heart of the Jacksonville show. Promenade Deck is a typically satirical Bacon etching, whose caricatures reflect her trenchant observations of the motley, bourgeois society aboard an early 20th-century cruise ship. The work drew rave reviews in Jacksonville, itself a major tourist destination and port city. The inclusion of Promenade Deck engaged Jacksonville, which was deeply inexperienced with Modern art, by means of subjects that reflected, but also distorted, the familiar.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CA7254BD_DED4_F9F8_41C9_4EE7458FC923.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Robert Laurent</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666662vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Std Book';"><B>(France, 1890–1970)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';">Woman’s Head, 1917</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Walnut</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York; gift of Gertrude Vanderbilt Whitney, 31.48a-b</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Robert Laurent was a key collaborator on the 1924 Jacksonville Woman’s Club Exhibition and a key contributor to the show. Laurent was the protégé and heir of Hamilton Easter Field and a leader with Wood Gaylor in Salons of America following Field’s death in 1922. Laurent was among the foremost American sculptors of the twentieth century, a pioneer of direct carving, working without models or maquettes, an approach that aimed to achieve in sculpture the aesthetic immediacy, intimacy, and honesty of painting alla prima. Laurent’s abstracted, simplified, and faux-naïf forms, as in Woman’s Head, which was part of the 1924 Woman’s Club show, reflect the influence of Cubism as well as African, Indian, and Indigenous art.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FA38FE59_DED3_C8BB_41E7_5C5843D18654.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Robert Laurent</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(France, 1890–1970)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>The Flame, ca. 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Wood</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York; gift of Bartlett Arkell, 42.1a-b</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Robert Laurent contributed perhaps the only works of sculpture exhibited in the 1924 Woman’s Club show. He exhibited four works, including two heads, a landscape, and this work, entitled Flame. Flame is a work of pure abstraction. The pictorial reference in its title merely adds a layer of irony and pleasure to the experience of the work, of the solid, static, opaque material of wood depicting the insubstantial, energetic, gaseous disturbance of light and color that we know as flame. Fire, in turn, is the soul of wood transfigured by heat, and the irregular movement of light across the polished surfaces of the sculpture offers a marvelous effect akin to burning, the white shine of reflected light overlaying the warm undertone of the wood.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F7DC912E_DECC_3898_41D9_1231167BAC88.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Rudolph Dirks</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Germany, 1877–1968)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Mountain Pool, 1915</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Ogunquit Museum of American Art</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">Rudolph Dirks was perhaps the most famous artist in the 1924 Woman’s Club Exhibition. Dirks created the hugely popular Katzenjammer Kids comic strip and its offspring, The Captain and the Kids, modern artworks that reached directly into the households of Jacksonville and shaped American culture. In 1924 Jacksonville, Dirks exhibited Landscape with Nudes, perhaps the same work exhibited here, a highly abstract landscape with heavy impasto that deliberately undermines the viewer’s recognition of representational forms. The painting offers glossy beads, dabs, squiggles, and smears of paint—the papers in 1924 described “colors that dance”—appealing and engagingly tactile forms in themselves. Only gradually do we perceive foliage, rocks, a waterfall, and the little nudes cavorting across the bottom quarter of the picture.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB75297E_DEF4_4B78_41E2_3893983ECFE1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Stefan Hirsch</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Germany, 1899–1964)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Factories, Portsmouth, New Hampshire, 1922</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Myron Kunin Collection of American Art, Minneapolis, MN; Courtesy of Curtis Galleries Inc.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">The Precisionist painter Stefan Hirsch was influenced by the socio-economic changes and transformation of the city in the early twentieth century. In Factories, he avoids the picturesque horizon and flattens our view by massing the heavy geometric forms of industrial buildings in the center of the picture. The sooty, translucent colors of the clouds emitting from the smokestacks contrast the angular solidity and opacity of the bright, unnatural orange buildings. Hirsch’s picture, like George Ault’s Construction Night, critiques the industrialized American city. The clock tower presiding over the scene hints at the oversight and regulation of work. The viewer’s alienation is a proxy for the perspective of the unseen workers who must inhabit and serve the purposes of this inhumane factory-scape.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FFB3A664_DEDC_3888_41AE_588F3817CB8C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Stuart Davis</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1892–1964)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Tioga, PA (Main Street, USA), 1919</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Stuart Davis, one of the leading innovators in 20th-century American art, was one of the youngest participants in the 1913 Armory Show, after which he began to experiment with the ideas of Fauvism and Post-Impressionism. Tioga, PA (Main Street, USA) channels Van Gogh, with heavy impasto and conspicuous brushstrokes that seek the "logic" of Van Gogh's designs. However, Davis’s juxtaposition of the old church and new garage on opposite sides of "Main Street USA" is deeply American and new. Tradition and Modernism square off against each other, and Davis privileges the commercial signage of the garage and its Texaco star, pointing toward his flattened, Pop Art-like compositions of the mid-1920s, rooted in the evolving American art vernacular of commercial graphic design.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CC2A139B_DED4_3FB8_41CD_F8867A5D2863.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Therese Ferber Bernstein</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(Poland, 1890–2002)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Florida Water, ca. 1918</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Courtesy of the Harn Museum of Art, The Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Theresa Ferber Bernstein is today one of the most celebrated women artists in the 1924 Woman’s Club Exhibition, in part because she lived and painted long enough—112 years!—to be one of the few early American Modernists still around when forgotten women artists began to be rediscovered in the late twentieth century. Bernstein’s dark, tonalist, Post-Impressionist Florida Water captures a quintessential Florida sunset in the state’s rural interior, with high pine boughs and a slender water tower in evening silhouette against a sky of dull rose, orange, cream, and slate. Bernstein’s bold, gestural mastery of paint exhibits an expressionist vigor that led admiring critics in the 1920s to write that she “painted like a man”.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB5BE14C_DECC_D898_41D7_2A620DB2B028.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Walt Kuhn</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1877–1949)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>A Mining Camp, 1919</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Collection of the Colorado Springs Fine Arts Center at Colorado College, Gift of Vera and Brenda Kuhn, FA 1951.1.15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Walt Kuhn, the legendary organizer of the famed 1913 Armory Show, was one of America’s most celebrated artists. Mining Camp, featured in the 1924 Woman’s Club Exhibition, is from Kuhn’s series, Imaginary History of the West, inspired by the idea of the Wild West. It is among Kuhn’s most abstract, avant-garde compositions, exploring an American quintessential—both past and timeless, real and imaginary. Perhaps surprisingly, Kuhn’s painting was one of the biggest hits of the show, as noted by a comment overheard by a reporter in 1924: “My goodness, it looks like the stories you read about of a canyon somewhere out West; look at the beautiful colors of the canyon walls—just like the ones we read about in our geographies!"</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CCBDB135_DED4_3888_41D6_4352E54FE2DD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>William Glackens</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1870–1938)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Florida Swamp, 1870–1938</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Courtesy of the Harn Museum of Art, The Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">William Glackens’ Florida Swamp offers direct testimony of the American artist’s engagement with the Florida landscape. Glackens traveled to Florida first in the 1880s, tramping on a boxcar with friends after finishing high school. He returned in 1898 on assignment as an illustrator to capture the preparations for the Spanish American War. He visited again as a vacationing tourist in the decades that followed. Florida Swamp offers both a characteristic image of Florida and a striking counterpoint to Glackens’ Zinnias and Bachelor’s Buttons. From the dim understory of the swamp forest, amid the grey clouds of Spanish moss and the mulch of leaf and earth, the viewer peers through green palmettos into the southern haze and glare of light on water.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_ECDD8E0A_DEBC_C898_41D8_B9D5B208D3F0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>William Glackens</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1870–1938)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Zinnias and Bachelor Buttons, 1924</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">William Glackens was a leading member of The Eight, the early group of American Modernists who deeply influenced Merrydelle Hoyt and the younger artists in the 1924 Woman’s Club Show. Many members of The Eight participated in the Jacksonville Woman’s Club Exhibitions in the early 1920s, including Glackens, Robert Henri, Maurice Prendergast, Ernest Lawson, and Arthur B. Davies. Zinnias and Bachelor Buttons displays the artist’s love of color, the elevation of light over line in the development of forms that seem to breathe with presence through the dynamic action of the brush and the fluid movement of paint across the surface of the canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB956856_DEF5_C888_4199_B609A1DFEA91.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Winthrop Duthie Turney</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1884–1957)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>The Quarry, 1925–1945</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Collection of the Cape Ann Museum, Gloucester, MA, Gift of Roswitha and William Trayes, 2012</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Std Book';">In terms of pure talent, Winthrop Turney was among the standout painters in the 1924 Woman’s Club Show, yet he is today among the most forgotten. He was a member of the Whitney Studio Club, a founding member of Salons of America, and a longtime summer resident of the Gloucester artists’ colony. A realist painter, his approach to representation nonetheless defies simple characterization. From a distance, The Quarry offers a vivid geological impression of a quarry wall, strata of living rock artificially squared and shaped by human excavation. Move closer, however, and the pictorial theme dissolves into abstract movements that reveal the physicality of paint and painting: sgraffito, the impasto ridge and cut of the palette knife, and the woven knubs of nearly bare canvas, alternating with thick smears of putty-like paint.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.15vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C42A5DBB_DEF4_4BF8_41C7_39DFD8C4596F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259216vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Std Medium';"><B>Wood Gaylor</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.71919770773639vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.72vmin;font-family:'Futura Std Book';">(United States, 1883–1957)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.72vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Std Medium';"><B>Arts Ball, 1921, 1925</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:0.83vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.148997134670485vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.15vmin;font-family:'Futura Bk';">Ogunquit Museum of American Art</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1296296296296253vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.13vmin;font-family:'Futura Bk';">Wood Gaylor served as the curator of the 1924 Jacksonville Woman’s Club Exhibition. A protégé of Walt Kuhn and Hamilton Easter Field, Gaylor was a professional illustrator whose faux-naïve painting style draws on Matisse, comics, commercial illustration, and folk art. His Arts Ball (1918 was the star of the 1924 exhibition and, as Arts Ball 1921 here), depicted the annual party thrown by the Penguin artists collective, with elaborate costumes and performance art, including the giant papier-mâché Goo Goo Bird laying an egg, stolen by football players as a game ball. The madcap entertainment parodied Stravinsky’s ballet, The Firebird. As one observer commented on Gaylor’s painting in 1924, “Oh, this is such a jolly piece of painting. How much fun the artist must have had."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7F0E74DF_2749_AE8E_41B5_D6C5E832BE5E_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.888888888888886vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.89vmin;font-family:'Futura Std Medium';"><B>Glenn O. Coleman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.888888888888886vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.89vmin;font-family:'Futura Std Book';">(United States, 1887 - 1932)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.89vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.888888888888886vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.89vmin;font-family:'Futura Std Medium';"><B>Untitled n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.89vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:3.89vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.888888888888886vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.89vmin;font-family:'Futura Bk';">Oil on Canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.888888888888886vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.89vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York, Charles Simon Bequest, Inv.:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.888888888888886vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.89vmin;font-family:'Futura Bk';">96.60.16</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.89vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.888888888888886vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.89vmin;font-family:'Futura Bk';">Coleman was a Realist, influenced by the gritty New York Ashcan School. Like many artists of his generation, Coleman did not privilege the picturesque but explored the real with a deep attention to people and perspectives that tend to be overlooked. His pictures are not ugly, but like the Ashcan artists, he helps us to appreciate the aesthetic dimensions of a world that is not always beautiful or ideal. This picture, exhibited in Jacksonville in 1924 under the title, Cuban Church, depicts a plaza peopled with poor street vendors outside a beautiful walled church or monastery, which looms behind the peasants seated in the dirt. It is impossible to miss the themes of poverty and class in this composition, as in many of Coleman’s works.</SPAN></SPAN></DIV></div>
HTMLText_FE9034F6_DED4_D989_41B8_F472F1DED6DD_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Adelaide Lawson Gaylor</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1889–1986)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Hempstead Harbor, ca. 1930</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Portland Museum of Art, Maine. Hamilton Easter Field Art Foundation Collection, Gift of Barn Gallery Associates, Inc., Ogunquit, Maine, 1979.13.29</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Lawson’s work emerges from the faux-naïve strain in American art influenced by cartoons, commercial illustration, and the simplified forms of artists like Matisse. Hempstead Harbor exhibits the flat colors, simple forms, heavy outlines, and the near absence of shadows that characterize her work. The subject of the landscape belongs to the long tradition of picturesque painting, a tradition that Lawson intentionally subverts by exploring unprettiness or, perhaps, the indifference of the subject to our expectations for beauty. Telephone poles, power lines, factory smokestacks, and roads scar the landscape, and her loose brushwork contributes further to the impression of an artist seeking an authenticity that lies outside of the conventions of pretty picture-painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F1FC15FF_DEB4_3B78_41D2_84C764AABBCD_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Arthur Beecher Carles</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1882–1952)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Mixed Bouquet, ca. 1915</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Arthur Beecher Carles was a brilliant colorist and leading figure in American Modernism. Mixed Bouquet is an exceptional example of his work and of developments in Modernist painting in America in the 1910s. The massive canvas presents a larger-than-life bouquet, a deeply traditional still-life subject closely linked to popular concepts of art and beauty, transformed through Carles’ avant-gardist technique and aesthetic. He flattens the composition, does away with drawing, and emphasizes the materiality of paint and the surface of the picture through thin washes of pigment that stain the ground, the scumbled haze of green foliage, and flower forms that pile up in worked strokes of pigment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F756CB2C_DED4_4898_41E5_1FA9EF3954C5_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Bernard Karfiol</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Hungary, 1886–1952)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Bathers in Boats, ca. 1920</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Courtesy of Forum Gallery, New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Bernard Karfiol was a core member of the Ogunquit circle of artists who orbited around Hamilton Easter Field. His mature, Post-Impressionist work reflects the deep influence of Modernist heroes Cézanne and Renoir. In Bathers in Boats, one of his Ogunquit paintings, Karfiol’s handling of paint is exquisite, with areas of impasto, heavy brushstrokes, and textural effects that suggest the complex movement of water in the cove, the spray of waves breaking on the rocks, and light working across the turbulent surface of the water. The picture is a beautiful example of Post-Impressionist painting in the spirit of Van Gogh that speaks vividly to the Modernist painter’s preoccupation with new ways of seeing and depicting nature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E826F84C_DF5D_C898_41E6_9AC649542C89_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Ernest Fiene</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Germany, 1894–1965)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Hudson River Boat, 1927</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Courtesy of D. Wigmore Fine Art, Inc., New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Like Konrad Cramer’s Roundout Creek, Ernest Fiene’s Hudson River Boat is a Hudson River port scene and landscape by a German-born artist. The two works, viewed side by side, help to illustrate the range of ideas and approaches in the new Realism practiced by American Modernists in the 1920s. Fiene’s picture reveals his interest in post-Cubist movements like Precisionism, evident in the geometrical, linear forms of the boat prow and the Bear Mountain bridge in the background—the longest suspension bridge in the world when it was completed in 1924. Juxtaposing these ultra-modern industrial forms, Fiene explores abstraction and color in the formless image of water, analogous to liquid paint itself as a cracked mirror of reality.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E9937ACF_DF54_4998_41D4_B7BDC4B278B7_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>George Copeland Ault</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1891–1948)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Construction: Night, ca. 1923</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Yale University Art Gallery, Gift of the Woodward Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">George Ault’s Construction: Night was among the most abstract and avant-garde works in the 1924 Woman’s Club Exhibition—a marvelous piece of post-Cubist Precisionist painting, offering a dark critique of the inorganic forms and unhuman spirit of the modern industrial skyscraper. Yet it went over well in Jacksonville and was praised in the papers. Ault’s picture had special appeal for the audience there because of local interest in Modern architecture. In the decades after the Great Fire in 1901, Jacksonville built the first skyscrapers in Florida, and its modern skyline was a point of pride. Construction: Night connected to the city’s aesthetic interest in architecture. Said one Jacksonville viewer, “It is an embodiment of the spirit of the times."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F412C0F1_DED3_D988_41E1_6FCD26BF8AAA_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>George Of</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1876–1954)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Boats in Sunlight, 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Weisman Art Museum at University of Minnesota, Minneapolis. Bequest of Hudson D. Walker from the Ione and Hudson D. Walker Collection. 1978.21.44</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">The painter George Ferdinand Of is remembered as one of the leading Modernist frame makers. He was also among the first Americans to discover Matisse, purchasing Nude in a Wood in 1907. The influence of Matisse and Fauvism is obvious in Boats in Sunlight, which is perhaps the same picture Of exhibited in 1924 Jacksonville. The loose, fluid application of pigment dissolves the solid contours of hills and trees into gestural forms that approach deepest abstraction, recalling distantly Matisse’s Nude in a Wood. Of’s expressive and unexpected use of color leads, in the words of a Jacksonville viewer in 1924, “From a high key to a very low one…a marvelous scene of intonation of quietness, of late afternoon not quite nocturnal. It fairly sings the scale of colors.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F73A877F_DECC_4778_41E5_4EA3D9CA96C7_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>George Overbury “Pop” Hart</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1868–1933)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Landscape, Santo Domingo, 1922</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Watercolor and graphite on cream wove paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Collection Zimmerli Art Museum at Rutgers University, Gift of the estate of Jeane Overbury Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">“Pop” Hart, as he was known familiarly, was a self-taught sign painter, footloose rambler, and student of the world; a friend to everyone, and a key figure in American art in the 1920s. His travels took him to Europe, the Caribbean, Central America, Africa, and the South Pacific, and much of his art records observations from his wandering. He worked extensively in the portable medium of watercolor and exhibited two watercolor landscapes in Jacksonville in 1923. The unaffected freedom of his watercolors painted on-site, like Landscape, Santo Domingo here, reflect the Modernist generation’s search for new subjects and real rather than ideal concepts, moving beyond the European picturesque tradition of landscape painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C36DA637_DECC_5888_41E4_58E4F3444E43_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>George Overbury “Pop” Hart</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1868–1933)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Study for Sunday Picnic on the Hudson, 1921</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Collection Zimmerli Art Museum at Rutgers University, Gift of the estate of Jeane Overbury Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">“Pop” Hart, as he was known familiarly, was a self-taught sign painter, footloose rambler, and student of the world; a friend to everyone, and a key figure in American art in the 1920s. His travels took him to Europe, the Caribbean, Central America, Africa, and the South Pacific, and much of his art records observations from his wandering. Hart was influenced by the commercial graphic arts of sign painting and cartooning. Study for Sunday Picnic on the Hudson shows Pop Hart’s incisive observations and humorous critiques of modern American life. It is an amusing and perceptive depiction of working-class leisure that draws on traditions of peasant and low-life genre scenes stretching back at least to the Renaissance and Pieter Brueghel’s festive peasants. Leisure was itself a concept that evolved with the modern age, and it is easy to imagine how this work might have appealed to the audience in Jacksonville, a tourist destination and beach town in the avant-garde of the new American culture of leisure. His satirical approach and the subject of American leisure must be compared to Peggy Bacon’s Promenade Deck.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E9E549EA_DF4C_CB98_41D0_B7A794D7D624_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Hamilton Easter Field</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1873–1922)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>River Front, New York, Winter, ca. 1912</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Brooklyn Museum, Gift of Robert Laurent, 22.89</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Hamilton Easter Field was an influential critic, patron, and leader in American art who ran artists’ colonies in his properties in both Ogunquit, Maine, and Brooklyn. He was a critical influence and source of support for a large community of young American artists, many of whom exhibited in the 1924 Woman’s Club show. River Front, New York, Winter is connected to the gritty American Ashcan School. A dingy brown sky and hazy skyline feature skyscrapers breaking the line formed by the mass of lower buildings, tumbling toward the low warehouses that line the riverfront. Their roofs glimmer dully with ecru snow against the gloom. It is a picture at once beautiful and glowering, conjuring the squalor and splendor of the modern city as both human and inhumane.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C62D3D14_DEF4_4888_41DD_3792B65F127C_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Henry Ernest Schnakenberg</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1892–1970)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Acrobats, 1939</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Oil on canvas</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">The John and Mabel Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Florida</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Henry Ernest Schnakenberg was one of America’s leading "poets of the actual," akin to Realist painters like Edward Hopper, characterized by skillful craftsmanship and attention to the aesthetic textures and possibilities of everyday things. In Acrobats, the arresting, vertical composition centers on a powerful, muscular figure that harkens back to Michelangelo and Mannerism. The cropped body of the inverted man at the top of the composition produces a surreal effect, confusing our sense of space and gravity. Schnakenberg used this cropping technique repeatedly in his compositions to limit the viewer’s perspective and focus attention on part of an unknowable whole. He frames his acrobats narrowly, dissociating them from a narrative setting like the circus or the stage that would allow the viewer to rationalize their inherent strangeness.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CD44B22E_DED4_5898_41CA_BD07D84E7FF1_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Henry Fitch Taylor</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1853–1925)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Still Life, 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Chrysler Museum of Art, Norfolk, VA; gift of Walter P. Chrysler, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Henry Fitch Taylor, America’s first Cubist, turned from Impressionism to Cubism after the 1913 Armory Show. In a nod to Picasso, still life compositions featuring guitars and violins were among his most common subjects. This work exhibits fractured Cubist perspectives on a musical instrument, including the curve of the body and the scroll and flourishes of the neck. Taylor’s painting in the 1924 Woman’s Club Exhibition both vexed and intrigued viewers. Rose Tharp recorded one viewer’s reaction: “‘I can’t get it. I see nothing to it,’ she said, but she came back the next day. It fascinated her. At last, she declared, ‘I could feel the color vibrations at once and caught the message of the artist.’”.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E8A517BA_DF54_47F8_41E1_23CCA7CF555D_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Hermine David</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(France, 1886–1970)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Cuban Bungalow, n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Watercolor and Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Rose Art Museum, Brandeis University, Gift of Mr. Samuel Lustgarten, Sherman Oaks, CA, - 1139</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Hermine David, the wife of Jules Pascin, was a successful artist in her own right; a member of the artists’ collective known as the École de Paris, and a world traveler who documented her voyages in the portable medium of watercolor. She and Pascin were among the increasing number of artists whose eyes and brushes turned toward new American subjects in Florida, the Deep South, and the Caribbean. David’s Cuban Bungalow would have seemed familiar to Floridians: dense, jungle-like vegetation that seems to swallow a lonely, ramshackle bungalow. The picture reflects the Modernist interest in nature and the environment, especially rural and poor landscapes on the edges of the modernizing industrial world in the early twentieth century.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB01AB76_DEF4_C889_41E8_47D8081901D0_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Isabel Lydia Whitney</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1878–1962)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>The Emerald Tower, 1927–1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Brooklyn Museum, Gift of Mr. and Mrs. James H. Hayes, 54.18</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Isabel Lydia Whitney was, for a period in the 1920s, among the most famous American artists, after the story of her exploits painting true fresco by candlelight on scaffolding eight stories up on the façade of a Manhattan skyscraper during a raging blizzard was picked up by national and international newswires. Her surviving works reveal an artist who was deeply interested in architecture and urban space. The Emerald Tower is an allegory based on the Emerald City in The Wizard of Oz, a fantasy land that vainly promises the fulfillment of all dreams and wishes. The eponymous emerald tower is a seemingly impossible modern glass and steel skyscraper, overshadowing the darkened streets and nineteenth-century brownstone walkups of old New York.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FDDAADA7_DED4_4B88_41D7_F2A77225B40D_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Jacques Villon</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(France, 1875–1963)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Puteaux: Smoke and Trees in Bloom, ca. 1912</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Myron Kunin Collection of Art, Minneapolis, MN; Courtesy of Curtis Galleries, Inc.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Puteaux was a featured work in the 1924 Woman’s Club Exhibition and the only work also exhibited in the 1913 Armory Show. Villon, the brother of Marcel Duchamp, was a founder of the Puteaux Group, a French avant-garde collective associated with the development of Cubism and Orphism. Puteaux: Smoke and Trees in Bloom is a triumph of the Cubist aesthetic—fragmented shapes and overlapping planes, smoke and color, a landscape of dynamic form and feeling. The work illustrates the evolution of abstraction and landscape in the years following the Armory Show, helping to introduce Jacksonville to the formative avant-garde influences on American Modernism.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F3C5B5E3_DEB5_DB88_41CB_FF12E90CEAE5_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Jane Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1876–1965)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Bowl of Zinnias, n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Wesleyan College, Helena Eastman Ogden Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Bowl of Zinnias is a fine example of Post-Impressionist painting from the Campbell Collection at Wesleyan College that offers insight into the friendship networks among Modernist women artists. Jane Peterson was a student at Pratt Institute, where she was a classmate of Louese Washburn, one of the four co-founders of the Jacksonville Fine Arts Society (today, MOCA). In 1923, Peterson was also a featured artist in the fourth annual Jacksonville Woman’s Club Exhibition.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CC46A68D_DEDC_3998_41E4_FFFD3E25B6BA_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Jay Van Everen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1875–1947)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Abstract Landscape, ca. 1924</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Whitney Museum of American Art, Gift of Mr. and Mrs. Henry M. Reed</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Jay Van Everen, one of the most intriguing artists featured in the 1924 Woman’s Club Exhibition, was a devotee of Synchromism—a radical, theoretical branch of Modernist painting that explored synesthesia, specifically the relation of color to other senses. Van Everen’s Synchromist works are astonishingly avant-garde. His bright, prismatic landscape composition here is a descendant of Jacques Villon’s Puteaux, illustrating the evolution of abstraction and landscape in the years that followed the 1913 Armory Show. Large, irregular geometries of saturated color dominate the bottom half of the composition, evoking the weight and gravity of land. The smaller lozenges of intense color in the upper half of the composition are bound together by a framework of ethereal haze, a grey and halftone revetment of sky.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CE2A1E09_DEBD_C898_41D9_193D44F792C1_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Joseph Stella </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';"><B>(Italy, 1877–1946)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';">Green Apple, 1930</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Joseph Stella was a true original, born in Italy, trained in America, an innovator who transformed the lessons of Fauvism, Cubism, Futurism, and Surrealism into a unique and uniquely beautiful new personal style. Green Apple is an exceptional example, at once dark and glowing, of his mastery of color and light. Its composition draws on Renaissance religious painting, recalling, in particular, common devotional images of the sacred heart surrounded by the floral garlands that symbolize rebirth and renewal. House sparrows—common symbols of love and happiness—point their beaks toward the apple in this suggestive meditation on dark and light, flower and fruit.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE1E3E8F_DEF5_C998_41E4_DB5D90F629E1_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Jules Pascin</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Austria, 1885–1930)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Hermine David and Mrs. Gaylor, 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Rose Art Museum, Brandeis University, Gift of Larry Aldrich, 1962.103</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Jules Pascin, known as the "Prince of Montparnasse," eventually became a naturalized US citizen and influenced a generation of American artists who came of age around Wood Gaylor. The double portrait, Hermine David and Mrs. Gaylor, captures his wife, Hermine David, and Ruth Gaylor, both of whom were professional artists. This painting is a fine example of Pascin's style, which often carried a sense of the cartoon—by turns satirical and exaggerated. The women are depicted in a disconcertingly Modernist manner, almost caricature-like, with oddly proportioned bodies and short, stem-like arms ending in tiny, folded hands. The imagery evokes traditional femininity yet contradicts the reality that both women were successful, professional artists operating in a male-dominated art world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C375892F_DED4_4898_41EB_BB801FB7FBED_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Katherine Schmidt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1899–1978)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>The White Factory, 1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York; gift of Gertrude Vanderbilt Whitney, 31.336</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Katherine Schmidt was one of the most heralded artists in the 1924 show, singled out alongside Picasso in press coverage before the exhibition. By the late 1930s, however, as the world turned away from Realism to abstraction, Schmidt briefly abandoned painting, while many other women artists of her generation were likewise forgotten by collectors and museums. The White Factory offers insight into Schmidt’s meticulous technique and her approach to her subjects, both natural and artificial. Schmidt positions the unnatural factory as a nearly perfectly flat, two-dimensional screen defined almost entirely by horizontal and vertical lines. The volumes of the building resolve into flat, geometric shapes, asserting its industrial presence amid a composition dominated by organic forms and natural colors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E8272B4F_DF54_4898_41E9_592DD4807768_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Konrad Cramer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Germany, 1888–1963)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Roundout Creek, 1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">The work of Konrad Cramer, a German-born artist who immigrated to the US in 1911, illustrates some of the striking ways that European and American artistic traditions mingled to produce new forms in the avant-garde spaces of the 1920s. In Roundout Creek, a Cézanne-inspired landscape in the background and a Cubist-influenced port scene in the foreground meet techniques drawn from American folk art. Cramer frequently used stencils to build up his compositions, a technique borrowed from American theorem painting, producing the hard linear edges and soft tonal interiors of the architectural and landscape features. His style and subject invite conversation with the works of Precisionists like Niles Spencer and new Realists like Ernest Fiene and Katherine Schmidt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E59F5457_DF5C_7888_41D8_2F3627C3F336_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Konrad Cramer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Germany, 1888–1963)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Roundout Creek, 1928</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">The work of Konrad Cramer, a German-born artist who immigrated to the US in 1911, illustrates some of the striking ways that European and American artistic traditions mingled to produce new forms in the avant-garde spaces of the 1920s. In Roundout Creek, a Cézanne-inspired landscape in the background and a Cubist-influenced port scene in the foreground meet techniques drawn from American folk art. Cramer frequently used stencils to build up his compositions, a technique borrowed from American theorem painting, producing the hard linear edges and soft tonal interiors of the architectural and landscape features. His style and subject invite conversation with the works of Precisionists like Niles Spencer and new Realists like Ernest Fiene and Katherine Schmidt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB9A6341_DECC_3888_41E6_48D52D6B8AA0_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Louese Bunnell Washburn</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1875–1959)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>North of Jacksonville, ca. 1912</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">University of North Florida, Permanent Collection, Gift of Dr. Alfred R. Frankel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Louese Bunnell Washburn, a native of Pennsylvania, was educated at the Pratt Institute and joined the Jacksonville Woman’s Club in the early 1920s. In 1923–24, she co-founded the Jacksonville Fine Arts Society and was recruited by Merrydelle Hoyt to the Chair of the “Stage Direction” committee of the Woman’s Club, essentially the operational director of the Club’s art galleries. Washburn’s painting, North of Jacksonville, is a lovely Impressionist work that depicts a Florida landscape that is equally true to life and unexpected: no palm trees, no beaches or sunsets. Bright, warm light bathes an old, gnarled oak in a green field, with a puddle of cool shade below the canopy—a vision of Florida’s interior that is little changed today.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F2FCDA0F_DEB7_C898_41CF_5E578EE55651_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Louis Bouché</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1896–1969)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Fish and Roses (a.k.a. Fish and Roses to My Darling), 1921–1923</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas mounted to hardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Woodstock Artists Association &amp; Museum, Gift of Olin Dows, 1973-07-04</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Bouché’s Fish and Roses (a.k.a. Fish and Roses to My Darling) wrestles with the impact of Cubism on perspective, depicting in perfect profile a large central vase hung with a garland of roses, flanked by plates of fish viewed from above. It was a picture like this that inspired Wood Gaylor’s comments that a painting “can be photographic, but an artist may paint from whatever angle he chooses provided he considers it a better piece of art.” This simple observation offered Jacksonville a profound and challenging insight into Modern art: there are no laws of art that constrain the painter’s imagination or force the brush to imitate nature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F44F3883_DECC_C988_41AB_407236BDD0C0_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Margaret Huntington</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1867–1958)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Nantucket Houses, n.d.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Wesleyan College, Helena Eastman Ogden Campbell Collection, WC0009253</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Margaret Huntington is the only female artist in the 1924 Woman’s Club show who also exhibited in the famous 1913 Armory Show ten years earlier. Though largely forgotten today, she had a thriving career in the 1920s. Nantucket Houses is an excellent example of her post-Impressionist style, indebted to Van Gogh and characterized by loose brushwork, extensive use of heavy line to define contours and forms, and a strong sense of color. The survival of her work in the Campbell Collection (of mainly women artists collected by a woman artist) at Wesleyan College (the oldest women’s college in the world) helps to illustrate the friendship networks that united and sustained professional women artists in the early twentieth century.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE739487_DEDC_D988_41E9_ED6EDEE939D8_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Marguerite Thompson Zorach</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1887–1968)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>The Zorach Family in a Landscape, 1915</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Marguerite Zorach lived and studied in Paris in the 1910s, where she absorbed the ideas of artists like Matisse and Picasso. She and her husband, William Zorach, were close associates of Merrydelle Hoyt and curated the 1922 Jacksonville Woman’s Club Exhibition, which Hoyt described as Jacksonville’s first ultra-modern art show, “a tough nut for Jacksonvillians to crack.” The Zorach Family in a Landscape, painted in the same year as the birth of her first child, reflects the Fauvist influence of Matisse in its color and the Cubist influence of Picasso in its concepts of line and form. It is also a profoundly intimate picture—a suggestive commentary for a new era by a leading Modernist woman artist on the dynamics of motherhood and family.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CCA3AEDE_DEDC_49B8_41B2_47CBFAB5263A_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Marsden Hartley</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1877–1943)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Movement #4, Provincetown, 1916</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Marsden Hartley, a towering figure in American art, studied and painted in Paris and Berlin in the 1910s and was a bridge between French and German movements in American Modern art. He exhibited in Merrydelle Hoyt’s Ogunquit gallery and in the 1920 and 1924 Jacksonville Woman’s Club shows. Movement #4, Provincetown begins with a delightful conceit: that the familiar “still” life is an exploration of movement—musical, optical, physical. The composition, reflecting on Cubism, employs dynamic angles and grayscale contrasts in the pedestal to generate forces of gravity and shifting perspective that imply the displacement of the viewer in a composition anchored in the center by the flat goblet and its colorful stem of abstracted leaves or flowers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE4F241F_DEDC_F8B8_41D8_48FAA45E5BC6_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Niles Spencer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1893–1952)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Back of the Town (Provincetown), 1926</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Niles Spencer was a key member of the community of artists around Hamilton Easter Field and Wood Gaylor in Ogunquit and Salons of America. Associated with the Post-Cubist Precisionist movement in American art and with artists like George Ault and Stefan Hirsch, Spencer’s architectural scenes explore new concepts of perspective and linear form in landscape painting. Back of the Town (Provincetown) takes a classic landscape subject—a quaint New England village—and abandons any prettifying pretense of sentimentalism. Spencer renders the houses of Provincetown as a jumble of cubic forms, overlapping and cutting across each other with analytical, angular discontinuities that challenge the rationalizing, picturesque tradition of European landscape painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C21514B1_DECC_F988_41E9_FF65BB6EAA7B_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Peggy Bacon</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1895–1987)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Promenade Deck, 1920</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Dry point</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Dr. P. Scott and Sally Anne Brown Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Peggy Bacon’s etching, Promenade Deck, was a featured work in the 1924 Jacksonville Woman’s Club Exhibition. Bacon was a key member of the overlapping communities of artists associated with Ogunquit, the Whitney Studio Club, and Salons of America, whose contributions formed the heart of the Jacksonville show. Promenade Deck is a typically satirical Bacon etching, whose caricatures reflect her trenchant observations of the motley, bourgeois society aboard an early 20th-century cruise ship. The work drew rave reviews in Jacksonville, itself a major tourist destination and port city. The inclusion of Promenade Deck engaged Jacksonville, which was deeply inexperienced with Modern art, by means of subjects that reflected, but also distorted, the familiar.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FA38FE59_DED3_C8BB_41E7_5C5843D18654_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Robert Laurent</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(France, 1890–1970)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>The Flame, ca. 1917</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Wood</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York; gift of Bartlett Arkell, 42.1a-b</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Robert Laurent contributed perhaps the only works of sculpture exhibited in the 1924 Woman’s Club show. He exhibited four works, including two heads, a landscape, and this work, entitled Flame. Flame is a work of pure abstraction. The pictorial reference in its title merely adds a layer of irony and pleasure to the experience of the work, of the solid, static, opaque material of wood depicting the insubstantial, energetic, gaseous disturbance of light and color that we know as flame. Fire, in turn, is the soul of wood transfigured by heat, and the irregular movement of light across the polished surfaces of the sculpture offers a marvelous effect akin to burning, the white shine of reflected light overlaying the warm undertone of the wood.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CA7254BD_DED4_F9F8_41C9_4EE7458FC923_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Robert Laurent</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';"><B>(France, 1890–1970)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';">Woman’s Head, 1917</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Walnut</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Whitney Museum of American Art, New York; gift of Gertrude Vanderbilt Whitney, 31.48a-b</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">JRobert Laurent was a key collaborator on the 1924 Jacksonville Woman’s Club Exhibition and a key contributor to the show. Laurent was the protégé and heir of Hamilton Easter Field and a leader with Wood Gaylor in Salons of America following Field’s death in 1922. Laurent was among the foremost American sculptors of the twentieth century, a pioneer of direct carving, working without models or maquettes, an approach that aimed to achieve in sculpture the aesthetic immediacy, intimacy, and honesty of painting alla prima. Laurent’s abstracted, simplified, and faux-naïf forms, as in Woman’s Head, which was part of the 1924 Woman’s Club show, reflect the influence of Cubism as well as African, Indian, and Indigenous art.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CC3B9EC6_DECC_4988_41E6_BA8242D372FE_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Rose B. Tharpe</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">United States, 1869-1963</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Blue Cloud, Pablo Beach, Florida, ca. 1922</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Courtesy of the Harn Museum of Art, The Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers</SPAN></SPAN></DIV></div>
HTMLText_F7DC912E_DECC_3898_41D9_1231167BAC88_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Rudolph Dirks</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Germany, 1877–1968)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Mountain Pool, 1915</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Ogunquit Museum of American Art</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">Rudolph Dirks was perhaps the most famous artist in the 1924 Woman’s Club Exhibition. Dirks created the hugely popular Katzenjammer Kids comic strip and its offspring, The Captain and the Kids, modern artworks that reached directly into the households of Jacksonville and shaped American culture. In 1924 Jacksonville, Dirks exhibited Landscape with Nudes, perhaps the same work exhibited here, a highly abstract landscape with heavy impasto that deliberately undermines the viewer’s recognition of representational forms. The painting offers glossy beads, dabs, squiggles, and smears of paint—the papers in 1924 described “colors that dance”—appealing and engagingly tactile forms in themselves. Only gradually do we perceive foliage, rocks, a waterfall, and the little nudes cavorting across the bottom quarter of the picture.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB75297E_DEF4_4B78_41E2_3893983ECFE1_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Stefan Hirsch</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Germany, 1899–1964)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Factories, Portsmouth, New Hampshire, 1922</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Myron Kunin Collection of American Art, Minneapolis, MN; Courtesy of Curtis Galleries Inc.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">The Precisionist painter Stefan Hirsch was influenced by the socio-economic changes and transformation of the city in the early twentieth century. In Factories, he avoids the picturesque horizon and flattens our view by massing the heavy geometric forms of industrial buildings in the center of the picture. The sooty, translucent colors of the clouds emitting from the smokestacks contrast the angular solidity and opacity of the bright, unnatural orange buildings. Hirsch’s picture, like George Ault’s Construction Night, critiques the industrialized American city. The clock tower presiding over the scene hints at the oversight and regulation of work. The viewer’s alienation is a proxy for the perspective of the unseen workers who must inhabit and serve the purposes of this inhumane factory-scape.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FFB3A664_DEDC_3888_41AE_588F3817CB8C_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Stuart Davis</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1892–1964)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Tioga, PA (Main Street, USA), 1919</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Stuart Davis, one of the leading innovators in 20th-century American art, was one of the youngest participants in the 1913 Armory Show, after which he began to experiment with the ideas of Fauvism and Post-Impressionism. Tioga, PA (Main Street, USA) channels Van Gogh, with heavy impasto and conspicuous brushstrokes that seek the "logic" of Van Gogh's designs. However, Davis’s juxtaposition of the old church and new garage on opposite sides of "Main Street USA" is deeply American and new. Tradition and Modernism square off against each other, and Davis privileges the commercial signage of the garage and its Texaco star, pointing toward his flattened, Pop Art-like compositions of the mid-1920s, rooted in the evolving American art vernacular of commercial graphic design.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CC2A139B_DED4_3FB8_41CD_F8867A5D2863_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Therese Ferber Bernstein</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(Poland, 1890–2002)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Florida Water, ca. 1918</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Courtesy of the Harn Museum of Art, The Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Theresa Ferber Bernstein is today one of the most celebrated women artists in the 1924 Woman’s Club Exhibition, in part because she lived and painted long enough—112 years!—to be one of the few early American Modernists still around when forgotten women artists began to be rediscovered in the late twentieth century. Bernstein’s dark, tonalist, Post-Impressionist Florida Water captures a quintessential Florida sunset in the state’s rural interior, with high pine boughs and a slender water tower in evening silhouette against a sky of dull rose, orange, cream, and slate. Bernstein’s bold, gestural mastery of paint exhibits an expressionist vigor that led admiring critics in the 1920s to write that she “painted like a man”.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB5BE14C_DECC_D898_41D7_2A620DB2B028_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Walt Kuhn</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1877–1949)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>A Mining Camp, 1919</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Collection of the Colorado Springs Fine Arts Center at Colorado College, Gift of Vera and Brenda Kuhn, FA 1951.1.15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Walt Kuhn, the legendary organizer of the famed 1913 Armory Show, was one of America’s most celebrated artists. Mining Camp, featured in the 1924 Woman’s Club Exhibition, is from Kuhn’s series, Imaginary History of the West, inspired by the idea of the Wild West. It is among Kuhn’s most abstract, avant-garde compositions, exploring an American quintessential—both past and timeless, real and imaginary. Perhaps surprisingly, Kuhn’s painting was one of the biggest hits of the show, as noted by a comment overheard by a reporter in 1924: “My goodness, it looks like the stories you read about of a canyon somewhere out West; look at the beautiful colors of the canyon walls—just like the ones we read about in our geographies!"</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CCBDB135_DED4_3888_41D6_4352E54FE2DD_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>William Glackens</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1870–1938)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Florida Swamp, 1870–1938</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Courtesy of the Harn Museum of Art, The Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">William Glackens’ Florida Swamp offers direct testimony of the American artist’s engagement with the Florida landscape. Glackens traveled to Florida first in the 1880s, tramping on a boxcar with friends after finishing high school. He returned in 1898 on assignment as an illustrator to capture the preparations for the Spanish American War. He visited again as a vacationing tourist in the decades that followed. Florida Swamp offers both a characteristic image of Florida and a striking counterpoint to Glackens’ Zinnias and Bachelor’s Buttons. From the dim understory of the swamp forest, amid the grey clouds of Spanish moss and the mulch of leaf and earth, the viewer peers through green palmettos into the southern haze and glare of light on water.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_ECDD8E0A_DEBC_C898_41D8_B9D5B208D3F0_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>William Glackens</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1870–1938)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Zinnias and Bachelor Buttons, 1924</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">DeMell Jacobsen Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">William Glackens was a leading member of The Eight, the early group of American Modernists who deeply influenced Merrydelle Hoyt and the younger artists in the 1924 Woman’s Club Show. Many members of The Eight participated in the Jacksonville Woman’s Club Exhibitions in the early 1920s, including Glackens, Robert Henri, Maurice Prendergast, Ernest Lawson, and Arthur B. Davies. Zinnias and Bachelor Buttons displays the artist’s love of color, the elevation of light over line in the development of forms that seem to breathe with presence through the dynamic action of the brush and the fluid movement of paint across the surface of the canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CB956856_DEF5_C888_4199_B609A1DFEA91_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Winthrop Duthie Turney</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1884–1957)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>The Quarry, 1925–1945</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Collection of the Cape Ann Museum, Gloucester, MA, Gift of Roswitha and William Trayes, 2012</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">In terms of pure talent, Winthrop Turney was among the standout painters in the 1924 Woman’s Club Show, yet he is today among the most forgotten. He was a member of the Whitney Studio Club, a founding member of Salons of America, and a longtime summer resident of the Gloucester artists’ colony. A realist painter, his approach to representation nonetheless defies simple characterization. From a distance, The Quarry offers a vivid geological impression of a quarry wall, strata of living rock artificially squared and shaped by human excavation. Move closer, however, and the pictorial theme dissolves into abstract movements that reveal the physicality of paint and painting: sgraffito, the impasto ridge and cut of the palette knife, and the woven knubs of nearly bare canvas, alternating with thick smears of putty-like paint.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C42A5DBB_DEF4_4BF8_41C7_39DFD8C4596F_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Wood Gaylor</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Book';">(United States, 1883–1957)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Std Medium';"><B>Arts Ball, 1921, 1925</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Ogunquit Museum of American Art</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:4.17vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:4.166666666666667vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.17vmin;font-family:'Futura Bk';">Wood Gaylor served as the curator of the 1924 Jacksonville Woman’s Club Exhibition. A protégé of Walt Kuhn and Hamilton Easter Field, Gaylor was a professional illustrator whose faux-naïve painting style draws on Matisse, comics, commercial illustration, and folk art. His Arts Ball (1918 was the star of the 1924 exhibition and, as Arts Ball 1921 here), depicted the annual party thrown by the Penguin artists collective, with elaborate costumes and performance art, including the giant papier-mâché Goo Goo Bird laying an egg, stolen by football players as a game ball. The madcap entertainment parodied Stravinsky’s ballet, The Firebird. As one observer commented on Gaylor’s painting in 1924, “Oh, this is such a jolly piece of painting. How much fun the artist must have had."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D023B237_DEB4_3888_41D5_D670754A5613.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Oswald Regular';"><I>Company Name</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Oswald Regular';"><I>www.loremipsum.com</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Oswald Regular';"><I>info@loremipsum.com</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Oswald Regular';"><I>Tlf.: +11 111 111 111</I></SPAN></SPAN></DIV></div>
HTMLText_E4E0A904_DF87_3B23_41CE_38865B164D5B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>Company Name</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>www.loremipsum.com</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>info@loremipsum.com</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>Tlf.: +11 111 111 111</I></SPAN></SPAN></DIV></div>

## Tour

### Description

### Title
tour.name = MOCA: The Armory South