#: locale=en

## Action

### URL
LinkBehaviour_60DEDB7D_3FCD_988D_41B0_1DD9D6E040E6.source = https://mocajacksonville.unf.edu/
LinkBehaviour_2CFA4703_38BA_A874_41C9_BBEC1680B879.source = https://mocajacksonville.unf.edu/
LinkBehaviour_60DF0B81_3FCD_9875_41BB_938EAFBC51B4.source = https://mocajacksonville.unf.edu/contact/
LinkBehaviour_2CF9F704_38BA_A87C_41AB_5C6F50BF2CFF.source = https://mocajacksonville.unf.edu/contact/
LinkBehaviour_60E6CB9A_3FCD_9F94_4194_36945D53B529.source = https://mocajacksonville.unf.edu/exhibitions/permanent-collection/the-american-century.html
LinkBehaviour_0280B686_306B_1BAB_4192_0A3DB26A0085.source = https://mocajacksonville.unf.edu/exhibitions/permanent-collection/the-american-century.html
LinkBehaviour_60DFAB7F_3FCD_988D_41B5_B4F600BDD2A3.source = https://mocajacksonville.unf.edu/visit/
LinkBehaviour_2CF98704_38BA_A87C_41C2_ED2AA318191E.source = https://mocajacksonville.unf.edu/visit/
LinkBehaviour_2CFA3703_38BA_A874_41C8_EA0AF778179F.source = https://www.360viewvirtualtours.com/moca
LinkBehaviour_60DFAB79_3FCD_9895_41C3_E821D57E0F52.source = https://www.360viewvirtualtours.com/moca

## Media

### Image
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### Popup Image

### Title
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panorama_2377D05D_3360_6B6E_41C3_77C9AEAFC60B.label = American (45 of 51)
panorama_23776C5B_3360_7B69_41C6_70F12EC59328.label = American (46 of 51)
panorama_237728D6_3360_5B7A_41AB_27EB9CB33E80.label = American (47 of 51)
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panorama_237710C9_3360_2B56_41B2_B4A1ACA9F289.label = American (49 of 51)
panorama_2372EC1E_3360_7AEA_41C1_D9EC048B348C.label = American (5 of 51)
panorama_2370DD3F_3361_D52A_41C7_F976116A0A03.label = American (50 of 51)
panorama_2377097C_3361_FD2E_41C1_AFD8B13D38E6.label = American (51 of 51)
panorama_23722867_3360_5B5A_41A3_9C0F7404D06C.label = American (6 of 51)
panorama_2372B55C_3360_356E_4197_91717372CFA8.label = American (7 of 51)
panorama_23721245_3360_2F59_41BD_A2A698B9F05A.label = American (8 of 51)
panorama_23727FB1_3361_D536_41A2_CEB8967887F1.label = American (9 of 51)

## Skin

### Button
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HTMLText_0280D686_306B_1BAB_4187_AF5B39346DDE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:3.167062549485354vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.17vmin;font-family:'Futura Maxi CG Bold';">THE AMERICAN CENTURY</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:2.433628318584072vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.43vmin;font-family:'Futura Maxi CG Bold';">Works from the Museum of Contemporary Art Jacksonville Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:2.137767220902612vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.14vmin;font-family:'Futura Maxi CG Bold';">July 18, 2026 - March 7, 2027</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:0.8854166666666661vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:0.89vmin;font-family:'Futura-Bold';">     </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:0.89vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479809vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'Futura Bk BT';">    </SPAN><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'FuturaExtended';">The American Century marks the 250th anniversary of the United States by celebrating and exploring the emergence of a distinct American art that redefined the aesthetic landscape of our era.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479809vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'FuturaExtended';">The seismic transition of the United States from isolationism in the early twentieth century, to its role as a global leader of democratic ideals post-World War II, brought publisher Henry Luce to famously declare the 20th century as “The American Century.” While crucial economic and political shifts were evolving globally, this change was especially evident in the world of art, when in the late 1940s the center of gravity crossed the Atlantic, shifting from the salons in Paris to the studios in New York City. The American Century charts the birth of a uniquely American vocabulary that, marked by continual innovation and change, would transform the way we understand the arts in our time and place. Through works in MOCA Jacksonville’s permanent collection, the exhibition spans from the transformative raw energy of Abstract Expressionism and its succeeding ramifications, through to the kaleidoscopic perspectives of today’s artists, capturing the richness of our ever-unfolding contemporary narrative</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.662707838479809vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'FuturaExtended';">Abstract Expressionism</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479809vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'FuturaExtended';">Emerging in the 1940s, Abstract Expressionism became the first specifically American art movement to achieve international influence. The participating loose collective of artists—including Jackson Pollock, Willem de Kooning, Franz Kline, Lee Krasner, Norman Louis, and Mark Rothko—came to be known interchangeably as Abstract Expressionists, the New York School, or Action Painters.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479809vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'FuturaExtended';">Drawing from postwar existentialism and Surrealist automatism, these painters rejected the representation of the external world. Instead, they championed pure self-expression, transposing what artist Robert Motherwell called “felt experience” directly onto the canvas. This gave the artists an unprecedented freedom of execution. When painting is liberated from the task of representation, the expressive powers of line, color, and form can be explored. As critic Harold Rosenberg famously observed in 1952, the canvas was no longer a space to reproduce an object, but “an area in which to act.” For the Action Painters, the final artwork was the physical trace of an event.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479809vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'FuturaExtended';">A subsequent generation of artists, known as the “Second Generation”— including Ed Clark, Sam Francis, Helen Frankenthaler, Michael Goldberg, Al Held, and Joan Mitchell—expanded the movement’s tenets in diverse stylistic directions, leaning variously into the color-field aspects, the gestural characteristics, and the literal or figurative aspects. These developments would allow Color Field painting, Hard-edge abstraction, and Lyrical Abstraction to emerge, but also the happenings, performance art, Minimalism, and Conceptual Art that would follow.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.66vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.662707838479809vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.66vmin;font-family:'FuturaExtended';">Special thanks to Ted and Lauren Baker and Joan and Preston Haskell for their generous support and participation.</SPAN></SPAN></DIV></div>
HTMLText_0280D686_306B_1BAB_4187_AF5B39346DDE_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:4.444444444444443vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:4.44vmin;font-family:'Futura Maxi CG Bold';">THE AMERICAN CENTURY</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Maxi CG Bold';">Works from the Museum of Contemporary Art Jacksonville Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Maxi CG Bold';">July 18, 2026 - March 7, 2027</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:0.8854166666666661vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:0.89vmin;font-family:'Futura-Bold';">     </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Bk BT';">    </SPAN><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'FuturaExtended';">The American Century marks the 250th anniversary of the United States by celebrating and exploring the emergence of a distinct American art that redefined the aesthetic landscape of our era.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'FuturaExtended';">The seismic transition of the United States from isolationism in the early twentieth century, to its role as a global leader of democratic ideals post-World War II, brought publisher Henry Luce to famously declare the 20th century as “The American Century.” While crucial economic and political shifts were evolving globally, this change was especially evident in the world of art, when in the late 1940s the center of gravity crossed the Atlantic, shifting from the salons in Paris to the studios in New York City. The American Century charts the birth of a uniquely American vocabulary that, marked by continual innovation and change, would transform the way we understand the arts in our time and place. Through works in MOCA Jacksonville’s permanent collection, the exhibition spans from the transformative raw energy of Abstract Expressionism and its succeeding ramifications, through to the kaleidoscopic perspectives of today’s artists, capturing the richness of our ever-unfolding contemporary narrative</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'FuturaExtended';">Abstract Expressionism</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'FuturaExtended';">Emerging in the 1940s, Abstract Expressionism became the first specifically American art movement to achieve international influence. The participating loose collective of artists—including Jackson Pollock, Willem de Kooning, Franz Kline, Lee Krasner, Norman Louis, and Mark Rothko—came to be known interchangeably as Abstract Expressionists, the New York School, or Action Painters.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'FuturaExtended';">Drawing from postwar existentialism and Surrealist automatism, these painters rejected the representation of the external world. Instead, they championed pure self-expression, transposing what artist Robert Motherwell called “felt experience” directly onto the canvas. This gave the artists an unprecedented freedom of execution. When painting is liberated from the task of representation, the expressive powers of line, color, and form can be explored. As critic Harold Rosenberg famously observed in 1952, the canvas was no longer a space to reproduce an object, but “an area in which to act.” For the Action Painters, the final artwork was the physical trace of an event.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'FuturaExtended';">A subsequent generation of artists, known as the “Second Generation”— including Ed Clark, Sam Francis, Helen Frankenthaler, Michael Goldberg, Al Held, and Joan Mitchell—expanded the movement’s tenets in diverse stylistic directions, leaning variously into the color-field aspects, the gestural characteristics, and the literal or figurative aspects. These developments would allow Color Field painting, Hard-edge abstraction, and Lyrical Abstraction to emerge, but also the happenings, performance art, Minimalism, and Conceptual Art that would follow.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:0.63vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'FuturaExtended';">Special thanks to Ted and Lauren Baker and Joan and Preston Haskell for their generous support and participation.</SPAN></SPAN></DIV></div>
HTMLText_26F49030_395F_A894_41C6_8458384476F8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">ALEX KATZ</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1927)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Red Coat, 1983 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Silkscreen </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Dr. Anwar Kamal, 1986.23</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Alex Katz has become a primary character in modern realism, using a unique and personal style through portraits combining elements of abstraction and representation. In the 1960s, he developed his characteristic approach, using monotone color to create bold, highly stylized portraits, flatly painted or printed, and dramatically cropped. Valuing the expansive style of his portraits over their emotional narrative, Katz designed them for a contemporary look, mimicking snapshots which capture light to communicate a specific moment in time and space. Red Coat is a portrait of Katz’s favorite subject—his wife, Ada—depicted through saturated shapes arranged to resemble collage. Though compelling with her nonchalant gaze, Ada is simplified and made anonymous by limited colors and shadows. </SPAN></SPAN></DIV></div>
HTMLText_B8FE3BC3_9EA7_D0DA_41AD_6AB369558CEF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">ALEXANDER CALDER</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1898-1976) </B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Red Triangles and Polygons, 1974 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Painted sheet metal and wire mobile </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Mr. Duncan M. Cocke in Memory of </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Minnie Cole, 1990.11</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Trained as an engineer and involved with the Abstraction-Création group—an international association of artists focused on abstraction—Alexander Calder used simple shapes and planes of color to create movable sculptures. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">These mobiles—or, in his words, “four dimensional drawings”—are delicately balanced with wire, allowing them to drift unpredictably and mirror the movement of forms through space. Inspired by the biomorphs of Joan Miró, Calder’s mobiles are often informed by organic shapes and structures, such as rustling leaves or animal life. Red Triangles and Polygons, a hanging mobile of sheet metal, exemplifies how Calder brought geometric and abstract shapes to life, transforming them into moving paintings. </SPAN></SPAN></DIV></div>
HTMLText_26A2DE4D_38CE_988C_41C5_AB1BEF8515C1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">CHERYL POPE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1980)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Room with Striped Dresser, 2022 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Needle-punched wool roving on cashmere</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Museum Purchase, 2022.03</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Cheryl Pope is known for her colorful textiles created using a needle-punched wool technique, requiring the intricate layering of hundreds of threads. Drawing on Western painting traditions such as Post-Impressionism and Intimism, Pope creates vibrantly tactile surfaces conjured from imagination and memory. Her candid depictions of domestic and outdoor scenes frequently use the human body to navigate the nuances of identity and social dynamics. Through hypnotic bands of color, Pope pulls viewers into mundane spaces that reveal the politics of listening—a practice she terms her “poetic journalism.” </SPAN></SPAN></DIV></div>
HTMLText_0662459F_38B6_6B8C_41B9_ED6E79C07E06.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">CHUCK CLOSE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1940 - 2021)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Lyle, 2003 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">149 color silkscreen  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Chuck Close revived portraiture in the late 1960s, when he began the large, photographic paintings he became known for. Using a systematic grid technique to translate reference photographs, Close filled small squares with painstaking detail. While his early style resulted in photorealistic and clinically precise portraits, in later paintings, like Lyle, Close’s grids are vibrant and abstract, resembling colorful pixels or watery mosaics. Lyle—blending the abstract with the figurative—depicts Close’s friend and fellow artist, Lyle Ashton Harris, well-known for his own emotive photographic portraits. Together, the artists shared a dialogue concerning the complex creative process and their ceaseless exploration of identity through portraiture. </SPAN></SPAN></DIV></div>
HTMLText_26AB706B_395E_A8B4_41C2_326C2E1C6521.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">EDWARD RUSCHA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1937)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">America Whistles, 1976 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Lithograph  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Edwin Snyder Memorial Fund, 1976.19</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Entering the Pop Art scene in the early 1960s, Edward Ruscha rose to fame with his bold, graphic, text-based paintings. America Whistles is a color lithograph created for America: The Third Century, a portfolio of works commissioned for the United States’ Bicentennial in 1976. The print reflects Ruscha's longstanding fascination with the sensory and emotional power of language. He famously described the “temperatures” of words, noting that those “hot” enough came to possess visual significance. Against the bold, graffiti-red text, Ruscha spattered colorful musical notes, merging the visual and auditory dimensions. In response to the 1970s American climate, Ruscha’s carefully chosen font, phrase, and symbols collectively evoke carefree musicality and the sense of an alert or warning.</SPAN></SPAN></DIV></div>
HTMLText_19070985_395E_987C_41C6_AC353FA5A89A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">ELLSWORTH KELLY</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1923-2015)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Blue Red-Orange Green, 1970-1971 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Silkscreen </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Emmett Broward Memorial Fund and NEA Purchase Grant, 1976.09</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">The artistic style Kelly employs is defined as “Hard-edge,” a term coined by art historian Jules Langsner in the late 1950s, and characterized by distinct, abrupt color changes in conjunction with geometric abstractions. The extreme angles, precise and impersonal, contrasted with the gestural nature of Abstract Expressionism, popular in New York at the time. Unlike many artists working within hard edge abstraction, Kelly’s works were based on specific real-world observations which he translated into simplified combinations of form and color.  Blue Red-Orange Green is characteristic of Kelly’s minimalist style, in which the mass of color acts as the subject. Though considered a defining Hard-edge painter, Kelly once stated, “I’m not interested in edges, I’m interested in the mass and color… The edges happen because the forms get as quiet as they can be. I want the masses to perform.”</SPAN></SPAN></DIV></div>
HTMLText_059BC4CE_394E_A98C_4193_45049420AEF2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">FRANK STELLA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1936 - 2024)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Pergusa Three, 1983 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Twenty-seven color etching, woodcut, and collagraph with pigment </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.03 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Through ambitious printing processes, specially formulated inks, and hand-dyed papers, Frank Stella and master printer Kenneth Tyler successfully translated the energy of Stella’s painted metal reliefs into several series of complex prints. From Circuits, based on Stella’s interest in car racing, Pergusa Three is titled after a three-mile racetrack around Pergusa Lake in Sicily. The work reflects Stella’s evolution from his early precise geometry to lively gesture, from his early stark blacks and grays to luminous color, and from titles that refer simply to the object itself to those that suggest abstract narratives of the surrounding world.</SPAN></SPAN></DIV></div>
HTMLText_7CE9F48A_3F4A_A874_41B5_A6F5EA4AF336.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">FRANZ KLINE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1910 - 1962)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.346368715083799vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.35vmin;font-family:'Futura Md BT';">Untitled, 1960 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Brush and oil on paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Abstract Expressionist Franz Kline first became known for his bold black and white paintings. Inspired by Hofmann’s push-and-pull theory (the emergence and recession of forms in a picture plane), Kline took to multilayered paintings, in which black and white alternated with and overlapped one another. While his gestural abstractions were akin to those of the action painters, Kline’s powerful forms and motifs produced an experience of structure and presence. Created just two years before his death in 1962, Untitled was painted during a period that saw the reintroduction of color into his canvases. Through monumental brushstrokes, Kline created a dynamically layered work which combined spontaneous expression with careful design.</SPAN></SPAN></DIV></div>
HTMLText_1F010AC8_3065_0BA6_41C3_A5514E385A37.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">HANS HOFMANN </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(German-American, 1880-1966)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Untitled, 1961 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Oil on paper </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2006.04.06</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Hans Hofmann was one of the most pivotal figures in postwar American art, acting as a catalyst for the Abstract Expressionism movement. Deeply involved with Europe’s avant-garde scenes, Hofmann became an influential teacher of modern art in the United States. He believed an artist's role was to translate feelings and responses to light and color onto two-dimensional surfaces. His landscapes—composed not of trees and land—instead explored the dynamic tension between space, color, and form. His renowned “push and pull” theory illustrated the simultaneous use of flatness and depth within painting—a practice demonstrated here through his characteristically exuberant palette, dramatic brushstrokes, and expressive lines.</SPAN></SPAN></DIV></div>
HTMLText_2355F1FD_38FD_AB8D_41BA_CF8257BC65E6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">HELEN FRANKENTHALER </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1928-2011)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Gateway, 1988 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">28 color etching relief, aquatint, and spitbite aquatint, with hand-stenciled margins on three panels</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Preston H. Haskell in honor of Bruce H. Dempsey, 1995.02 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Helen Frankenthaler became recognized as a second-generation Abstract Expressionist when she emerged onto the scene during the 1950s. Her work fluctuates between the gestural spontaneity of Abstract Expressionism and the vast expanses of color typical of Color Field painting. Inspired by Jackson Pollock’s methods of applying paint upon unprimed canvases, Frankenthaler developed the soak-stain technique, in which paint, thinned to the consistency of watercolor, is poured and soaked directly onto the canvas. The colors, made fluid and thin, become indistinguishable from the surface, merging the image with the support into a unified, spontaneous abstraction.</SPAN></SPAN></DIV></div>
HTMLText_193DC571_395E_E895_4181_1296A2D13568.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JAMES ROSENQUIST</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1933 - 2017)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Flamingo Capsule, 1973 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Color lithograph with screenprint </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">James Rosenquist, a leading American Pop artist alongside contemporaries such as Andy Warhol, Roy Lichtenstein, and Claes Oldenburg, began his career as a billboard painter in 1957. In 1960, he became a studio artist, drawing his subject matter from consumer culture through the fragments of everyday images such as print advertisements, photographs, and popular periodicals to comment on events of his time.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Rosenquist’s compositions often include vibrant contrasting color schemes and seemingly opposing groupings that can bombard the viewer. An example of one of his socially relevant discordant arrangements is Flamingo Capsule, a work dedicated to the three astronauts who died on the launch pad in 1967 during a ground test for Apollo I.</SPAN></SPAN></DIV></div>
HTMLText_020AAE42_3F55_98F7_41B4_AC509779DCF2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JASPER JOHNS</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1930)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Corpse and Mirror, 1976 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Thirty-six color silkscreen on Nishinouchi Kizuki Kozo paper with deckle edge </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.08 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">A towering figure in postwar art, Jasper Johns is known for bridging Abstract Expressionism and Pop Art. His paintings often use commonplace symbols—such as flags, targets, and maps—to shift the viewer's attention toward the process of artmaking and the creation of meaning. From 1972 to 1983, his work focused on fragmented surfaces in staccato linear patterns. Resembling enlarged cross-hatchings, the patterns create optical mosaics, emphasizing literalness, repetitiveness, and the possibility for meaninglessness. Here, Johns follows self prescribed rules for the edges of one square to another: 1) where edge meets edge, the lines may continue in their direction, or they may be diverted as if refracted by the edge; 2) the direction of lines may remain constant while the colors change; 3) both the color and the direction may remain constant as a boundary.</SPAN></SPAN></DIV></div>
HTMLText_267A52EA_38CE_A9B7_41AD_3225353F28BD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JENNY MORGAN</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1982)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Brand New, 2014</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Oil on canvas</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.1229050279329607vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.12vmin;font-family:'Futura Md BT';">Museum Purchase, Acquisition Fund with contributions from the Collector's Circle, 2015.01 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Through bright, emotive color, Jenny Morgan’s hyper-realistic figures float between the abstract and the real. Her painted portraits, often depicting naked women drawn from reference photographs, look outward with piercing stares; though vulnerable, they gaze with a directness that affirms their individuality. Drawing on the history of female nudes in art, Morgan examines the act of looking—from being looked at, to looking at oneself. Channeling vibrant color at enlarged scales, Morgan uses the expressive power of abstraction to create psychological space for her subjects, who appear simultaneously exposed, distorted, and grounded. </SPAN></SPAN></DIV></div>
HTMLText_66C1604B_4316_0FBB_41AC_76F9681E1D68.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Parang 1 (Blue Fan Face), 2018 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV></div>
HTMLText_66E071DB_4316_305B_41B7_13193BE6F8AE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Parang 1 (Kudzu Spirit), 2018 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV></div>
HTMLText_67E96DD3_4312_10A4_41BA_56E2850A2A41.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Purgatory Rhapsody, 2025 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on fabric </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of Mindy Solomon Gallery </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5435501653803745vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.54vmin;font-family:'Futura Md BT';">Playfulness is central to Moon’s visual language. Her compositions crackle with neon colors and whimsical motifs from tattoo designs, video games, and social media. Peaches and traditional religious symbolism appear, creating unexpected juxtapositions that elicit laughter and prompt reflection. For Moon, humor is not mere decoration; it is a strategy of critique, allowing her to  question stereotypes and cultural clichés without alienating her audience.</SPAN></SPAN></DIV></div>
HTMLText_67889ADC_4316_305D_41B7_388D12ADB3A0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Redpineyes, 2018 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.323042998897464vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.32vmin;font-family:'Futura Md BT';">Jiha Moon’s creative process centers on experimentation and layering. Trained as a painter, she expands her practice into ceramics and mixed media, embracing materials with deep historical and cultural resonance. Clay, for example, connects East and West through centuries of exchange, while her use of hanji paper and vibrant pigments reflects Korean traditions reimagined for contemporary contexts. By blending painting and sculpture, Moon creates visual worlds that seem both familiar and imaginative, encouraging viewers to explore how cultural boundaries can shift. </SPAN></SPAN></DIV></div>
HTMLText_64DC1329_40F2_31E7_41B1_FDC6B43FE0BE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Wolmae, 2025 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Earthenware, glaze and underglaze </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV></div>
HTMLText_64EDA146_40F2_F1AD_41C1_8CF56F30CD4F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Fetch, 2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Acrylic, silk, hanji paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on Found fabric</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of Derek Eller Gallery</SPAN></SPAN></DIV></div>
HTMLText_57703C1F_4136_77DC_41AF_ECE05EFFCE18.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Shrine (Fireworks), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Ceramics and Acrylic on hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on Penelope fabric with designed frame</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist</SPAN></SPAN></DIV></div>
HTMLText_652E8B17_40FE_31AB_41C2_37766BCCDA00.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Styx (Ten Moon), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Acrylic, silk, hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on Found fabric</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of Derek Eller Gallery</SPAN></SPAN></DIV></div>
HTMLText_64B60236_40F6_33EA_41C5_3A712EADE43B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Styx (Ten Moon), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Acrylic, silk, hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on Found fabric</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of Derek Eller Gallery</SPAN></SPAN></DIV></div>
HTMLText_0D042B72_4136_1065_41C7_4B51886D6543.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.32vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Shrine (Blue Light), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Ceramics and Acrylic on hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on Penelope fabric with designed frame</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist</SPAN></SPAN></DIV></div>
HTMLText_0D147538_4136_11E4_41CC_3B8942C65D01.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.32vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Shrine (Green Rose), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Ceramics and Acrylic on hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mounted on Penelope fabric with designed frame</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist</SPAN></SPAN></DIV></div>
HTMLText_0210DF27_3F56_98BD_41BE_859F84D164BB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JOAN MITCHELL</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1925 - 1992)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.346368715083799vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.35vmin;font-family:'Futura Md BT';">Chord III, 1986 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Oil on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.06 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">From 1984 to 1986, Abstract Expressionist Joan Mitchell completed seven paintings in her Chord series after receiving hip-replacement surgery and cancer treatment. Frequently referencing her lived experiences—including the natural world and literature—Mitchell transposed her memories, feelings, and ideas into abstract color. She described her work by stating, “My painting is not an allegory, it is not a story. It is more like a poem.” Throughout her Chord series, an awareness of her own mortality is captured in swift passages of thin, transparent paint alongside rapid, turbulent brushstrokes. In this work, Mitchell combines clusters of rich colors with expressive blasts of yellow, leaving dripping fluid marks visible down the length of the canvas.</SPAN></SPAN></DIV></div>
HTMLText_2485B412_38CE_6897_41CB_D05A32F1072D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JOEL SHAPIRO</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1941-2025)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Untitled, 1988 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Bronze </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.24</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Joel Shapiro’s small sculptures brought a human pulse to the artistic current of the 1970s. While his blocky, geometric forms shared the minimalist vocabulary of artists like Donald Judd and Sol LeWitt—who sought the absence of the artist’s hand—Shapiro welcomed the human trace. Rejecting the constraints of minimalist thinking, Shapiro explored the expressive potential of basic forms and colors, reintroducing vitality and spirit to abstraction. </SPAN></SPAN></DIV></div>
HTMLText_23B62C2B_38F6_78B4_41C1_6EB47E00E939.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JOEL SHAPIRO</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1941-2025)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Untitled, JS-439, 1981</SPAN><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Charcoal and gouache on paper </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.17</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">The focus of Shapiro’s work is often geometric wooden and bronze sculptures. While this two dimensional work differs in medium, it plays with similar themes of minimalism and geometry. Shapiro draws on sculptural form and recontextualizes it into a two-dimensional format by highlighting the structure of the shapes and the simplicity of the lines. </SPAN></SPAN></DIV></div>
HTMLText_035EDCFF_3F4B_998D_41C4_7E10C6F0F190.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JOSEF ALBERS</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(German-American 1888-1976)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.346368715083799vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.35vmin;font-family:'Futura Md BT';">Study for Homage to the Square, 1964 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Oil on blotting paper  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Josef Albers would profoundly influence the development of art in the United States after immigrating from Germany, where he had taught at the Bauhaus school before its closure by Nazi authorities in 1933. In his </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">landmark book, Interaction of Color (1963), Albers introduced novel methods for studying and understanding color, proposing that the perception of color—more than a physical fact—is highly relative, unstable, and subjective. Homage to the Square, a large collection of works created over a twenty-five year period, used simple concentric squares to investigate color relationships and their psychic effects.</SPAN></SPAN></DIV></div>
HTMLText_06C3AACC_3957_99F3_41BA_6309B14FE18D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JOSEPH KOSUTH</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1945)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Untitled, 1964 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Paper collage mounted on pasteboard </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Douglas W. Fisher and the Estate of Norman Fisher, 1979.01.54 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">An eminent Conceptual artist, Joseph Kosuth created Untitled just before his 1965 abandonment of painting for conceptual artwork, in which he destabilized the status and value of art as purely an object. His argument that art was about its idea—the making of meaning—led to defining works like One and Three Chairs (1965), in which Kosuth presented three forms of a chair: object, photograph, and definition. In Untitled, Kosuth’s paper collage reduces physical form to question the value of formalism—art’s visual attributes, as opposed to its intentions, narratives, and context. Through bare aesthetics, Kosuth’s early work analyzed the nature of artmaking and critiqued formalist ideals, foreshadowing his career-long focus on language and meaning.</SPAN></SPAN></DIV></div>
HTMLText_2634E0DA_38CE_A994_41C8_21B756F77DDC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">JUAN FONTANIVE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1977)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Ornithology I, 2015</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">4-color screen print on Bristol paper, stainless steel, motor, and electronics</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of the Artist, 2017.1 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Juan Fontanive’s Ornithology I uses antique illustrations to create the illusion of a single bird in flight. Inspired by his discovery of antique clocks and machines in East London, Fontanive handcrafts flip-book machines to explore the structure of animation processes. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Like the optical illusions of Op Art, Fontanive’s bird simulates movement, heightened by the fluttering sheets of paper which resemble the sound and motion of the bird’s wings. In works like Ornithology I, Fontanive’s avian imitation sits somewhere between the real and unreal—recalling the history of automata, machines that mimic life. By linking biology with machinery, Fontanive harnesses kinetic art to explore the role of mechanics, animation processes, and our perception of the natural world.</SPAN></SPAN></DIV></div>
HTMLText_266E385C_38CE_788C_41BA_40001DBC6A6B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">KARA WALKER</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1969)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, 1997</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Bound volume of offset lithographs and five laser-cut, pop-up silhouettes on wove paper.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of David and Susan Lauderdale, 2008.05.1  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Renowned for her life-sized silhouettes, Kara Walker crafts visually ambiguous narratives that explore race, gender, sexuality, and violence. In her pop-up book Freedom: A Fable, Walker employs the silhouette—a medium historically linked to racial profiling and caricature in America—to navigate the emancipation of an enslaved woman. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Combining the whimsical format of a children's fable with violent imagery and detached text, Walker investigates themes of discrimination and repression. The book’s intimate format implicates readers in the construction of meaning through a nonsensical tale, where liberty—whether fable or reality—is complexly shaped by reader and author, observer and artist alike.</SPAN></SPAN></DIV></div>
HTMLText_24419B71_38CA_F895_41C4_591FBECC5DE3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">KEITH HARING</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1958-1990)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Two Dancing Figures, 1989 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Polyurethane enamel on aluminum</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.21</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Through seemingly simple and colorful images, Haring brought new energy to figural art, making accessible difficult topics, such as AIDS, drug addiction, apartheid, illicit love, and nuclear disarmament. In Two Dancing Figures, cartoon-like figures interlock arms and gesture to convey movement. Informed by his involvement in New York’s street, club, and dance cultures, Haring infused sound and rhythm into his work. The animation of his figures, utilizing the bold clarity of Pop art, conveys the power of expression in forging social change and human connection. </SPAN></SPAN></DIV></div>
HTMLText_BAA11670_9EA7_F3B6_41D2_F64F71471824.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">KOTA EZAWA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(Japanese-German American, b. 1969)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">City of Nature, 2011 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">DVD, ed. 6/10, 4 minutes </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Museum purchase with funds provided by the </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Collectors' Circle; John J. Allen and Laura </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Henry Allen, 2013.03</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">In City of Nature, Kota Ezawa appropriates excerpts from popular films, including Jaws, Deliverance, and Brokeback Mountain. With flattened, stylized images influenced by Pop Art, Ezawa translates filmic realism into simplified drawings, utilizing digital media methods to combine stills into animated video sequences. Reconstructed from the original frames, the drawn stills form a narrative in which time has been distinctly removed and re-inserted. Through this reassembly of moving images, Ezawa harnesses simple planes of color and abstraction to analyze mass media’s portrayal of meaning and information—particularly of nature and culture. </SPAN></SPAN></DIV></div>
HTMLText_074CD0C3_3957_A9F5_41BD_5DCB9EAC2946.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">LOUISE NEVELSON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(Ukrainian-American, 1899-1988)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Sky Garden, 1971 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Lead intaglio </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Mr. Curtis Dawes, 1972.16 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Louise Nevelson became recognized for her large-scale monochromatic wood sculptures, yet she moved across a range of media, viewing her work as a collection of elements constantly at play—a never-ending dialogue of juxtaposed relationships. This ethos is reflected in her printmaking, such as her Lead Intaglio Series, which unconventionally used lead to create a relief resembling the three dimensionality of her sculptures. Though she studied under Hans Hofmann, Nevelson rejected the bright, gestural painting style of Abstract Expressionism for a monochromatic, rigid sculptural style. Sky Garden demonstrates her signature use of black monochrome—a hue she considered the ultimate, unifying color. Through black, Nevelson sought to unify and elevate common forms, exploring the endless drama and interactions between individual components when united into a whole.</SPAN></SPAN></DIV></div>
HTMLText_7D255B47_3F4E_B8FD_41BA_3597B9559815.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">MICHAEL GOLDBERG</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1924 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.346368715083799vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.35vmin;font-family:'Futura Md BT';">The Keep, 1958 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Oil on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Michael Goldberg was a defining figure of second generation Abstract Expressionism. After studying under Hans Hofmann, he became a member at New York City’s Eighth Street Club, developing personal and artistic ties to first-generation pioneers such as Franz Kline and Willem de Kooning. The Keep, through clashing strokes of color, highlights Goldberg’s devotion to the sheer physicality of paint and the renewal of Abstraction. By manipulating the medium with brushes, palette knives, and trowels, Goldberg forced pigments across the canvas to create fragmented, dynamic, and erratic surfaces. </SPAN></SPAN></DIV></div>
HTMLText_268DFD04_38CD_987C_41A3_4F8566EE5EEC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">PAUL VILLINSKI</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1960)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Yes, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Soft ground etching with spitbite aquatint</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of the artist and Morgan Lehman Gallery, New York, 2014.01 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Best known for his sculptural wall installations, Paul Villinski transforms discarded materials—most famously aluminum beer cans—into poetic arrangements of hundreds of individually cut butterflies. These swarms frequently reappear throughout Villinski’s work, imbuing commonplace materials with metaphors of flight. In this example of his more intimate two-dimensional work, the butterfly motif becomes simultaneously abstract and tangible, allowing the artist to reveal personal experiences, memories, and emotions. By altering basic phrases, shapes, and materials, Villinski affirms the potential within the ordinary and the possibility for metamorphosis. The butterfly—frail, beautiful, and overlooked—becomes a vehicle for self discovery, a creature perhaps not so different from ourselves. </SPAN></SPAN></DIV></div>
HTMLText_0414C848_38BD_F8F3_41C9_C1377D9E8AD8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">RADCLIFFE BAILEY</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1968 - 2023)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Lucky Star, 2004 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mixed media on wood </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Museum Purchase with funds provided by Preston Haskell, 2006.21 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Radcliffe Bailey is recognized for his incorporation of African American history into his artwork, often through traditional African patterns and symbols. Drawing on various sources of inspiration, such as jazz music, Kongo nkisi figures, and found objects, he developed multi-layered narratives that reflect on the African diaspora and cultural history. Lucky Star, richly textured with piano keys, metal musical instruments, and other found objects, memorializes the artist’s lost ancestors within the dark and complex history of African American heritage. Blending the figural with the abstract, Bailey channeled personal and collective narratives to give voice to identities previously excluded from the art-historical canon. </SPAN></SPAN></DIV></div>
HTMLText_0201E1E1_3F5A_EBB4_41B1_3CC2026ADEFC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">RICHARD ANUSZKIEWICZ</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1930 - 2020)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Mediterranean, 1969 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Acrylic on canvas </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Emmett Broward Memorial Fund and N.E.A. Purchase Grant, 1974.82 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Influenced by the color theory of Josef Albers, Richard Anuszkiewicz helped establish Op Art, a movement exploring the nature of color and visual perception using simple linear forms and geometric shapes. To create the optical illusions characteristic of his works, he applied different high-intensity colors to the same geometric configurations, creating the illusion of depth and movement. Mediterranean demonstrates his nearly scientific approach to the planning and execution of his works. Through interacting bands of color, the proximity of bright and dark colors appears to shift, producing optical phenomena that engage the mind and body, actively shaping the viewer’s perception.</SPAN></SPAN></DIV></div>
HTMLText_06BEF278_3956_6894_41C8_7D54A3ED846F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">RICHARD SERRA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1938 - 2024)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Rolled, Encased &amp; Sawed, from the set 7 Objects/69, 1969 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Rolled chemical lead and lead pipe</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Douglas W. Fisher and the Estate of Norman Fisher, 1979.01.128.4a-b  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">In the 1960s, Serra began working with the industrial materials he had encountered in California’s steel mills. His early castings, or “splashings,” were created by flinging molten lead against the junctures of floors and walls—emphasizing the physical process of the material while maintaining an awareness of the surrounding space. Although most famous for his later monumental sculptures, Rolled, Encased &amp; Sawed showcases Serra’s defining experiments with material and form. The titles of his works, often drawn from his Verb List, emphasize the artist’s role as a physical shaper of the work. Here—through actions like rolling and sawing—Serra foregrounds the agency of both artist and material in the creation of form.</SPAN></SPAN></DIV></div>
HTMLText_2671BB36_3955_B89F_41BB_7595B2D0F69D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">ROBERT MOTHERWELL</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1915 - 1991)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">America-La France Variations VI, 1984</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Lithograph and collage on White Arches Cover paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of Lauren G. Baker</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Robert Motherwell was a key member of the New York School of painters, acting as a defining spokesman for the Abstract Expressionism movement. Initially studying philosophy, he became known for his combination of intellectual depth with expressive abstraction. His works employed a method of “free association”—reminiscent of Surrealist painting—in which he merged impromptu gestures with intervening orchestration. In his America-La France Variations, a series of collage lithographs, Motherwell used abstraction to explore larger themes of national identity and cultural interaction. The use of collage mixed cultural aesthetics, merging the austerity of French modernism with the fluid, animated strokes of American Abstract Expressionism. </SPAN></SPAN></DIV></div>
HTMLText_26E9EF4F_3955_B88C_41C7_18A63968D820.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">ROBERT MOTHERWELL</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1915 - 1991)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">America-La France Variations VII, 1984</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Lithograph and collage on White Arches Cover paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of Lauren G. Baker</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7D3476CB_3F5B_A9F5_41BC_CCAEF5C8B3DB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">SAM GILLIAM</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1933 - 2022)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Hedge Sky, 1980 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Acrylic on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Dr. Richard Flax, 1981.11</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Sam Gilliam was a key member of the Washington Color School, a group of artists who favored saturated swaths of color as opposed to the gestural abstraction of the earlier New York School. His Color Field paintings, characterized by stretches of vibrant color, experimented with the application of paint and the treatment of the canvas. Gilliam’s innovations challenged traditional understandings of art, particularly through his landmark draped canvases, which were devoid of frames or stretchers, and were hung or arranged on walls and floors. Such innovative works, like Hedge Sky, shifted painting into the realm of sculpture and the third dimension, transforming the art world’s understanding of color relationships.</SPAN></SPAN></DIV></div>
HTMLText_266EB9A4_38CA_7BBC_4192_CE28C7868C0F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">SHINIQUE SMITH</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1971)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2050716648291067vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.21vmin;font-family:'Futura Md BT';">Something from Nothing Bundle, 2008</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Clothing and accessories donated in the aftermath of Katrina, ribbon and rope </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Courtesy of the artist, 2016.12</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.65vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Following Hurricane Katrina, Smith acquired clothing donations that had been declined by the city of New Orleans in favor of funds. Drawing on her diverse background in painting, textiles, fashion, and graffiti, she transformed these found garments—including blue jeans and quilted pullovers—into rich abstractions meditating on loss, care, and resilience. The title, Something from Nothing, serves as a dual metaphor: it addresses communities rebounding from a ruined environment, and marks the physical transformation of discarded objects into an expressive whole.</SPAN></SPAN></DIV></div>
HTMLText_0707E107_395F_A87C_4176_591114FD981F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_0652EA23_395E_78B4_41C9_D444445C1FBD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_069066BE_394A_698F_41CA_D6B6782127B0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_0737374B_395E_68F4_41A6_93264B7ECFCE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_061F0934_395E_989C_41C0_D53BC9469628.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_26D955D9_38D5_AB94_41BC_17FF9F591A04.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4259259259259203vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.43vmin;font-family:'Futura Maxi CG Bold';">STEPHEN EDLICH</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.666666666666664vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.67vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1944-1989)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.315325248070562vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.32vmin;font-family:'Futura Md BT';">Ouverture II, Before an Open Window, 1982</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Acrylic polymer, paper, chalk, jute, and wood on primed cotton canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.09vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.094818081587652vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.09vmin;font-family:'Futura Md BT';">Gift of Dr. Richard F. Edlich, 1985.04.01-3</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.5740740740740722vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.57vmin;font-family:'Futura Md BT';">Stephen Edlich’s triptych, Ouverture II, Before an Open Window, draws on modernist traditions, particularly Cubism and Pablo Picasso’s use of unconventional materials and three-dimensionality. Similarly, Edlich employs a mixture of materials—from jute strings to wood veneer—to create a deeply textured and immense carved collage. By mixing traditional paper collage with modernism’s notion of the constructed object, Edlich’s nimble forms and swaths of color enliven and reimagine historical methods.</SPAN></SPAN></DIV></div>
HTMLText_B8FE3BC3_9EA7_D0DA_41AD_6AB369558CEF_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">ALEXANDER CALDER</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.333333333333334vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1898-1976) </B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Red Triangles and Polygons, 1974 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Painted sheet metal and wire mobile </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Mr. Duncan M. Cocke in Memory of Minnie Cole, 1990.11</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.333333333333334vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Md BT';">Trained as an engineer and involved with the Abstraction-Création group—an international association of artists focused on abstraction—Alexander Calder used simple shapes and planes of color to create movable sculptures. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.333333333333334vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Md BT';">These mobiles—or, in his words, “four dimensional drawings”—are delicately balanced with wire, allowing them to drift unpredictably and mirror the movement of forms through space. Inspired by the biomorphs of Joan Miró, Calder’s mobiles are often informed by organic shapes and structures, such as rustling leaves or animal life. Red Triangles and Polygons, a hanging mobile of sheet metal, exemplifies how Calder brought geometric and abstract shapes to life, transforming them into moving paintings. </SPAN></SPAN></DIV></div>
HTMLText_64EDA146_40F2_F1AD_41C1_8CF56F30CD4F_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Fetch, 2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Acrylic, silk, hanji paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on Found fabric</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of Derek Eller Gallery</SPAN></SPAN></DIV></div>
HTMLText_66C1604B_4316_0FBB_41AC_76F9681E1D68_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Parang 1 (Blue Fan Face), 2018 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV></div>
HTMLText_66E071DB_4316_305B_41B7_13193BE6F8AE_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Parang 1 (Kudzu Spirit), 2018 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV></div>
HTMLText_67E96DD3_4312_10A4_41BA_56E2850A2A41_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Purgatory Rhapsody, 2025 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on fabric </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of Mindy Solomon Gallery </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.7777777777777763vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:2.78vmin;font-family:'Futura Md BT';">Playfulness is central to Moon’s visual language. Her compositions crackle with neon colors and whimsical motifs from tattoo designs, video games, and social media. Peaches and traditional religious symbolism appear, creating unexpected juxtapositions that elicit laughter and prompt reflection. For Moon, humor is not mere decoration; it is a strategy of critique, allowing her to question stereotypes and cultural clichés without alienating her audience. </SPAN></SPAN></DIV></div>
HTMLText_67889ADC_4316_305D_41B7_388D12ADB3A0_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Redpineyes, 2018 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Ink and acrylic on hanji paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Jiha Moon’s creative process centers on experimentation and layering. Trained as a painter, she expands her practice into ceramics and mixed media, embracing materials with deep historical and cultural resonance. Clay, for example, connects East and West through centuries of exchange, while her use of hanji paper and vibrant pigments reflects Korean traditions reimagined for contemporary contexts. By blending painting and sculpture, Moon creates visual worlds that seem both familiar and imaginative, encouraging viewers to explore how cultural boundaries can shift.</SPAN></SPAN></DIV></div>
HTMLText_57703C1F_4136_77DC_41AF_ECE05EFFCE18_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Shrine (Fireworks), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Ceramics and Acrylic on hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on Penelope fabric with designed frame</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of the artist</SPAN></SPAN></DIV></div>
HTMLText_64B60236_40F6_33EA_41C5_3A712EADE43B_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Styx (Ten Moon), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Acrylic, silk, hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on Found fabric</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of Derek Eller Gallery</SPAN></SPAN></DIV></div>
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HTMLText_64DC1329_40F2_31E7_41B1_FDC6B43FE0BE_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Wolmae, 2025 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Earthenware, glaze and underglaze </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of the artist </SPAN></SPAN></DIV></div>
HTMLText_0D042B72_4136_1065_41C7_4B51886D6543_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Shrine (Blue Light), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Ceramics and Acrylic on hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on Penelope fabric with designed frame</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of the artist</SPAN></SPAN></DIV></div>
HTMLText_0D147538_4136_11E4_41CC_3B8942C65D01_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JIHA MOON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(Korean - American, b. 1973)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Shrine (Green Rose), 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Ceramics and Acrylic on hanji paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Mounted on Penelope fabric with designed frame</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of the artist</SPAN></SPAN></DIV></div>
HTMLText_BAA11670_9EA7_F3B6_41D2_F64F71471824_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:4.999999999999999vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">KOTA EZAWA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';"><B>(Japanese-German American, b. 1969)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">City of Nature, 2011 DVD, ed. 6/10, 4 minutes </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Museum purchase with funds provided by the Collectors' Circle; John J. Allen and Laura Henry Allen, 2013.03</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.333333333333334vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Md BT';">In City of Nature, Kota Ezawa appropriates excerpts from popular films, including Jaws, Deliverance, and Brokeback Mountain. With flattened, stylized images influenced by Pop Art, Ezawa translates filmic realism into simplified drawings, utilizing digital media methods to combine stills into animated video sequences. Reconstructed from the original frames, the drawn stills form a narrative in which time has been distinctly removed and re-inserted. Through this reassembly of moving images, Ezawa harnesses simple planes of color and abstraction to analyze mass media’s portrayal of meaning and information—particularly of nature and culture. </SPAN></SPAN></DIV></div>
HTMLText_26F49030_395F_A894_41C6_8458384476F8_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">ALEX KATZ</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1927)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Red Coat, 1983 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Silkscreen </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Dr. Anwar Kamal, 1986.23</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Alex Katz has become a primary character in modern realism, using a unique and personal style through portraits combining elements of abstraction and representation. In the 1960s, he developed his characteristic approach, using monotone color to create bold, highly stylized portraits, flatly painted or printed, and dramatically cropped. Valuing the expansive style of his portraits over their emotional narrative, Katz designed them for a contemporary look, mimicking snapshots which capture light to communicate a specific moment in time and space. Red Coat is a portrait of Katz’s favorite subject—his wife, Ada—depicted through saturated shapes arranged to resemble collage. Though compelling with her nonchalant gaze, Ada is simplified and made anonymous by limited colors and shadows. </SPAN></SPAN></DIV></div>
HTMLText_26A2DE4D_38CE_988C_41C5_AB1BEF8515C1_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">CHERYL POPE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1980)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Room with Striped Dresser, 2022 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Needle-punched wool roving on cashmere</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Museum Purchase, 2022.03</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Cheryl Pope is known for her colorful textiles created using a needle-punched wool technique, requiring the intricate layering of hundreds of threads. Drawing on Western painting traditions such as Post-Impressionism and Intimism, Pope creates vibrantly tactile surfaces conjured from imagination and memory. Her candid depictions of domestic and outdoor scenes frequently use the human body to navigate the nuances of identity and social dynamics. Through hypnotic bands of color, Pope pulls viewers into mundane spaces that reveal the politics of listening—a practice she terms her “poetic journalism.” </SPAN></SPAN></DIV></div>
HTMLText_0662459F_38B6_6B8C_41B9_ED6E79C07E06_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">CHUCK CLOSE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1940 - 2021)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Lyle, 2003 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">149 color silkscreen  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Chuck Close revived portraiture in the late 1960s, when he began the large, photographic paintings he became known for. Using a systematic grid technique to translate reference photographs, Close filled small squares with painstaking detail. While his early style resulted in photorealistic and clinically precise portraits, in later paintings, like Lyle, Close’s grids are vibrant and abstract, resembling colorful pixels or watery mosaics. Lyle—blending the abstract with the figurative—depicts Close’s friend and fellow artist, Lyle Ashton Harris, well-known for his own emotive photographic portraits. Together, the artists shared a dialogue concerning the complex creative process and their ceaseless exploration of identity through portraiture. </SPAN></SPAN></DIV></div>
HTMLText_26AB706B_395E_A8B4_41C2_326C2E1C6521_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">EDWARD RUSCHA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1937)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">America Whistles, 1976 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Lithograph  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Edwin Snyder Memorial Fund, 1976.19</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Entering the Pop Art scene in the early 1960s, Edward Ruscha rose to fame with his bold, graphic, text-based paintings. America Whistles is a color lithograph created for America: The Third Century, a portfolio of works commissioned for the United States’ Bicentennial in 1976. The print reflects Ruscha's longstanding fascination with the sensory and emotional power of language. He famously described the “temperatures” of words, noting that those “hot” enough came to possess visual significance. Against the bold, graffiti-red text, Ruscha spattered colorful musical notes, merging the visual and auditory dimensions. In response to the 1970s American climate, Ruscha’s carefully chosen font, phrase, and symbols collectively evoke carefree musicality and the sense of an alert or warning.</SPAN></SPAN></DIV></div>
HTMLText_19070985_395E_987C_41C6_AC353FA5A89A_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">ELLSWORTH KELLY</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(American, 1923-2015)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Blue Red-Orange Green, 1970-1971 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Silkscreen </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Emmett Broward Memorial Fund and NEA Purchase Grant, 1976.09</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">The artistic style Kelly employs is defined as “Hard-edge,” a term coined by art historian Jules Langsner in the late 1950s, and characterized by distinct, abrupt color changes in conjunction with geometric abstractions. The extreme angles, precise and impersonal, contrasted with the gestural nature of Abstract Expressionism, popular in New York at the time. Unlike many artists working within hard edge abstraction, Kelly’s works were based on specific real-world observations which he translated into simplified combinations of form and color.  Blue Red-Orange Green is characteristic of Kelly’s minimalist style, in which the mass of color acts as the subject. Though considered a defining Hard-edge painter, Kelly once stated, “I’m not interested in edges, I’m interested in the mass and color… The edges happen because the forms get as quiet as they can be. I want the masses to perform.”</SPAN></SPAN></DIV></div>
HTMLText_059BC4CE_394E_A98C_4193_45049420AEF2_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">FRANK STELLA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1936 - 2024)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Pergusa Three, 1983 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Twenty-seven color etching, woodcut, and collagraph with pigment </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.03 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Through ambitious printing processes, specially formulated inks, and hand-dyed papers, Frank Stella and master printer Kenneth Tyler successfully translated the energy of Stella’s painted metal reliefs into several series of complex prints. From Circuits, based on Stella’s interest in car racing, Pergusa Three is titled after a three-mile racetrack around Pergusa Lake in Sicily. The work reflects Stella’s evolution from his early precise geometry to lively gesture, from his early stark blacks and grays to luminous color, and from titles that refer simply to the object itself to those that suggest abstract narratives of the surrounding world.</SPAN></SPAN></DIV></div>
HTMLText_7CE9F48A_3F4A_A874_41B5_A6F5EA4AF336_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">FRANZ KLINE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1910 - 1962)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Untitled, 1960 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Brush and oil on paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Abstract Expressionist Franz Kline first became known for his bold black and white paintings. Inspired by Hofmann’s push-and-pull theory (the emergence and recession of forms in a picture plane), Kline took to multilayered paintings, in which black and white alternated with and overlapped one another. While his gestural abstractions were akin to those of the action painters, Kline’s powerful forms and motifs produced an experience of structure and presence. Created just two years before his death in 1962, Untitled was painted during a period that saw the reintroduction of color into his canvases. Through monumental brushstrokes, Kline created a dynamically layered work which combined spontaneous expression with careful design.</SPAN></SPAN></DIV></div>
HTMLText_1F010AC8_3065_0BA6_41C3_A5514E385A37_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">HANS HOFMANN </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';"><B>(German-American, 1880-1966)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.13vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Untitled, 1961 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Oil on paper </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2006.04.06</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Hans Hofmann was one of the most pivotal figures in postwar American art, acting as a catalyst for the Abstract Expressionism movement. Deeply involved with Europe’s avant-garde scenes, Hofmann became an influential teacher of modern art in the United States. He believed an artist's role was to translate feelings and responses to light and color onto two-dimensional surfaces. His landscapes—composed not of trees and land—instead explored the dynamic tension between space, color, and form. His renowned “push and pull” theory illustrated the simultaneous use of flatness and depth within painting—a practice demonstrated here through his characteristically exuberant palette, dramatic brushstrokes, and expressive lines.</SPAN></SPAN></DIV></div>
HTMLText_2355F1FD_38FD_AB8D_41BA_CF8257BC65E6_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">HELEN FRANKENTHALER </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1928-2011)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gateway, 1988 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">28 color etching relief, aquatint, and spitbite aquatint, with hand-stenciled margins on three panels</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Preston H. Haskell in honor of Bruce H. Dempsey, 1995.02 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Helen Frankenthaler became recognized as a second-generation Abstract Expressionist when she emerged onto the scene during the 1950s. Her work fluctuates between the gestural spontaneity of Abstract Expressionism and the vast expanses of color typical of Color Field painting. Inspired by Jackson Pollock’s methods of applying paint upon unprimed canvases, Frankenthaler developed the soak-stain technique, in which paint, thinned to the consistency of watercolor, is poured and soaked directly onto the canvas. The colors, made fluid and thin, become indistinguishable from the surface, merging the image with the support into a unified, spontaneous abstraction.</SPAN></SPAN></DIV></div>
HTMLText_193DC571_395E_E895_4181_1296A2D13568_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JAMES ROSENQUIST</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1933 - 2017)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Flamingo Capsule, 1973 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Color lithograph with screenprint </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">James Rosenquist, a leading American Pop artist alongside contemporaries such as Andy Warhol, Roy Lichtenstein, and Claes Oldenburg, began his career as a billboard painter in 1957. In 1960, he became a studio artist, drawing his subject matter from consumer culture through the fragments of everyday images such as print advertisements, photographs, and popular periodicals to comment on events of his time.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Rosenquist’s compositions often include vibrant contrasting color schemes and seemingly opposing groupings that can bombard the viewer. An example of one of his socially relevant discordant arrangements is Flamingo Capsule, a work dedicated to the three astronauts who died on the launch pad in 1967 during a ground test for Apollo I.</SPAN></SPAN></DIV></div>
HTMLText_020AAE42_3F55_98F7_41B4_AC509779DCF2_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JASPER JOHNS</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1930)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Corpse and Mirror, 1976 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Thirty-six color silkscreen on Nishinouchi Kizuki Kozo paper with deckle edge </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.08 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">A towering figure in postwar art, Jasper Johns is known for bridging Abstract Expressionism and Pop Art. His paintings often use commonplace symbols—such as flags, targets, and maps—to shift the viewer's attention toward the process of artmaking and the creation of meaning. From 1972 to 1983, his work focused on fragmented surfaces in staccato linear patterns. Resembling enlarged cross-hatchings, the patterns create optical mosaics, emphasizing literalness, repetitiveness, and the possibility for meaninglessness. Here, Johns follows self prescribed rules for the edges of one square to another: 1) where edge meets edge, the lines may continue in their direction, or they may be diverted as if refracted by the edge; 2) the direction of lines may remain constant while the colors change; 3) both the color and the direction may remain constant as a boundary.</SPAN></SPAN></DIV></div>
HTMLText_267A52EA_38CE_A9B7_41AD_3225353F28BD_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JENNY MORGAN</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1982)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Brand New, 2014</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Oil on canvas</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Museum Purchase, Acquisition Fund with contributions from the Collector's Circle, 2015.01 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Through bright, emotive color, Jenny Morgan’s hyper-realistic figures float between the abstract and the real. Her painted portraits, often depicting naked women drawn from reference photographs, look outward with piercing stares; though vulnerable, they gaze with a directness that affirms their individuality. Drawing on the history of female nudes in art, Morgan examines the act of looking—from being looked at, to looking at oneself. Channeling vibrant color at enlarged scales, Morgan uses the expressive power of abstraction to create psychological space for her subjects, who appear simultaneously exposed, distorted, and grounded. </SPAN></SPAN></DIV></div>
HTMLText_0210DF27_3F56_98BD_41BE_859F84D164BB_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JOAN MITCHELL</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1925 - 1992)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Chord III, 1986 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Oil on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.06 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">From 1984 to 1986, Abstract Expressionist Joan Mitchell completed seven paintings in her Chord series after receiving hip-replacement surgery and cancer treatment. Frequently referencing her lived experiences—including the natural world and literature—Mitchell transposed her memories, feelings, and ideas into abstract color. She described her work by stating, “My painting is not an allegory, it is not a story. It is more like a poem.” Throughout her Chord series, an awareness of her own mortality is captured in swift passages of thin, transparent paint alongside rapid, turbulent brushstrokes. In this work, Mitchell combines clusters of rich colors with expressive blasts of yellow, leaving dripping fluid marks visible down the length of the canvas.</SPAN></SPAN></DIV></div>
HTMLText_23B62C2B_38F6_78B4_41C1_6EB47E00E939_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JOEL SHAPIRO</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Maxi CG Bold';"><B>(American, 1941-2025)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Md BT';">Untitled, JS-439, 1981 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Md BT';">Charcoal and gouache on paper </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.17</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">The focus of Shapiro’s work is often geometric wooden and bronze sculptures. While this two dimensional work differs in medium, it plays with similar themes of minimalism and geometry. Shapiro draws on sculptural form and recontextualizes it into a two-dimensional format by highlighting the structure of the shapes and the simplicity of the lines. </SPAN></SPAN></DIV></div>
HTMLText_2485B412_38CE_6897_41CB_D05A32F1072D_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JOEL SHAPIRO</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1941-2025)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Untitled, 1988 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Bronze </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.24</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Joel Shapiro’s small sculptures brought a human pulse to the artistic current of the 1970s. While his blocky, geometric forms shared the minimalist vocabulary of artists like Donald Judd and Sol LeWitt—who sought the absence of the artist’s hand—Shapiro welcomed the human trace. Rejecting the constraints of minimalist thinking, Shapiro explored the expressive potential of basic forms and colors, reintroducing vitality and spirit to abstraction. </SPAN></SPAN></DIV></div>
HTMLText_035EDCFF_3F4B_998D_41C4_7E10C6F0F190_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JOSEF ALBERS</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(German-American 1888-1976)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Study for Homage to the Square, 1964 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Oil on blotting paper  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Josef Albers would profoundly influence the development of art in the United States after immigrating from Germany, where he had taught at the Bauhaus school before its closure by Nazi authorities in 1933. In his </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">landmark book, Interaction of Color (1963), Albers introduced novel methods for studying and understanding color, proposing that the perception of color—more than a physical fact—is highly relative, unstable, and subjective. Homage to the Square, a large collection of works created over a twenty-five year period, used simple concentric squares to investigate color relationships and their psychic effects.</SPAN></SPAN></DIV></div>
HTMLText_06C3AACC_3957_99F3_41BA_6309B14FE18D_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JOSEPH KOSUTH</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1945)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.67vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Untitled, 1964 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Paper collage mounted on pasteboard </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Douglas W. Fisher and the Estate of Norman Fisher, 1979.01.54 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">An eminent Conceptual artist, Joseph Kosuth created Untitled just before his 1965 abandonment of painting for conceptual artwork, in which he destabilized the status and value of art as purely an object. His argument that art was about its idea—the making of meaning—led to defining works like One and Three Chairs (1965), in which Kosuth presented three forms of a chair: object, photograph, and definition. In Untitled, Kosuth’s paper collage reduces physical form to question the value of formalism—art’s visual attributes, as opposed to its intentions, narratives, and context. Through bare aesthetics, Kosuth’s early work analyzed the nature of artmaking and critiqued formalist ideals, foreshadowing his career-long focus on language and meaning.</SPAN></SPAN></DIV></div>
HTMLText_2634E0DA_38CE_A994_41C8_21B756F77DDC_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">JUAN FONTANIVE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1977)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Ornithology I, 2015</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">4-color screen print on Bristol paper, stainless steel, motor, and electronics</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of the Artist, 2017.1 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Juan Fontanive’s Ornithology I uses antique illustrations to create the illusion of a single bird in flight. Inspired by his discovery of antique clocks and machines in East London, Fontanive handcrafts flip-book machines to explore the structure of animation processes. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Like the optical illusions of Op Art, Fontanive’s bird simulates movement, heightened by the fluttering sheets of paper which resemble the sound and motion of the bird’s wings. In works like Ornithology I, Fontanive’s avian imitation sits somewhere between the real and unreal—recalling the history of automata, machines that mimic life. By linking biology with machinery, Fontanive harnesses kinetic art to explore the role of mechanics, animation processes, and our perception of the natural world.</SPAN></SPAN></DIV></div>
HTMLText_266E385C_38CE_788C_41BA_40001DBC6A6B_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">KARA WALKER</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1969)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, 1997</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Bound volume of offset lithographs and five laser-cut, pop-up silhouettes on wove paper.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of David and Susan Lauderdale, 2008.05.1  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Renowned for her life-sized silhouettes, Kara Walker crafts visually ambiguous narratives that explore race, gender, sexuality, and violence. In her pop-up book Freedom: A Fable, Walker employs the silhouette—a medium historically linked to racial profiling and caricature in America—to navigate the emancipation of an enslaved woman. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Combining the whimsical format of a children's fable with violent imagery and detached text, Walker investigates themes of discrimination and repression. The book’s intimate format implicates readers in the construction of meaning through a nonsensical tale, where liberty—whether fable or reality—is complexly shaped by reader and author, observer and artist alike.</SPAN></SPAN></DIV></div>
HTMLText_24419B71_38CA_F895_41C4_591FBECC5DE3_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">KEITH HARING</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1958-1990)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Two Dancing Figures, 1989 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Polyurethane enamel on aluminum</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Donald and Maria Cox, 2016.04.21</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Through seemingly simple and colorful images, Haring brought new energy to figural art, making accessible difficult topics, such as AIDS, drug addiction, apartheid, illicit love, and nuclear disarmament. In Two Dancing Figures, cartoon-like figures interlock arms and gesture to convey movement. Informed by his involvement in New York’s street, club, and dance cultures, Haring infused sound and rhythm into his work. The animation of his figures, utilizing the bold clarity of Pop art, conveys the power of expression in forging social change and human connection. </SPAN></SPAN></DIV></div>
HTMLText_074CD0C3_3957_A9F5_41BD_5DCB9EAC2946_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">LOUISE NEVELSON</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(Ukrainian-American, 1899-1988)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Sky Garden, 1971 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Lead intaglio </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Mr. Curtis Dawes, 1972.16 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Louise Nevelson became recognized for her large-scale monochromatic wood sculptures, yet she moved across a range of media, viewing her work as a collection of elements constantly at play—a never-ending dialogue of juxtaposed relationships. This ethos is reflected in her printmaking, such as her Lead Intaglio Series, which unconventionally used lead to create a relief resembling the three dimensionality of her sculptures. Though she studied under Hans Hofmann, Nevelson rejected the bright, gestural painting style of Abstract Expressionism for a monochromatic, rigid sculptural style. Sky Garden demonstrates her signature use of black monochrome—a hue she considered the ultimate, unifying color. Through black, Nevelson sought to unify and elevate common forms, exploring the endless drama and interactions between individual components when united into a whole.</SPAN></SPAN></DIV></div>
HTMLText_7D255B47_3F4E_B8FD_41BA_3597B9559815_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">MICHAEL GOLDBERG</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1924 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">The Keep, 1958 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Oil on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Michael Goldberg was a defining figure of second generation Abstract Expressionism. After studying under Hans Hofmann, he became a member at New York City’s Eighth Street Club, developing personal and artistic ties to first-generation pioneers such as Franz Kline and Willem de Kooning. The Keep, through clashing strokes of color, highlights Goldberg’s devotion to the sheer physicality of paint and the renewal of Abstraction. By manipulating the medium with brushes, palette knives, and trowels, Goldberg forced pigments across the canvas to create fragmented, dynamic, and erratic surfaces. </SPAN></SPAN></DIV></div>
HTMLText_268DFD04_38CD_987C_41A3_4F8566EE5EEC_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">PAUL VILLINSKI</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1960)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Yes, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Soft ground etching with spitbite aquatint</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Gift of the artist and Morgan Lehman Gallery, New York, 2014.01 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.965792181069954vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Best known for his sculptural wall installations, Paul Villinski transforms discarded materials</SPAN><SPAN STYLE="color:#ffffff;font-size:3.97vmin;font-family:'Futura Md BT';">—</SPAN><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';"> most famously aluminum beer cans—into poetic arrangements of hundreds of individually cut butterflies. These swarms frequently reappear throughout Villinski’s work, imbuing commonplace materials with metaphors of flight. In this example of his more intimate two-dimensional work, the butterfly motif becomes simultaneously abstract and tangible, allowing the artist to reveal personal experiences, memories, and emotions. By altering basic phrases, shapes, and materials, Villinski affirms the potential within the ordinary and the possibility for metamorphosis. The butterfly—frail, beautiful, and overlooked—becomes a vehicle for self discovery, a creature perhaps not so different from ourselves. </SPAN></SPAN></DIV></div>
HTMLText_0414C848_38BD_F8F3_41C9_C1377D9E8AD8_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">RADCLIFFE BAILEY</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1968 - 2023)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Lucky Star, 2004 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Mixed media on wood </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Museum Purchase with funds provided by Preston Haskell, 2006.21 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Radcliffe Bailey is recognized for his incorporation of African American history into his artwork, often through traditional African patterns and symbols. Drawing on various sources of inspiration, such as jazz music, Kongo nkisi figures, and found objects, he developed multi-layered narratives that reflect on the African diaspora and cultural history. Lucky Star, richly textured with piano keys, metal musical instruments, and other found objects, memorializes the artist’s lost ancestors within the dark and complex history of African American heritage. Blending the figural with the abstract, Bailey channeled personal and collective narratives to give voice to identities previously excluded from the art-historical canon. </SPAN></SPAN></DIV></div>
HTMLText_0201E1E1_3F5A_EBB4_41B1_3CC2026ADEFC_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">RICHARD ANUSZKIEWICZ</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1930 - 2020)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Mediterranean, 1969 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Acrylic on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Emmett Broward Memorial Fund and N.E.A. Purchase Grant, 1974.82 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Influenced by the color theory of Josef Albers, Richard Anuszkiewicz helped establish Op Art, a movement exploring the nature of color and visual perception using simple linear forms and geometric shapes. To create the optical illusions characteristic of his works, he applied different high-intensity colors to the same geometric configurations, creating the illusion of depth and movement. Mediterranean demonstrates his nearly scientific approach to the planning and execution of his works. Through interacting bands of color, the proximity of bright and dark colors appears to shift, producing optical phenomena that engage the mind and body, actively shaping the viewer’s perception.</SPAN></SPAN></DIV></div>
HTMLText_06BEF278_3956_6894_41C8_7D54A3ED846F_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">RICHARD SERRA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1938 - 2024)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Rolled, Encased &amp; Sawed, from the set 7 Objects/69, 1969 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Rolled chemical lead and lead pipe</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Douglas W. Fisher and the Estate of Norman Fisher, 1979.01.128.4a-b  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">In the 1960s, Serra began working with the industrial materials he had encountered in California’s steel mills. His early castings, or “splashings,” were created by flinging molten lead against the junctures of floors and walls—emphasizing the physical process of the material while maintaining an awareness of the surrounding space. Although most famous for his later monumental sculptures, Rolled, Encased &amp; Sawed showcases Serra’s defining experiments with material and form. The titles of his works, often drawn from his Verb List, emphasize the artist’s role as a physical shaper of the work. Here—through actions like rolling and sawing—Serra foregrounds the agency of both artist and material in the creation of form.</SPAN></SPAN></DIV></div>
HTMLText_2671BB36_3955_B89F_41BB_7595B2D0F69D_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">ROBERT MOTHERWELL</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(American, 1915 - 1991)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">America-La France Variations VI, 1984</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Lithograph and collage on White Arches Cover paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of Lauren G. Baker</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Robert Motherwell was a key member of the New York School of painters, acting as a defining spokesman for the Abstract Expressionism movement. Initially studying philosophy, he became known for his combination of intellectual depth with expressive abstraction. His works employed a method of “free association”—reminiscent of Surrealist painting—in which he merged impromptu gestures with intervening orchestration. In his America-La France Variations, a series of collage lithographs, Motherwell used abstraction to explore larger themes of national identity and cultural interaction. The use of collage mixed cultural aesthetics, merging the austerity of French modernism with the fluid, animated strokes of American Abstract Expressionism. </SPAN></SPAN></DIV></div>
HTMLText_26E9EF4F_3955_B88C_41C7_18A63968D820_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">ROBERT MOTHERWELL</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(American, 1915 - 1991)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">America-La France Variations VII, 1984</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Lithograph and collage on White Arches Cover paper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Courtesy of Lauren G. Baker</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7D3476CB_3F5B_A9F5_41BC_CCAEF5C8B3DB_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">SAM GILLIAM</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1933 - 2022)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Hedge Sky, 1980 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Acrylic on canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Gift of Dr. Richard Flax, 1981.11</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Sam Gilliam was a key member of the Washington Color School, a group of artists who favored saturated swaths of color as opposed to the gestural abstraction of the earlier New York School. His Color Field paintings, characterized by stretches of vibrant color, experimented with the application of paint and the treatment of the canvas. Gilliam’s innovations challenged traditional understandings of art, particularly through his landmark draped canvases, which were devoid of frames or stretchers, and were hung or arranged on walls and floors. Such innovative works, like Hedge Sky, shifted painting into the realm of sculpture and the third dimension, transforming the art world’s understanding of color relationships.</SPAN></SPAN></DIV></div>
HTMLText_266EB9A4_38CA_7BBC_4192_CE28C7868C0F_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">SHINIQUE SMITH</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, b. 1971)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Something from Nothing Bundle, 2008</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Clothing and accessories donated in the aftermath of Katrina, ribbon and rope </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Courtesy of the artist, 2016.12</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Following Hurricane Katrina, Smith acquired clothing donations that had been declined by the city of New Orleans in favor of funds. Drawing on her diverse background in painting, textiles, fashion, and graffiti, she transformed these found garments—including blue jeans and quilted pullovers—into rich abstractions meditating on loss, care, and resilience. The title, Something from Nothing, serves as a dual metaphor: it addresses communities rebounding from a ruined environment, and marks the physical transformation of discarded objects into an expressive whole.</SPAN></SPAN></DIV></div>
HTMLText_061F0934_395E_989C_41C0_D53BC9469628_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_0737374B_395E_68F4_41A6_93264B7ECFCE_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_0707E107_395F_A87C_4176_591114FD981F_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_069066BE_394A_698F_41CA_D6B6782127B0_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.57vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_0652EA23_395E_78B4_41C9_D444445C1FBD_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">SOL LEWITT</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1928 - 2007)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Five Forms Derived from a Cube, 1982 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Woodcut prints</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">2015.07.11-15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.06vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Together with Joseph Kosuth, LeWitt helped establish Conceptual Art and Minimalism as major artistic movements. Emphasizing the primacy of the idea in art, he used basic mathematical rules to generate his works, resulting in simple colors, lines, and shapes. As modular structures—utilizing reconfigurable basic parts—his art allowed for infinite variations which were readily produced. Five Forms Derived from a Cube is an example of his approach, serving as part of a two-and three-dimensional sequential series based on the cube. Unlike the Abstract Expressionists, LeWitt limited the subjective role of the artist, instead relying on the module as an infinitely generative, timeless language, where “the idea becomes a machine that makes the art.”</SPAN></SPAN></DIV></div>
HTMLText_26D955D9_38D5_AB94_41BC_17FF9F591A04_mobile.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:5.000000000000001vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:5vmin;font-family:'Futura Maxi CG Bold';">STEPHEN EDLICH</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Maxi CG Bold';">(American, 1944-1989)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.61vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Ouverture II, Before an Open Window, 1982</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.611111111111112vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.61vmin;font-family:'Futura Md BT';">Acrylic polymer, paper, chalk, jute, and wood on primed cotton canvas </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.33vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.3333333333333317vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.33vmin;font-family:'Futura Md BT';">Gift of Dr. Richard F. Edlich, 1985.04.01-3</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.11vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.11vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:3.0555555555555545vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.06vmin;font-family:'Futura Md BT';">Stephen Edlich’s triptych, Ouverture II, Before an Open Window, draws on modernist traditions, particularly Cubism and Pablo Picasso’s use of unconventional materials and three-dimensionality. Similarly, Edlich employs a mixture of materials—from jute strings to wood veneer—to create a deeply textured and immense carved collage. By mixing traditional paper collage with modernism’s notion of the constructed object, Edlich’s nimble forms and swaths of color enliven and reimagine historical methods.</SPAN></SPAN></DIV></div>
HTMLText_2CFAA704_38BA_A87C_419A_F49283349E86.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>Company Name</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>www.loremipsum.com</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>info@loremipsum.com</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:7px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:7px;font-family:'Oswald Regular';"><I>Tlf.: +11 111 111 111</I></SPAN></SPAN></DIV></div>

## Tour

### Description

### Title
tour.name = MOCA The American Century